Bøger om Rock & roll

Produced on the fiftieth anniversary of David Bowie's album, and containing hundreds of photos and personal essays, Aladdin Sane 50 is the ultimate celebration of a musical masterpiece - and the most famous photograph in pop history.

A celebration of one of pop's longest reigning rebels. Since her breakthrough album, Missundaztood was released to critical acclaim in 2001 Pink has remained prolific, popular and consistently phenomenal.

In Los Angeles, from the early 1960s through the late 1980s, young musicians and singers formed tight-knit musical communities anchored by nightclubs such as the Ash Grove, the Troubadour, and the Palomino. These musicians injected elements of folk, bluegrass, and country to enliven and reinvigorate the sounds of pop and rock. The music flowing from these scenes exerted a lasting influence that would stretch the boundaries and alter the course of both rock and country music. This book, a companion to a major multi-year exhibition at the Country Music Hall of Fame and Museum, traces a musical evolution beginning with California folk and bluegrass groups, which led to the country-rock sounds of the Byrds, CSN&Y, Linda Ronstadt, Emmylou Harris, the Eagles, and many more. In the 1980s, a new wave of L.A. roots-rock ushered in Dwight Yoakam, Los Lobos, and Lone Justice. Richly illustrated with photographs of key musicians on the scene along with treasured items loaned to the museum for the exhibition, the book takes readers on a dazzling journey to a time and place when the beat and grit of rock met the harmonies and the twang of country to produce sounds that reverberate to this day.

Selected writings on three decades of music from one of the most influential critics of his generation.

"The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. "When something's not right, it's wrong," as Dylan puts it in "You're Going to Make Me Lonesome When You Go"-and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including "Idiot Wind" and "Tangled Up in Blue." Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these "mystery" Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making-or remaking-of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players"--

"This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the 'loser,' a term that encompassed the label's founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success."

The 1980s "was an era where the musical and cultural ideals of rebellion and freedom of the great rock 'n' roll of the '50s, '60s, and '70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond. Time hasn't always been kind to artists of that gold and platinum era, but [this book] analyzes the sonic evolution, musical diversity, and artistic intention of '80s commercial hard rock through interviews with members of such hard rock luminaries as Twisted Sister, Def Leppard, Poison, Whitesnake, Ratt, Skid Row, Quiet Riot, Guns N' Roses, Dokken, Mr. Big, and others"--

FOREWORD BY ALAN WARNER'A book that sets new standards for rock biography' GuardianReissued as part of White Rabbit's Deep Cuts series, On Some Faraway Beach is the first and only ever comprehensive and authoritative biography of Brian Eno, featuring interviews with many of his key collaborators over the years: from Bryan Ferry to David Byrne and Robert Wyatt. First published in 2008, it has been fully revised and updated to cover Eno's life and creative output since, with brand new material and a new introduction by Alan Warner.'This exceptionally well-written biography duly celebrated [Eno's] great achievements with Roxy, Bowie, Talking Heads and his own solo work in compelling detail' Uncut'[An] honourable, authorised attempt to do justice to a mind-bogglingly restless and prolific subject' Sunday Times

"Countdown: A Life in 20 Songs" uses a range of rock and roll, rhythm and blues, soul, and disco hits from the 1950s through the 1970s to tell the story of the author's political, cultural and intellectual development at a time of tremendous tumult across American society.

Spanning the 50-year history of metal, this book showcases the finest examples of art defining the genre!

A definitive account of Cream at their peak during their two-month run at the Fillmore Auditorium and Winterland in San Francisco!

Crazy Train was co-written by one of Mark Wood's main influences and favorite guitar players, Randy Rhoads, a neo-classical rock guitar player. When Wood discovered him, Rhoads was fully entrenched in the standard rock/blues style, yet had wonderful control of the flourish and esthetic of classical music in his playing. The influence was perfect for Mark Wood, who was an up-and-coming rock violinist at the time.

Mark Wood originally recorded Vivaldi Rocks on his These Are a Few of My Favorite Things CD playing his seven-string Viper electric violin, but the solo part can be performed on the traditional acoustic four-stringed instrument. The composer prefers the sound of the electric instrument, so consider at least using a microphone with a standard instrument for amplification.

Clinton Walker's biography of Bon Scott is the definitive account of the life of the iconic rocker, tracing his musical apprenticeship in bubblegum pop band the Valentines and blues-rockers Fraternity through to joining up with Angus and Malcolm Young in AC/DC, where his racy lyrics, unique vocal style, and sheer charisma helped define a new, highly influential brand of rock and roll.Drawing on many first-person interviews and featuring a gallery of rare images, Clinton Walker traces AC/DC's career through the life of their original front man, from the Scottish roots he shared with the Youngs to small-time gigs to recording studios and international success, right up to Scott's shocking death in 1980, just as the band were getting the worldwide recognition they'd worked for so tirelessly.Wild speculation about how Scott died has surfaced periodically in the intervening years and flared up again recently. For this edition, Clinton Walker re-examines the evidence surrounding Scott¿s death, investigates these recurring claims, and concludes that such conspiracy theories have no basis in fact. The result underlines Highway to Hell¿s status as the authoritative version of the life¿and untimely death¿of one of rock¿s greatest characters.

