Bøger om Rythm and blues

SUNDAY TIMES MUSIC BOOK OF THE YEAR 2023MOJO BOOK OF THE YEAR 2023A ROUGH TRADE BOOK OF THE YEAR 2023AN UNCUT BOOK OF THE YEAR 2023A VARIETY MUSIC BOOK OF THE YEAR 2023One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer who created a new kind of music, mixing Black and white, male and female, funk and rock; penned some of the most iconic anthems of the 1960s and 70s, from "Everyday People" to "Family Affair"; and electrified audiences with a persona and stage presence that set a lasting standard for pop culture performance. Yet he has also been a cautionary tale, known as much for how he dropped out of sight as for what put him in the spotlight in the first place. As much as people know the music, the man remains a mystery. In Thank You, his much-anticipated memoir, he's finally ready to share his story - a story that many thought he'd never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson among others, Thank You will include a foreword by Questlove. The book was created in collaboration with Sly Stone's manager Arlene Hirschkowitz. "For as long as I can remember folks have been asking me to tell my story," says Stone. "I wasn't ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It's been a wild ride and hopefully my fans enjoy it too."

In the heart of Jackson, Tennessee, there existed a timeless and inspiring story of a group of young individuals, all embarked on a shared journey to unravel their destinies through the powerful language of music. They hailed from diverse corners of the United States, but their collective quest was unwavering and clear: to immerse themselves in the world of music and harness its transformative power to enrich their lives. Lane College in Jackson, Tennessee, would prove to be the common thread that wove together their dreams, aspirations, and ambitions, setting them on the path to musical greatness.When the young, ambition-driven musician first set foot on the sprawling campus of Lane College, their heart brimmed with dreams of conquering the challenging and highly competitive realm of the music industry. Little did they know that this educational institution, nestled within the heart of the musical tapestry that was Jackson, Tennessee, would become the crucible where their talent and determination would be forged into a powerful force of creative expression. As they embarked on this transformative journey, they were embraced by a community of educators and peers who would become more than just mentors and friends - they would be the catalysts propelling them towards their dreams.Among the luminaries who would guide and inspire these young artists, three remarkable educators stood out as pillars of wisdom and knowledge. Mr. Robert Owens, a venerable vocal music specialist and a maestro of music theory and harmony, was a beacon of inspiration. Mr. Howard Dixon, equally gifted as a brass instructor, jazz band conductor, and a guardian of music history, was another stalwart presence. Lastly, Mr. Kenneth Sampson, the director of bands, orchestration instructor, and a guru of instrumentation, completed this triumvirate of mentors, each possessing a unique blend of expertise and passion.

Featuring over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers--and even to the present-day celebrities inspired by their lasting influence-But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.

How can classic rock live on when its idols are dying all around us?Twilight of the Gods is a bold, often humorous, and provocative book about our rock gods and the undeniable messages they leave behind. Since the 1960s, artists like the Rolling Stones, the Who, Fleetwood Mac, the Eagles, Black Sabbath, and Bruce Springsteen have ushered the classic rock canon forward. Even groups that are no longer active?the Beatles, Pink Floyd, Led Zeppelin?continue to wield an outsized amount of cultural capital. But no matter how entrenched these classic rockers have been, you can already see signs of their decline.Mixing personal memoir, criticism, and journalism, Steven Hyden, author of the critically acclaimed Your Favorite Band Is Killing Me, explores the ways that classic rock changed the culture?how it established the album as music's answer to the novel and rock concerts as the secular equivalent to church?and asks whether any of these signposts can endure. He investigates the rise and fall of classic rock radio and asks whether the Rock and Roll Hall of Fame is telling the right version of rock history. Twilight of the Gods explains what we can learn from rock gods and their music, and tries to answer the most important question: Is classic rock ephemeral or forever?

Emerging from the not-so-mean streets of suburban New England at the tail end of the 1980s, The Unband embraced everything reckless, unhealthy, and downright harebrained about rock and roll. After a decade on the booze-and-gas-soaked road to success, with the help of their dominatrix manager, a willful record executive or two, and dumb luck in spades, the hard-rocking, gleefully out-of-control Unband arrived at the threshold of the new century and got their shot at the big time?in a chaotic music industry where boy-band pop ruled supreme and rock music had been declared dead. In this epic, intoxicated un-memoir, Unband bassist Michael Ruffino delves deeper into the story he originally told in 2004's Gentlemanly Repose, taking readers along on a raucous tear through the netherworld of heavy rock, populated with crack-smoking Girl Scouts, collegiate bedlamites, shotgun-toting barmaids, a rodent-chomping music CEO, a beer-drinking chimp, and headbangers by the horde, while on tour with giants of heavy metal including Dio, Motörhead, Anthrax, Def Leppard, and a Who Was Who of reunited '80s hair bands. Into that volatile mix, The Unband brought do-it-yourself pyrotechnics, a giant inflatable hand (for making giant inflatable gestures), a high tolerance for substance abuse of all kinds, and an infectious love of rock and roll and everything it stands for.Equal parts This Is Spinal Tap and Fear and Loathing in Las Vegas, Adios, Motherfucker is a riotous and unbridled testament to rock and roll being at its best on the brink of disaster.

