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La fin de l'art, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de Language and Literatures, Romance literatures
Immigrant Moroccan Women in Spain: Honor and Marriage provides an ethnographic study of Moroccan Muslim immigrant women in Spain, capturing the predicaments and strategies they use in their adaptation to Spanish society. Working as domestic workers and agricultural laborers in Spain, Moroccan immigrant women illuminate the problems associated with gender, labor, modernity, and globalization.
In dieser Dissertation analysieren wir Cândido de Figueiredos linguistisches Denken, das in seiner deskriptiven Herangehensweise an verschiedene grammatische Phänomene oft rigoros und normativ war. Die erste, zwischen Cândido de Figueiredo und Paulino de Brito, befasst sich mit der Platzierung von Klitikpronomen aus einer vergleichenden Perspektive zwischen dem brasilianischen Portugiesisch und dem europäischen Portugiesisch; die zweite, zwischen Cândido de Figueiredo und Heráclito Graça, behandelt Fragen der Morphologie und Syntax, wiederum in einem normativen Rahmen, der auf bestimmte innovative Verwendungen in der Literatur brasilianischer Autoren als Fehler hinweist. Unser Ziel ist es, die Reden von Cândido de Figueiredo zu analysieren und sie in den historischen, sozialen und kulturellen Kontext seiner Zeit einzuordnen, um eine genauere Bewertung seiner konservativen Ideen zu ermöglichen.
In this dissertation, we analyze Cândido de Figueiredo's linguistic thinking, which was often rigorous and normative in its descriptive approach to different grammatical phenomena. The first, between Cândido de Figueiredo and Paulino de Brito, deals with the placement of clitic pronouns, from a comparative perspective between Brazilian Portuguese and European Portuguese; the second, between Cândido de Figueiredo and Heráclito Graça, covers issues of morphology and syntax, again within a normative framework, which points to certain innovative uses in the literary writing of Brazilian authors as errors. Our aim is to examine Cândido de Figueiredo's speeches and place them in the historical, social and cultural context of his time, so as to enable a more accurate assessment of his conservative ideas.
V ätoj dissertacii my analiziruem lingwisticheskoe myshlenie Kandido de Figejredo, kotoroe chasto bylo strogim i normatiwnym w swoem opisatel'nom podhode k razlichnym grammaticheskim qwleniqm. Perwaq beseda, mezhdu Kandidu de Figejredu i Paulinu de Brito, poswqschena razmescheniü kliticheskih mestoimenij w srawnitel'noj perspektiwe mezhdu brazil'skim i ewropejskim portugal'skim; wtoraq, mezhdu Kandidu de Figejredu i Geraklitu Grasa, ohwatywaet woprosy morfologii i sintaxisa, opqt' zhe w normatiwnyh ramkah, chto ukazywaet na nekotorye innowacionnye ispol'zowaniq w literaturnom tworchestwe brazil'skih awtorow kak na oshibki. Nasha cel' - proanalizirowat' rechi Kandido de Figejredo i pomestit' ih w istoricheskij, social'nyj i kul'turnyj kontext ego wremeni, chtoby dat' bolee tochnuü ocenku ego konserwatiwnym ideqm.
Dans cette thèse, nous analysons la pensée linguistique de Cândido de Figueiredo, souvent rigoureuse et normative dans son approche descriptive des différents phénomènes grammaticaux. La première, entre Cândido de Figueiredo et Paulino de Brito, traite du placement des pronoms clitiques, dans une perspective comparative entre le portugais brésilien et le portugais européen ; la seconde, entre Cândido de Figueiredo et Heráclito Graça, aborde des questions de morphologie et de syntaxe, toujours dans un cadre normatif, qui signale certains usages novateurs dans l'écriture littéraire d'auteurs brésiliens comme autant d'erreurs. Notre objectif est d'analyser les discours de Cândido de Figueiredo et de les replacer dans le contexte historique, social et culturel de son époque, afin de permettre une évaluation plus précise de ses idées conservatrices.
In questa tesi analizziamo il pensiero linguistico di Cândido de Figueiredo, spesso rigoroso e normativo nel suo approccio descrittivo a diversi fenomeni grammaticali. Il primo, tra Cândido de Figueiredo e Paulino de Brito, riguarda la collocazione dei pronomi clitici, in una prospettiva comparativa tra il portoghese brasiliano e il portoghese europeo; il secondo, tra Cândido de Figueiredo e Heráclito Graça, riguarda questioni di morfologia e sintassi, sempre all'interno di un quadro normativo, che indica come errori alcuni usi innovativi nella scrittura letteraria degli autori brasiliani. Il nostro obiettivo è analizzare i discorsi di Cândido de Figueiredo e collocarli nel contesto storico, sociale e culturale del suo tempo, in modo da consentire una valutazione più accurata delle sue idee conservatrici.
