Bøger om Punk og New wave

'A window into a time of raw energy and rough edges, Deb Price paints a vivid picture of life in the squats of South London. By turns amusing and alarming, but always engaging, we accompany a teenager as she navigates her way to womanhood in a sub-culture on the margins.' - Allie Rogers, author of Little Gold and Tale of a ToothA coming-of-age memoir about a young woman living in squats in London in the late 70s during the emerging counterculture scene.Set in South London (Crystal Palace), Deborah mingled with some of the biggest names to emerge from the scene. She booked The Damned's first show, served pints to Johnny Rotten, and attended a backyard gig from King Kurt.Squat life was sex, drugs and punk rock but it wasn't all fun and games. The Peanut Factory shows Deborah navigating a male-dominated scene, moving every few months and living with drug dealers, sex workers, people on the run, and working-class kids like her.Despite the chaos, the squatters were a family. They were kids creating their own rules. Making art. Living life on the fly. The Peanut Factory is an ode to the youthful rebellion of the 1970s and to London itself.

In the early 1970s, the Minneapolis music scene was no scene at all. Radio stations played Top 40 music; bars and clubs booked only rock cover bands and blues bands. Meanwhile, cities like New York, Detroit, and London were spawning fresh and innovative and loud and raw sounds by musicians creating a new punk and rock movement. A small but daring group of Twin Cities musicians, artists, entrepreneurs, and enthusiasts wanted a piece of that action. To do it, they had to build it themselves.

Cleveland, Ohio's punk scene has played host and step parent to tens of thousands of kids for over 40 years. A. Iwasa was one of those kids and now with nearly 20 years of distance, he reflects on how Cleveland's weird, unique social and geographic landscape impacts those impressionable young people, shaping them into idealistic, scrappy adults who spread that influence with their own creations. Each one of us (yes, including the publisher of this book) got excited, felt a part of something unique and special. Then got deeply immersed in it until you find that it's not actually meeting your adult needs...before falling too deep into the hole and encountering the darker aspects of post-industrial punk. It feels like one day you suddenly discover how your peers see issues differently than you do. But again, each of these punks that once felt alone in the world go out and create something beautiful in punk's mired visage, even if only to escape yet another destructive home life.

If youre looking for the events that inspired the lyrics to all my songs? Those stories are in this book. If youre looking for what I did when I was younger? Thats in here. What changed me, made me stop hating and hurting? Its all here. This is my story and Im sticking to it. Thats the one thing I have, the truth.Volume three of Black Heart Fades Blue, a three-part memoir by the founder and frontman for one of punk rocks most notorious acts, Poison Idea.In 1980, Jerry A. formed Poison Idea, a Portland-based punk band that gave voice to disaffected and disenfranchised youth for over 30 years. As happened to so many punk bands, Jerry A. and Poison Idea also went all in on drugs and drinking as they toured the country, spiraling out of control and blowing both the band and their lives apart.Black Heart Fades Blue is not an apology or a nostalgic catalog of events, but a true reckoning with one's past and present. A memoir of a time and a place and a movement, as well as a deep conversation about the memories and moments we leave behind, Black Heart Fades Blue is a deep exploration of an unconventional life.

With its own fashion, culture and chaotic energy, punk rock boasted a do-it-yourself ethos that allowed anyone and everyone to take part. Vibrant and volatile, the punk scene left an extraordinary legacy of music and cultural change. In Punk Rock: An Oral History, John Robb talks to many of those who cultivated the movement, such as John Lydon, Lemmy, Siouxsie Sioux, Mick Jones, Chrissie Hynde, Malcolm McLaren, Henry Rollins and Glen Matlock, weaving together their accounts to create a raw and unprecedented oral history of UK punk.

As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential.Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls.The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

If youre looking for the events that inspired the lyrics to all my songs? Those stories are in this book. If youre looking for what I did when I was younger? Thats in here. What changed me, made me stop hating and hurting? Its all here. This is my story and Im sticking to it. Thats the one thing I have, the truth.Volume two of Black Heart Fades Blue, a three-part memoir by the founder and frontman for one of punk rocks most notorious acts, Poison Idea.In 1980, Jerry A. formed Poison Idea, a Portland-based punk band that gave voice to disaffected and disenfranchised youth for over 30 years. As happened to so many punk bands, Jerry A. and Poison Idea also went all in on drugs and drinking as they toured the country, spiraling out of control and blowing both the band and their lives apart.Black Heart Fades Blue is not an apology or a nostalgic catalog of events, but a true reckoning with one's past and present. A memoir of a time and a place and a movement, as well as a deep conversation about the memories and moments we leave behind, Black Heart Fades Blue is a deep exploration of an unconventional life.

Minot may only be the fourth largest city in North Dakota, but it's a key player in the punk ecosphere. Home to the longest continuous scene in the Dakotas, it has long served as an important stop for touring bands. Local teens grow up, start bands, and instead of moving to larger cities, take the reigns on their scene to keep the magic going. From finding venues to booking shows, they strengthen the community by showing each other and younger generations that life can truly be what you make of it.

Drawing on both archival documents and original interviews, this zine explores the music of the era's bands, including Bad Brains, Cro-Mags, Agnostic Front, False Prophets, Urgent Fury, No Thanks, and Reagan Youth. At the same time, the scene is situated within the broader social context, from the election of Ronald Reagan to the Tompkins Square Riots. Woven throughout is the tragic story of New York City's most legendary anarcho-punk, Reagan Youth's Dave Insurgent.

