Bøger om Rock & roll

Beverly Hills, MI

A forensic investigation into a single LP: Dr. John, the night tripper's Gris-gris.Two-Headed Doctor is a forensic investigation into a single LP: Dr. John, the night tripper's Gris-gris. Though released in 1968 to poor sales and a minimum of critical attention, Gris-gris has accumulated legendary status over subsequent decades for its strangeness, hybridity, and innovative production. It formed the launch pad for Dr. John's image and lengthy career and the ghostly presence of its so-called voodoo atmosphere hovers over numerous cover versions, samples, and re-invocations. Despite the respect given to the record, its making is shrouded in mystery, misunderstandings, and false conclusions. The persona of Dr. John, loosely based on dubious literary accounts of a notorious voodooist and freed slave, a nineteenth-century New Orleans resident known as Doctor John, provided Malcolm "Mac" Rebennack with a lifelong mask through which to transform himself from session musician in order to construct a solo career. Somewhere between puzzle, experimental rhythm, blues disguised as rock, and elaborate hoax, Gris-gris was a collaborative project between Rebennack and producer/arranger Harold Battiste (at the time musical director for Sonny & Cher). A few brief sessions held at Gold Star Studios in Los Angeles brought together many of New Orleans' finest musicians, including Shirley Goodman, John Boudreaux, Plas Johnson, Jessie Hill, Ernest McLean, and Tami Lynn. Along with their complex histories, the cast of characters implicated in the story includes Ornette Coleman, Lafcadio Hearn, Zora Neale Hurston, Cher, Sonny Bono, Sam Cooke, Ishmael Reed, Black Herman, Prince La La, and many others. The story details in discursive style the historical context of the music, how it came together, its literary sources, production and arrangements, and the nature of the recording studio as dream state, but also examines as a disturbing undercurrent the volatile issue of race in twentieth-century music, the way in which it doomed relationships and ambitious projects, exploited great talents, and distorted the cultural landscape.

A veteran music journalist explores how four legendary rock bands—KISS, Cheap Trick, Aerosmith, and Starz—laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s.It was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on.In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.

This "oral autobiography" of Jimmy Page, the intensely private mastermind behind Led Zeppelin-one of the most enduring bands in rock history-is the most complete and revelatory portrait of the legendary guitarist ever published. More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer. In Light & Shade, Jimmy Page, the band's most reticent and inscrutable member, opens up to journalist Brad Tolinski, for the first time exploring his remarkable life and musical journey in great depth and intimate detail. Based on extensive interviews conducted with the guitarist/producer over the past 20 years, Light & Shade encompasses Page's entire career, beginning with his early years as England's top session guitarist when he worked with artists ranging from Tom Jones, Shirley Bassey, and Burt Bacharach to the Kinks, The Who, and Eric Clapton. Page speaks frankly about his decadent yet immensely creative years in Led Zeppelin, his synergistic relationships with band members Robert Plant, John Bonham, and John Paul Jones, and his notable post-Zeppelin pursuits. While examining every major track recorded by Zeppelin, including "Stairway to Heaven," "Whole Lotta Love," and "Kashmir," Page reflects on the band's sensational tours, the filming of the concert movie The Song Remains the Same, his fascination with the occult, meeting Elvis Presley, and the making of the rock masterpiece Led Zeppelin IV, about which he offers a complete behind-the-scenes account. Additionally, the book is peppered with "sidebar" chapters that include conversations between Page and other guitar greats, including his childhood friend Jeff Beck and hipster icon Jack White. Through Page's own words, Light and Shade presents an unprecedented first-person view of one of the most important musicians of our era.

The front man of Led Zeppelin, one of the biggest and most influential rock bands of all time, Robert Plant defined the very notion of what it means to be a rock god.But Plant's legacy stretches far beyond Led Zeppelin. Robert Plant: A Life is the story of the forces that shaped him: from his boyhood in England's Black Country to the ravaging highs and lows of the Zeppelin years; from his relationship with Jimmy Page and John Bonham to the solo career that today has him producing some of the most acclaimed work of his career. Rock journalist and editor Paul Rees, who has in the past interviewed Plant at length, paints a rich, complex portrait of a man who was only nineteen when he changed the face of rock 'n' roll.