The Isley Brothers' 3+3, dissects The Isleys' 50-year-old undisputed masterwork, an album that firmly established their music dynasty on a global scale, as well as heralding the boldest run of genre-defiant albums of their 65-year career. The 1973 watershed was their first multiplatinum release and is significant as a rare, crossover record by a Black act that struck a chord with urban, rock and pop consumers, despite the schisms between audiences due to bias-driven media and industry marketing.The book looks at the album from all angles: From The Isleys' early career to their influence on rock and rollers both Black and White, from the twists and turns of having national hits without national recognition, onto their decision to form T-Neck Records and the group's challenges navigating a music industry that racially codified music and hampered Black artists from universal acclaim and compensations--and finally a summation of the decades following The Isley's run and its ups and downs, with a fast-forward to where the group is now after 65 years.

THE BLUES BROTHERS is a story of friendship and film, race and revival, rhythm and blues. The 1980 movie stands as a landmark of American cinema and popular culture: A glorious meeting of the nation's white and black musical traditions, a moment of rebirth for the legends of African-American music, and the crowning achievement of three iconic talents in television and cinema, comedic actors John Belushi and Dan Aykroyd and director John Landis. The Blues Brothers marked a paradigm shift in the comedy and musical genres of cinema, a passing of the torch to a young and restless generation of writers and performers raised on television, and the arrival of Chicago as a cinematic setting. Dismissed by critics and shunned by theater owners upon its release, The Blues Brothers matured into a cinema classic. One of cinema's great comedies, The Blues Brothers also offered a groundbreaking vision for a modern, urban musical. The Blues Brothers endures, too, as a symbol of Hollywood excess, the heady, coke-fuelled peak of a doomed artistic partnership. THE BLUES BROTHERS chronicles the making of an iconic American film, and how the movie uses comedy to convey an important message about music, race and the American experience. Among other things, the book will reveal the true purpose of the mission that fueled the Blues Brothers enterprise: to revive the careers of America's greatest icons of rhythm and blues. This transcendent quest sets The Blues Brothers apart from the other fine comedy films of its era, securing a place for Aykroyd, Belushi and Landis in the turbulent history of race in America-in this case, as white Americans who leveraged their fame to raise the currency of great Black American musicians.

Let the Music Play: How R&B Fell In Love With 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of synths and other music tech in the era of ghetto blasters, shoulder pads and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers in the US and UK to reinvent music using a whole new set of rules. From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it looks at how sounds and genres kept adapting to each new innovation, including drum machines, samplers and digital studios. It tells the fascinating stories of the artists involved and how some of the best-loved records of the era were made - creating a blueprint for music today.

Whether introduced via cassette, CD's or digital download, for most of us 90's R&B provided the soundtrack to our lives, from childhood and young adult life, good times and hard times, falling in love, heartbreak, weddings, vacations, losing loved ones, and of so much more. That 90's Vibe celebrates the artists, songwriters, and producers that made us fall in love with 90's R&B music. This book is a journey that delves into the stories behind some of the biggest 90's R&B songs, from newcomers like Jodeci and H-Town, En Vogue and Destiny's Child; to established hitmakers like Michel Jackson, Barry White, New Edition and Aretha Franklin. This book traces R&B's evolution throughout the decade, from the new jack era to the rise of neo-soul and beyond, highlighting some of the lesser-known stories and relationships behind the songwriting, performance, and production excellence that made the 1990's the last great decade of R&B music.

Longlisted for the Penderyn Music Book PrizeAn Uncut Magazine Book of the YearA Rough Trade Book of the YearA Resident Book of the YearThe story of soul legend P.P. Arnold is one of musical highs, personal lows and extraordinary endurance.From her origins in powerhouse church gospel, the talented singer's performing career began at the age of just seventeen when she joined the Ike & Tina Turner Revue. But little did the young Ikette know that her world was about to be turned upside-down...Upon arriving in London in 1966 to support the Rolling Stones, the shy but vivacious teenager caught the eye of frontman Mick Jagger. He would persuade her to stay in the city and record as a solo artist, ultimately leading to a five-decade career working with everyone from Rod Stewart, Eric Clapton, the Small Faces, Nick Drake and Barry Gibb to Peter Gabriel, Roger Waters, the KLF, Paul Weller and Primal Scream.However, it has been far from a gilded life for the soul superstar. After being forced into marriage upon becoming pregnant at the age of fifteen, Arnold went on to endure a string of devastating personal traumas. Yet the versatile musician survived it all and has continued to reinvent herself throughout the years -be that as a West End actress, a much-sought-after session singer or a renowned pop vocalist in her own right.Now, for the first time, P.P. Arnold shares her remarkable adventures. This is the long-awaited memoir of a true soul survivor.'Jaw-dropping.' - Mojo'Powerful.' - Woman's Hour'Explosive.' - Daily Mail

