Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
In this eye-opening memoir, Carver recalls her extraordinary youth and charts the late-80s, early-90s punk subculture that she helped shape. She recounts how her band Suckdog was born in 1987 and the wild events that followed, in this definitive account of the generation that wanted to break every rule.
When it began, punk was an underground revolution that raged against the mainstream; now punk is the mainstream. Tracing the origins of Grammy-winning icons Green Day and the triumphant resurgence of neo-punk legends Bad Religion through MTV's embrace of pop-punk bands like Yellowcard, music journalist Matt Diehl explores the history of new punk, exposing how this once cult sound became a blockbuster commercial phenomenon. Diehl follows the history and controversy behind neo-punk-from the Offspring's move from a respected indie label to a major, to multi-platinum bands Good Charlotte and Simple Plan's unrepentant commercial success, through the survival of genre iconoclasts the Distillers and the rise of "emo" superstars like Fall Out Boy. My So-Called Punk picks up where bestselling authors Legs McNeil and Jon Savage left off, conveying how punk went from the Sex Pistol's "Anarchy in the U.K." to anarchy in the O.C. via the Warped Tour. Defining the sound of today's punk, telling the stories behind the bands that have brought it to the masses and discussing the volatile tension between the culture's old and new factions, My So-Called Punk is the go-to book for a new generation of punk rock fans.
Joey Keithley, aka Joey Shithead, founded legendary punk pioneers D.O.A. in 1978. Punk kings who spread counterculture around the world, they've been cited as influences by the Red Hot Chili Peppers, Green Day, Rancid and The Offspring; have toured with The Clash, The Ramones, The Dead Kennedys, Black Flag, Nirvana, PiL, Minor Threat and others; and are the subject of two tribute albums. They are the band that introduced the term "hardcore" into punk lexicon and may have turned Nirvana's lead singer Kurt Cobain onto a career in music.But punk is more than a style of music: it's a political act, and D.O.A. have always had a social conscience, having performed in support of Greenpeace, women's rape/crisis centres, prisoner's rights, and antinuke and antiglobalization organizations. Twenty-five years later D.O.A. can claim sales of hundreds of thousands of copies of their 11 albums and tours in 30 different countries, and they are still going strong."I, Shithead "is Joey's personal, no-bullshit recollections of a life in punk, starting with the burgeoning punk movement and traversing a generation disillusioned with the status quo, who believed they could change the world: stories of riots, drinking, travelling, playing and conquering all manner of obstacles through sheer determination.Praise for D.O.A.: "They rock out. They blow the roof off. Some of the best shows I've seen in my life were D.O.A. gigs. I've never seen D.O.A. not be amazing."-Henry Rollins (Black Flag, Rollins Band)"The proper medicine growing young minds needed."-Jello Biafra (Dead Kennedys)"Joey Shithead casts a long shadow."-John Doe (X)"They've changed a lot of people's lives."-Dave Grohl(Nirvana, Foo Fighters)Joey "Shithead" Keithley has long been an activist, including as a candidate for the Green Party, and is the founder of Sudden Death Records (www.suddendeath.com). He lives in Vancouver with his wife and their three children.
Taking us back to late '70s and early '80s Hollywood—pre-crack, pre-AIDS, pre-Reagan—We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there."California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley"The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie"The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe"The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer"At least fifty punks were living at the Canterbury. You'd walk into the courtyard and there'd be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda CarlisleAssembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock 'n' roll of today.
It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: in their gray surroundings, where everyone's future was preordained by some communist apparatchik, punk represented a revolutionary philosophy--quite literally, as it turned out. But as these young kids tried to form bands and became more visible, security forces--including the dreaded secret police, the Stasi--targeted them. They were spied on by friends and even members of their own families; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. Instead of conforming, the punks fought back, playing an indispensable role in the underground movements that helped bring down the Berlin Wall. This secret history of East German punk rock is not just about the music; it is a story of extraordinary bravery in the face of one of the most oppressive regimes in history. Rollicking, cinematic, deeply researched, highly readable, and thrillingly topical, Burning Down the Haus brings to life the young men and women who successfully fought authoritarianism three chords at a time--and is a fiery testament to the irrepressible spirit of revolution.
Joy Division changed the face of music. Godfathers of alternative rock, they reinvented music in the post-punk era, creating a new sound?dark, hypnotic, and intense?that would influence U2, Morrissey, R.E.M., Radiohead, and numerous others. The story is now legendary: in 1980, on the heels of their groundbreaking debut album and on the eve of their first U.S. tour, the band was rent asunder by the tragic death of their enigmatic lead singer, Ian Curtis. Yet in the mere three years they were together, they produced two landmark albums and a handful of singles?including the iconic anthem "Love Will Tear Us Apart"?that continue to have a powerful resonance. Now, for the first time, their story is told by one of their own. In Unknown Pleasures, founding member and bass player Peter Hook recounts how four young men from Manchester and Salford rose from the punk scene to create a haunting, atmospheric music that would define a generation. Peter talks with eye-opening candor about the suicide of Ian Curtis; the band's friendships and fallouts; and the larger-than-life characters who formed the Joy Division legend. Told with surprising humor and vivid detail, Unknown Pleasures is the book Joy Division fans have awaited for decades.
Digte af Robert Mørk tindholm om det lette og vidunderlige liv , men også om det tunge og triste.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.