Author Phillip Norman, whose previous bestseller, John Lennon: The Life, was praised as a haunting, mammoth, terrific piece of work (New York Times Book Review) and whose classic Shout! is widely considered to be the definitive biography of the Beatles, now turns his attention to the iconic front man of the Rolling Stones, the greatest rock n roll band in the world. Normans Mick Jagger is an extraordinarily detailed and vibrantly written in-depth account of the life and half-century-long career of one of the most fascinating and complex superstars of rock musicthe most comprehensive biography to date of the famously enigmatic musician. Keith Richards had his say in Life. Now its time to get to know intimately the other half of the duo responsible for such enduring hits as Paint It Black, Sympathy for the Devil, Gimme Shelter, and (I Cant Get No) Satisfaction. Mick Jagger is a must read for Stones fans, and everyone who cant get enough of the serious memoirs and biographies of popular musicians, like Patti Smiths Just Kids, Does the Noise in My Head Bother You? by Steven Tyler, and the Warren Zevon story, Ill Sleep When Im Dead.

The music, performances, and cultural impact of some of the most enduring figures in popular music are explored in Rock Music Icons: Musical and Cultural Impacts. This collection investigates authenticity, identity, and the power of the voices and images of widely circulated and shared artists that have become the soundtrack of our lives.

The iconic photography and tales of famous musicians and rock-and-roll legends, all from "the man who shot the Seventies" himself, Mick Rock.Born in 1948 in Hammersmith, London, Michael Rock became a photographer after graduating from college, and developed his visual style with photos of the local rock music scene in England. Soon thereafter his photography career took off, going higher and higher with each new musician he shot for. His work is embodied in this text, full of luscious, color-saturated photography of some of the most dynamic and enthralling musical acts and stars in rock history—and likewise filled with amazing and amusing behind-the-scenes stories of musicians from Mick Jagger to Miley Cyrus and beyond. A sure-fire hit with rock and musical history fans!

A fascinating look at the history of Sun Records, the label that started Rock n' Roll, told through 70 of its iconic recordings.In Memphis, Tennessee, in the 1950s, there was hard-edged blues playing on Beale Street, and hillbilly boogie on the outskirts of town. But at Sam Phillips' Sun Records studio on Union Avenue, there was something different going on - a whole lotta shakin', rockin', and rollin'. Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. The label that brought the world, "Blue Suede Shoes," "Whole Lotta Shakin' Goin' On," "Breathless," "I Walk the Line," "Mystery Train," "Good Rockin' Tonight."The Birth of Rock 'n' Roll: 70 Years of Sun Records is the official history of this legendary label, and looks at its story in a unique way: through the lens of 70 of its most iconic recordings. From the early days with primal blues artists like Howlin' Wolf and B.B. King to long nights in the studio with Elvis and Jerry Lee Lewis, you will see how the label was shaped and how it redefined American music. Accompanying the recordings is the label's origin story and a look at the mission of the label today, as well as "Sun Spot" sidebars-a fascinating dive into subjects such as how the iconic logo was created, the legendary Million Dollar Quartet sessions, and how the song "Harper Valley, PTA" funded the purchase of the label.Written by two of the most acclaimed music writers of our time, Peter Guralnick and Colin Escott, and featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.

Once upon a time I was falling apart. Now I'm always falling in love.When Rob Sheffield moved to New York City in 2001, he was a young widower trying to start a new life in a new town. One night, some friends dragged him to a karaoke bar?and that night turned into many nights in many karaoke bars. Karaoke became a way to be someone else if only for the span of a three-minute song, and through the sublime ridiculousness of karaoke, Rob began to find his voice.And then the unexpected happened. A voice on the radio got Rob's attention. And the voice came attached to a woman who could name every constellation in the sky, every Depeche Mode B side, and could belt out a mean Bonnie Tyler. Turn Around Bright Eyes is a journey of hilarity and heartbreak with a karaoke soundtrack. It's about finding the courage to move on, clearing your throat, and letting it rip?and how songs get tangled up in our deepest emotions.