"The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a "Catholic classic" by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visâe reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comeedy"--

George Clinton's Parliament-Funkadelic collective (P-Funk) is one of the most iconic and important groups in popular music history. This authorized reference features rare photos and a color photospread and provides the official P-Funk canon from 1956 to 2023: projects, albums, songs, song personnel, and tidbits about each act and select songs.

ENGLISHI've felt alone for so many nights. So I wanted to create something that gives power to the people and makes them realize that they're never alone. I think I turned those lonely nights into powerful words. DEUTSCHIch fühlte mich an vielen Nächten allein. Deswegen wollte ich etwas erschaffen, dass den Menschen Kraft verleiht und sie realisieren lässt, dass sie nie alleine sind. Ich denke, dass ich diese einsamen Nächte in machtvolle Wörter verwandelt habe.

«Der Blues wird immer präsent sein, zu manchen Zeiten populärer als zu anderen Zeiten, aber er wird immer hier sein!» - JOHN LEE HOOKER Liebeskummer, Armut, harte Arbeit, Verfolgung und Erschöpfung, Ironie, Einsamkeit und Verrat, Sünde und Seelenheil, Trunkenheit, Verzweiflung, sexuelle Lust und pure Freude: über diese Zustände und einige mehr erzählen die Blues-Musiker mit grosser Leidenschaft. Im Ursprung besticht die Blues-Musik durch geniale Einfachheit und ist über die Jahre erstaunlich reich an Varianten und Komplexität gewachsen. Keine andere populäre Musik spricht so viele Hörer an wie der Blues, es braucht aber ein gewisses Know-How, um die Feinheiten zu verstehen. Aufgegliedert in elf Kapitel, speziell für dieses Werk erarbeitet, geht NOTHING BUT THE BLUES den afrikanisch-amerikanischen Ursprüngen auf den Grund, erkundet seine frühe Entwicklung als publikumswirksame Unterhaltung, die ersten Tonaufnahmen, seine regionalen Unterschiede (Mid-South, Tidewater-Piedmont, Chicago, Detroit, New York, Los Angeles), seine stilistischen Eigenheiten und gegenwärtige Situation. CountryBlues, Urban Blues, die Entwicklung des Rhythm and Blues, der Rock ,n' Roll, und das erstaunliche Blues Revival in den 60ern werden ausgiebig erläutert. Aber das geschriebene Wort bietet nur einen Teil der Geschichte. Blues-Fans verehren Ihre Musiker und schätzen die Fotos sehr. Darum präsentiert NOTHING BUT THE BLUES zahlreiche, zum Teil nie gesehene rare Archiv-Fotos und Abbildungen von Dokumenten, z.B. Leadbelly's NYPD Strafregisterblatt oder Verträge der Plattenfirmen mit den Musikern. Hinzu kommt ein Vorwort der Blues-Legende B.B. King und eine handverlesene Diskographie, eine Auswahl für Sammler mit Best of the Best-Empfehlungen, die man hören sollte. Der Blues ist besonders heute in Europa wieder so populär wienur in den 60ern. Konzerte mit Buddy Guy, Bobby Rush oder John Mayall aber auch jüngeren Künstlern wie Lilly Martin, Christoph "Kingfish" Ingram und Shemekia Copeland sind stets ausverkauft.

Greeting Readers!We're thrilled to announce that Ingram Street is this month's cover star on Pump it up magazine! You need to know about Minquel and Woody, a popular R&B duo, if you want to be hip to the latest music! Pump it up magazine will cover different great topics to prepare you for an amazing new year!Find out how to look like a celebrity in our fashion section. There will be no more excuses for not getting fit in 2023! You'll want to check out our fitness feature! You'll find all about natural ways to fight wrinkles on the beauty pages. If you're thinking about traveling in a motor home, our article will tell you the pros and cons of it. Our learn French feature will help you get read if you're planning a trip to Paris. We've got a great selection of music for your road trip vacation! Our movie section also features some of the best Oscar-worthy films of the year. We will also share some strategies for getting your music heard by more people in our top tips section! Finally, in our humanitarian awareness section, you will learn how to help stop human trafficking.Happy New Year!Anissa

Set against the backdrop of Jim Crow, Night Train to Nashville takes readers behind the curtain of one of music's greatest untold stories during the era of segregation and Civil Rights.