For the first time, the incredible true story of the legendary band, the Doobie Brothers, written by founding members Pat Simmons and Tom Johnston.Only a very few rock bands have had the longevity, success, and drama of the Doobie Brothers. Born out of late 1960s NorCal, and led by Pat Simmons and Tom Johnston, they stood alongside their contemporaries the Grateful Dead, the Allman Brothers, and many others as an iconic American rock band. The train was rolling along, hits were flowing like wine, and arenas were packed with fans who wanted to see them live...then Tom Johnston, the band's front man and lead guitarist, became ill and had to leave.The Doobies' train came to a screeching halt. All of a sudden the band started contemplating the end of the road only seven years into their career, just as things were taking off. But Pat Simmons made sure they were far from the end and began the process of keeping the band together through most of the next decade.A soul-steeped backup singer for Steely Dan named Michael McDonald took a shot at singing some of the Doobies' songs on tour, and just like that a new chapter in the Doobie Brothers' story began. The band expanded their sound and had even more hits with their new front addition. Tom recovered from his health issues, but the band had moved on. When it came time for a reunion concert in the '80s, Tom got the call and was back in the mix. Led once again by Pat and Tom, the Doobie Brothers have been touring ever since and maintain a massive fan base the world over.Never before have Pat and Tom shared their story, in their own words. In Long Train Runnin' they'll change that.

THE INSTANT NEW YORK TIMES BESTSELLERNew York Times bestselling author Alan Paul's in-depth narrative look at the Allman Brothers' most successful album, and a portrait of an era in rock and roll and American history.The Allman Brothers Band's Brothers and Sisters was not only the band's bestselling album, at over seven million copies sold, but it was also a powerfully influential release, both musically and culturally, one whose influence continues to be profoundly felt.Celebrating the album's fiftieth anniversary, Brothers and Sisters the book delves into the making of the album, while also presenting a broader cultural history of the era, based on first-person interviews, historical documents, and in-depth research.Brothers and Sisters traces the making of the template-shaping record alongside the stories of how the Allman Brothers came to the rescue of a flailing Jimmy Carter presidential campaign and helped get the former governor of Georgia elected president; how Gregg Allman's marriage to Cher was an early harbinger of an emerging celebrity media culture; and how the band's success led to internal fissures. The book also examines the Allman Brothers' relationship with the Grateful Dead-including the most in-depth reporting ever on the Summer Jam at Watkins Glen, the largest rock festival ever-and describes how they inspired bands like Lynyrd Skynyrd, helping create the southern rock genre.With exclusive access to hundreds of hours of never-before-heard interviews with every major player, including Dickey Betts and Gregg Allman, conducted by Allman Brothers Band archivist, photographer, and "Tour Mystic" Kirk West, Brothers and Sisters is an honest assessment of the band's career, history, and highs and lows.

"In the 1960s, the electric guitar became for boys what Barbie was for girls. Legions of bands formed, composed of teens making a ruckus in the garage. But who could have guessed how many world-renowned greats would arise from the clangor? Guitar gods came forth from Los Angeles, London, Chicago, and Nashville. But there is a southern city often overlooked, and unlikely incubator that produced more than a dozen greats. Legends such as Dickey Betts, Dave Hlubek, Duane Allman, Jeff Carlisi, Mike Campbell, and Derek Trucks emerged from Jacksonville, a far-flung city detached from the music hubs. Why did Jacksonville give rise to so many greats? Author Michael Ray FitzGerald explores the origins of this rocking story while pay tribute to the youngsters from Jax who joined the ranks of the guitar gods" --

This book pays justice to every concert, configuration and chord Oasis put towards the world. With such adoration for The Beatles, Oasis will be glad they have found their Revolution In The Head! Far Out MagazineThe rise of Oasis in the mid-1990s was nothing short of stratospheric. Yet what made Oasis truly special was that they were the people's band. This is their story, told by the people that lived through it and how our lives were changed forever.Across the country and all around the world, millions of people felt a connection to these five working class lads from Manchester. With anthemic songs crafted by possibly the greatest songwriter of their generation, delivered with intensity and swagger by definitely the greatest frontman of their generation (also his brother), they set out with an insane level of arrogance, outrageously proclaiming themselves to be the best band in the world. And yet for a shining moment in the mid-1990s they were.Definitely Maybe. (What's The Story) Morning Glory? Wonderwall. Knebworth. A level of success not seen by a British band since a certain Liverpool quartet in the 1960s. Beyond that, the ushering in of a new cultural zeitgeist. Britpop. Cool Britannia. New Labour. And at the centre of it all, the soap opera antics of the warring Gallagher brothers and their band of merry men.But the story didn't end there. Throughout the late 1990s and 2000s they continued to inspire generations of fans with their subsequent albums and tours, while controversy was never far away. Band members were left behind, as were a handful of Liam's teeth in a Munich hotel. New members joined, bringing a different dimension to the sound and ethos... and then one eventful day in Paris in 2009 the whole thing came to a screeching halt.With exclusive in-depth interviews extracted from the annals of The Oasis Podcast, including contributions from those involved (Alan McGee, Tony McCarroll), journalists, photographers, radio presenters, video directors (Paulo Hewitt, Colin Paterson, Pete Mitchell, Nigel Dick, Michael Spencer Jones) and celebrity fans amongst many others. This is the ultimate story of Oasis.About the author: Richard Bowes is a freelance music writer, focussing mainly on reviews and a regular reviewer for Live4Ever website and is also a regular contributor to the Oasis Podcast, the definitive audio guide to Oasis.

"Metal bands exploded during the 1980s. Influenced by the heavy sounds coming out of Britain via Judas Priest and Iron Maiden, young guitar shredders turned the amps up and played harder and faster. American record companies scooped up a few bands and signed them to major label recording deals (Metallica, Slayer, Anthrax) but that left hundreds of bands--and their fans--trying to get their songs heard."--