Porcupine Tree is an enigma. How do you categorise them? Over 14 issues of Voyage35, I tried to seek out and define them. Just as I thought we, the fans, had it nailed, then Steven Wilson promptly changed styles or threw us a curveball. Unfortunately for some, the changes were too drastic and had moved too far from the origins of the band (or Steven's highly acclaimed bedroom tapes), whilst others, particularly from the US, embraced the new style. Having seen Voyage35's selling for some quite exorbitant sums on E-bay recently I thought it time to revisit the pages of the Fanzines and consolidate those articles that formed the essence of each issue. I have decided not to include every word ever printed within those pages, as some are musings, some short stories that give no insight into the band, and reviews of other albums that may or may not have appealed to fans at the time (mostly label mates of the band). I have also left out the reviews of the Band's albums themselves, as these were either my personal views or copied from other publications. Here then is a selection of articles and interviews that will hopefully give context to the history of the band and supplements Rich Wilson's book, giving a fuller account of the band's past. Where appropriate I have made updated comments on some of these articles (in italics and dated).

Few singers have been able to change with the times like Johnny Mathis. Although his fame rests on his massive popularity in the 50s and 60s when he competed with Elvis and Frank Sinatra and outsold almost anyone, Mathis has remained relevant through the decades and no other crooner is as technically skilled or able to cover multiple genres so convincingly. Jazz, soul, disco, country, classic and contemporary pop, Mathis has adapted his impressive vocal range to all kinds of music and transgressed the stereotype of what a male voice is supposed to sound like. The longest-running artist on Columbia, he has been recognized by the record industry with The Recording Academy Lifetime Achievement Award and three recordings in the Grammy Hall of Fame, but so far there hasn't been an exhaustive examination of his complete recordings in book form. Authorized by Mathis and including fresh insights from himself as well as his producers and arrangers, Misty: The Music of Johnny Mathis, rights that wrong. With detailed discussions of the records and a discography, the book traces Mathis's musical journey from the past to the present and includes a wealth of photos and album scans from his own archive. It's the ideal companion for fans and new listeners interested in exploring one of the most prominent voices in American music.

In Bob Dylan: Prophet, Mystic, Poet, Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content—drawn from the Bible, the Talmud, and the Kabbalah—at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. Bob Dylan: Prophet, Mystic, Poet is a fresh and illuminating look at one of America's most renowned—and one of its most enigmatic—talents.

The Routledge Handbook of Pink Floyd is intended for scholars and researchers of popular music, as well as music industry professionals and fans of the band. It brings together international researchers to assess, evaluate and reformulate approaches to the critical study and interpretation of one of the world's most important and successful bands. For the first time, this Handbook will 'tear down the wall,' examining the band's collective artistic creations and the influence of social, technological, commercial and political environments over several decades on their work. Divided into five parts, the book provides a thoroughly contextualised overview of the musical works of Pink Floyd, including coverage of performance and sound; media, reception and fandom; genre; periods of Pink Floyd's work; and aesthetics and subjectivity. Drawing on art, design, performance, culture and counterculture, emergent theoretical resources and analytical frames are evaluated and discussed from across the social sciences, humanities and creative arts. The Handbook is intended for scholars and researchers of popular music, as well as music industry professionals. It will appeal across a range of related subjects from music production to cultural studies and media/communication studies.

FOREWORD BY PETER GABRIEL. School friend, aide-de-camp and tour manager, Richard Macphail was for almost five years the glue that held Genesis together, and in his affectionate memoir My Book of Genesis he tells his own unique story of the group's early years. Richard was the singer in Anon, the Charterhouse school group that included Mike Rutherford and Anthony Phillips, which would later merge with Peter Gabriel and Tony Banks' group The Garden Wall to become Genesis. Richard then became their one-man road crew, shepherding them from gig to gig, providing a cottage where they could live and rehearse and offering support when it was most needed. Richard was there when Phil Collins was auditioned, when Steve Hackett was recruited to replace Anthony Phillips and when Peter Gabriel left for a solo career. He was in the thick of it as they fulfilled their ambitions, signing to Charisma, touring Europe and America and recording a series of albums that fans fondly remember as the bedrock of Genesis' extraordinary career. In his book's final chapters he describes his ongoing relationship with Peter, Mike, Tony, Phil and Steve, a friendship that has endured for over 50 years. Featuring contributions from all the members of Genesis and co-written with former Melody Maker journalist Chris Charlesworth, My Book Of Genesis is both revealing and forthright, an insider's account that fans will treasure.'I think that we would have killed each other without Rich' - Mike Rutherford