"Recording and performing in the early 1950s, Jesse Belvin, Johnny Ace, and Guitar Slim produced at least thirteen top-25 hits among them. In the years since, their songs have been covered by artists like Bob Dylan, Joan Baez, Luther Vandross, and Paul Simon, and they have influenced musicians as varied as Elvis Presley, Jimi Hendrix, Frank Zappa, and Stevie Ray Vaughan. Despite all that, their names remain mostly forgotten in the annals of rock 'n roll. Perhaps, as author Steve Bergsman notes in his introduction to Earth Angels: The Short Lives and Controversial Deaths of Three R&B Pioneers, this lack of notoriety is partly due to an unfortunate circumstance joining the three: their untimely deaths. Guitar Slim, whose million-selling song The Things I Used to Do has been re-recorded by both Jimi Hendrix and Stevie Ray Vaughan, died in New York City at the age of 32, due to pneumonia that was possibly induced by alcoholism. Johnny Ace's Pledging My Love spent ten weeks at the top position on Billboard's R&B chart and was subsequently performed by Elvis Presley and Paul Simon. Ace died of a self-inflicted gunshot wound at age 25. Jesse Belvin, a crooner whose Goodnight My Love became the closing theme to famed disc jockey Alan Freed's radio shows, was killed in a head-on collision, along with his wife, just after performing at the first racially integrated concert in Little Rock, Arkansas, in 1960; he was 27. 'If they had made it into the rock era,' Bergsman writes, 'or even the British Invasion years of the early '60s . . . they might have seen their stars shine once again, be recognized as pioneers of R&B, and maybe eventually be ensconced in the Rock 'n Roll Hall of Fame. Instead, they had the bad luck to die before any of that could come to pass . . .'. Bergsman's meticulous research and entertaining narrative style will afford readers an appreciation-and, for many, an initial view-of the lives and careers of three talented and influential artists who left us much too soon"

The lively story of the rise of R&B in Memphis through the eyes of one of its powerhouses

"Growing up around music, young George was inspired to piece together a makeshift drum set and teach himself to play as he practiced in the dark, dank basement of his run-down New Jersey row house. He soon joined forces with his friends to form a group called the Jazziacs which then evolved into Kool & The Gang, a band that began playing clubs and charting hits while its members were still teenagers. By evolving their sound as musical tastes changed, the band was able to stay on the charts for decades, scoring twelve top-ten hits in funk, R&B, pop, and rock, and selling over seventy million albums while navigating the highs and lows of their career."--

Celebrate the culture of cool with this compact, paperback edition of the heartfelt tribute to Soul Train, a worldwide phenomenon of dance, music, and fashion. From Ahmir "Questlove" Thompson of the award-winning hip-hop group the Roots, comes this vibrant book commemorating the legacy of Soul Train—the cultural phenomenon that launched the careers of artists such as Tina Turner, Stevie Wonder, the Jackson 5, Whitney Houston, Lenny Kravitz, LL Cool J, and Aretha Franklin. Questlove reveals the remarkable story of the captivating program, and his text is paired with more than 350 photographs of the show's most memorable episodes and the larger-than-life characters who defined it: the great host Don Cornelius, the extraordinary musicians, and the people who lived the phenomenon from the dance floor. The foreword by Gladys Knight and preface from Nick Cannon add heartfelt and unique perspectives on this seminal show. 35-YEAR HISTORY: A vibrant celebration of one of the longest-running nationally syndicated programs in American television history, which ran over 1,100 episodes. BEHIND THE SCENES: Includes first-hand commentaries about the show’s impact on celebrity’s careers and our culture from beloved artists such as Gladys Knight, Steve Wonder, Carmen Electra, B.B. King, Al Green, Nick Cannon, and Bill Withers.     FILLED WITH PHOTOS: Contains hundreds of images of iconic moments from the show, including many never-before-seen.

The long-awaited memoir of Booker T. Jones, leader of the famed Stax Records house band, architect of the Memphis soul sound, and one of the most legendary figures in music. From Booker T. Jones's earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons and support his family, Jones, on the side, was also recording sessions in what became the famous Stax Studios-all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone's list of top 500 songs of all time, and help forge collaborations with some of the era's most influential artists, including Otis Redding, Wilson Pickett, and Sam & Dave. Nearly five decades later, Jones's influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca. Culminating with a definitive account into the inner workings of the Stax label, as well as a fascinating portrait of working with many of the era's most legendary performers-Bob Dylan, Willie Nelson, and Tom Jones, among them-this extraordinary memoir promises to become a landmark moment in the history of Southern Soul.