1866 wird Rudolf Sprenger in Mecklenburg als Soldat wegen schwerer Erkrankung entlassen. Man rät ihm, die kurze ihm verbleibende Lebenszeit in einem wärmeren Land zu verbringen. Seine Reise führt ihn zunächst nach Bordeaux, später nach Spanien. Der gelernte Lithograph findet Freunde, versucht sich als Unternehmer und wird schließlich Konsul des Deutschen Reichs, mit weiteren Stationen in Portugal und der Schweiz, wo er 1933 90-jährig stirbt. Gegen Ende seines unerwartet langen Lebens schreibt er »zur eigenen Erheiterung« Erinnerungen auf, wobei er auch dramatischen und tragischen Ereignissen humorige Aspekte abgewinnt. Die Erinnerungen des Konsuls Sprenger vermitteln aus einer sehr persönlichen Perspektive ein farbiges Bild der Periode von der Mitte des 19. Jahrhunderts bis in die Jahre nach dem ersten Weltkrieg.
Neste livro, analisamos o pensamento linguístico de Cândido de Figueiredo, muitas vezes rigoroso e normativo, na abordagem descritiva de diferentes fenômenos gramaticais. Para nossa reflexão, tomamos por base duas polêmicas linguísticas: a primeira, travada entre Cândido de Figueiredo e Paulino de Brito, versa sobre a colocação dos pronomes clíticos, numa perspectiva comparativa entre o português brasileiro e o português europeu; a segunda, a qual se desenrola entre Cândido de Figueiredo e Heráclito Graça, abrange questões sobre morfologia e sintaxe, novamente dentro de um crivo normativo, que aponta como erros certos usos inovativos na escrita literária de autores brasileiros. Nosso objetivo é o de examinar os discursos de Cândido de Figueiredo e inseri-los no contexto histórico, social e cultural de sua época, de modo a tornar possível uma avaliação mais precisa de suas ideias conservadoras.
Le vécu amer des peuples des pays d¿un sixième Continent, appelé continent en déviation : L¿un des plus grands agglomérats d¿ex colonies de la France, faute d¿une prise de conscience mais dont les retombées s¿abattent sur la politique des locataires de l¿Elysée. Situation qui fait un tollé des polémiques, victimisant ces peuples sans nombre et culpabilisant une France d¿être seule fautrice de misère de tout un continent. Dire haut ce qui se dit bas de ceux dont la voix des plaintes ne retombe que sur eux même dans cette vallée boueuse d¿un amalgame d¿incompréhensions et des déceptions. C¿est la mission dont s¿assigne ce volume intitulé « le 6ème continent et ses réalités ». Outre ceux à qui la raison est dure à faire entendre, les asymétriques. L¿auteur de sa part, présente un palliatif conciliant des deux parties ; Les plaignants et la dé-défenderesse, sur un passé qui fait déjà une histoire commune de deux puissances, tant amère que nécessaire et sur un futur qui ne pourrait mieux être bâti qüensemble...
In Vivianes Leben läuft es schon länger nicht mehr rund - der langjährige Partner hat sie mit einer Jüngeren betrogen und ihr Selbstwertgefühl ist dahin. Als dann auch noch die Karriere zu bröckeln beginnt, weiß sie, dass es so nicht weitergehen kann - sie nimmt sich eine Auszeit in den Thermalbädern der malerischen Halbinsel Sirmione am Gardasee. Doch die Entspannung ist nur von kurzer Dauer: Plötzlich wird ihr Leben von dem geheimnisvollen Maler Salvatore, ihrem reumütigen Ex und alten Familiengeschichten aufgemischt. Viviane muss sich entscheiden: unter der Sonne Italiens allen Sorgen entfliehen oder ihr voriges Leben zurückgewinnen? Und meint der schmeichelhafte Italiener es überhaupt ernst mit ihr oder enttäuscht sie die Männerwelt ein weiteres Mal? Mit der Unterstützung ihrer besten Freundinnen fasst Viviane im verheißungsvollen bel paese den Mut, ihr Leben komplett auf den Kopf zu stellen...Eine im wahrsten Sinne des Wortes malerische Romanze in Bella Italia - mit warmherzigen Figuren, sexy Humor und viel Frauenpower! So schön wie eine Reise an den Gardasee!
In the aftermath of the Siege of Toulon, Napoleon emerges triumphant, driving the British from the Midi Region of Southern France. Yet, the shadow of war with Austria looms ominously. While battling external foes, Napoleon faces internal demons: the treacherous political landscape of Paris, the snare of Barras, and a corrupt Directory eager to undermine him. Despite saving a government that once sought his demise, having him imprisoned during the chilling Jacobin purges post-Robespierre, Napoleon's resilience shines. His decisive 'Whiff of Grapeshot' during the Vendemaire crisis not only earns him accolades and the command of the Army of Italy, holding back Austrians in the rugged terrains of Genoa and Piedmont but also the heart of Josephine de Beauharnais, his legendary love. Napoleon General: Mountain Paths meticulously chronicles this turbulent era, offering readers an immersive journey into warfare's evolving artistry and Napoleon's growing genius within it.