In the next installment of the greatest love story ever told, Glenn's mother is still living with him and Henry, until Glenn runs away. Henry, John, and Darryl comb a dozen familiar LA institutions to reunite our lovers. After being reunited during a karaoke parody of one of Glenn's songs, Henry and Glenn get their flu shots before the tragic events of Justin Hall's (No Straight Lines) story of Henry and Glenn Go To Gaydes. In this laugh-out-loud funny adventure many jokes are offered to longtime fans of our heroes and their musical pasts. Gaydes is, of course, ruled by Freddy Mercury who takes pity on Glenn and allows him one chance but he must never look back! Can Glenn do it? Will our lovers continue to frustrate, inspire, and show us the way? Additional art by Shaky Kane, Jeremy Owen, Beth Dean, Rafer Roberts, Grant Reynolds, and Alex Chiu.

Before db the DJ became DJ DB, he was attempting to launch himself as a photographer. These never before been published photographs capture the punk rock spirit of London in the late 70s. Some notable appearances include Sid Vicious and Nancy Spungen leaving court, the Sex Pistols final show in the UK, the Ramones in intimate New York clubs, and Annie Lennox and Dave Stewart pre-Eurythmics. Author db Burkeman is based in Brooklyn, New York and is an avid collector of all things punk rock.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.” Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight.Punk rock was a celebration of nastiness, chaos, and defiance of convention, which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or—perish the thought—Marxist? When all’s said and done, does punk simply suck? These obvious questions only scratch the surface of punk’s philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk’s essence, or perhaps they end up demonstrating that it has no essence. You decide. Among the nail-biting questions addressed in this book:● Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk?● How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse?● Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves?● How close is the message of Jesus of Nazareth to the message of punk?● Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism?● In its rejection of the traditional aesthetic of order and complexity, did punk point the way to “aesthetic anarchy,” based on simplicity and chaos?● By becoming commercially successful, did punk fail by its very success?● Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life?

In a man's life he will take a fall, but how low he goes.....that just depends. -Rancid. For me, those falls had been often and severe. There were many lows, and in those lows I had come to realize that someone very special was right there beside me. Someone who was ready to help if I'd only asked. This story or testimony is the journey of a punk rocker coming to realize who that someone was as I make my way through life. I want to engage my brothers and sisters in punk in a new way. You might feel that reading sucks, I generally do. However, I encourage you to take a couple hours out of the busy life you live and be The First Ones into the punk rock testimony. For 16 years I played drums and vocals for Chainsaw Johnny, the best worst punk band ever. Our three piece combination of bass, drums, and power chord guitar pushed hardcore punk to the extreme. After the death of our bassist Dean, the spirit of Chainsaw Johnny died too. To me, punk rock was full steam ahead and a screeching halt. After a time of re-direction, I have come to realize that we're in a spiritual battle. I know that religion often leaves a bad taste in people's mouths, but I want to share with the world of punk rock, a testimony of what happens when you take a fresh look at a man called Jesus. A look at life, through the eyes of a punk rocker.

With exclusive access to Strummer's friends, relatives, and fellow musicians, music journalist Chris Salewicz penetrates the soul of an rock 'n roll icon. The Clash was--and still is--one of the most important groups of the late 1970s and early 1980s. Indebted to rockabilly, reggae, Memphis soul, cowboy justice, and '60s protest, the overtly political band railed against war, racism, and a dead-end economy, and in the process imparted a conscience to punk. Their eponymous first record and London Calling still rank in Rolling Stone's top-ten best albums of all time, and in 2003 they were officially inducted into the Rock and Roll Hall of Fame. Joe Strummer was the Clash's front man, a rock-and-roll hero seen by many as the personification of outlaw integrity and street cool. The political heart of the Clash, Strummer synthesized gritty toughness and poetic sensitivity in a manner that still resonates with listeners, and his untimely death in December 2002 shook the world, further solidifying his iconic status. Salewicz was a friend to Strummer for close to three decades and has covered the Clash's career and the entire punk movement from its inception. He uses his vantage point to write Redemption Song, the definitive biography of Strummer, charting his enormous worldwide success, his bleak years in the wilderness after the Clash's bitter breakup, and his triumphant return to stardom at the end of his life. Salewicz argues for Strummer's place in a long line of protest singers that includes Woody Guthrie, John Lennon, and Bob Marley, and examines by turns Strummer's and punk's ongoing cultural influence.

The full story of the rise and spectacular comeback of the band hailed as the saviors of punk rock. It's hard to believe that in early 2004 Green Day was considered over -- the band was still together, but they were dismissed as a strictly '90s phenomenon, incapable of re-creating the success of their groundbreaking album Dookie. Then American Idiot debuted at #1 on the Billboard charts, stayed on the charts for nearly 18 months, and went on to sell more than four million records and to win the Grammy for Record of the Year for "e;Boulevard of Broken Dreams."e; Combining unique access to Green Day with a seasoned journalists nose for a great story, Marc Spitz gives the complete account of the band, from their earliest days to their most recent explosion of popularity and critical acclaim. Foremost, Nobody Likes You is a story of friendship and the transporting power of playing very loud music. It is the story of how high school dropout Billie Joe Armstrong came to write song lyrics that inflamed the political conscience of fans in a way that two Yale graduates couldn't. Green Days story -- from rise, to fall, to rise again -- has never been fully told.