The Neanderthals (Nea) became extinct about 30,000 years ago, about 10,000 years after Early Modern Humans (Sap) reached Southern Europe. This book is historical fiction concerning the extinction of the Nea. The early chapters are about the culture and social organization of the Nea and the Sap. Later chapters describe armed conflict between the Brown Bear tribe of the Nea and the Sap invaders. The Brown Bears learned their fighting skills from the Nea groups who invaded their land, which prepared them to fight the Sap when they came. Eventually, a group of Sap came onto Brown Bear land, and started to build a camp; the Bear fighters prepared to challenge them. The battles began, and these are described in the final chapters of the book.
Parallel Lives presents an enchanting tapestry of tales woven with the threads of ordinary lives touched by the extraordinary. From the bustling streets of the United Kingdom to the sun-drenched vistas of Italy, each story beckons readers into worlds both familiar and fantastical. Dive into the lives of vibrant characters, young and old, as they embark on soul-stirring journeys. Whether it's the gentle sway of a cruise ship or the spirited energy of a racing stable, the hallowed quiet of a church or the mesmerizing allure of a witch's den, every setting is a doorway to wonder. Journey to a Welsh farm, soar through the bustling hubbub of an airport, seek solace in a convent, marvel at the artistry of a tattoo parlour, and find warmth in a care home for the elderly. Along the way, encounter people from all walks of life, each with a unique tale to tell, a lesson to learn, or a secret to share. And in the midst of this rich tapestry, discover the charm of an imaginary companion who binds these tales together. In Parallel Lives, every page is an invitation to step into a realm where the mundane meets the magical, and life's simplest moments hold the promise of wonder.
This book delves into the fascinating journey of American drama in Catalonia, exploring how the theatrical output of a world superpower has impacted (and transformed) the stages of an allegedly minor actor in the cultural scene of the 20th century. Yet, while Catalonia is the birthplace of such geniuses as Joan Miró, Salvador Dalí or Antoni Gaudí, it is also that of playwrights Joan Brossa, Manuel de Pedrolo, Fermín Cabal or Jordi Galcerán, among others. All of them grew up in, and imbibed, a theatrescape in which American borrowings were not only habitual (often the only foreign plays around) but inspiring and groundbreaking. If Alias Jimmy Valentine re-defined theatrical decorum in Catalonia in the early 1900s, The Vagina Monologues, in the 1990s, challenged prevalent sexual taboos. Throughout the 20th century, Catalonia went from a peripheral, marginalized region of a once vast empire to a booming and largely autonomous centre of culture, recognized all over the world and admired for its uniqueness and original artistic contributions. American plays accompanied, and often directly inspired, such a journey.Ramón Espejo is a Professor of American Literature at the University of Seville, Spain, and is one of the leading American drama and theatre scholars in Europe.
Ian Fleming, the creator of James Bond, takes readers on a journey through the lesser-known locales of fourteen cities around the world, creating a captivating time capsule of these thrilling destinations in the twentieth century.Ian Fleming's world travels and interests, as well as his journalism and wartime experiences, lent authority to everything he wrote. In 1959, the Sunday Times commissioned Fleming to write a series of dispatches from the world's most beguiling locales. The result was Thrilling Cities, a masterpiece of well-observed travelogue that stands ably alongside the author's Bond canon.From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favor of underground haunts, and mingling with celebrities, gangsters, and geishas. The result is a series of vivid snapshots of a mysterious, vanished world from a twentieth century Western perspective.Just like his most famous fictional creation, Ian Fleming was a well-traveled man of the world who knew where to go to find excitement, adventure...and danger. In Thrilling Cities, he takes us along on a journey of international intrigue worthy of James Bond.
Trentino and the South Tyrol (Alto Adige) in the far north of Italy are high alpine regions of extraordinary beauty, perfect for trekking, skiing and enjoying the outdoors, with beautiful alpine towns and villages to explore, full of history and interest. Long a part of the Austro-Hungarian empire, the meeting of cultures in this part of Italy is fascinating. Fully updated 3rd edition now in full colour.
Den charmerende efterforsker Filippa Falkenberg bliver sammen med sin ældre kollega, Ole Bundgaard, sendt ned i Københavns metrotunneler, hvor man har fundet et lig støbt i betonen. Det viser sig at være en forsvunden dansk fagforeningsmand, som anklagede de italienske leverandører til metrobyggeriet for at smugle kokain til Danmark med vareleverancerne. Fundet sender Filippa og Bundgaard til Italien for at undersøge leverandørerne, og efterforskningen fører dem både til Milanos mondæne city og til en vingård i Piemonte, hvor sagen tilspidser, da endnu en person lader livet. Bogen er et kapløb mellem liv og død, hvor ingen kan vide sig sikre på, hvem der er ven, og hvem der er fjende.MIKAEL LINDHOLM (f. 1961) er finlandsvensk journalist og forfatter, som har arbejdet som politisk reporter, erhvervsjournalist og som redaktionschef på dagbladet Børsen. LISBETH ZORNIG ANDERSEN (f. 1968) er dansk forfatter og debattør, og har udgivet anmelderroste selvbiografier, børnebøger og fagbøger om mønsterbrydning og livet på kanten af samfundet. Parret debuterede i 2016 med spændingsromanen Bundfald og har siden udgivet krimibøgerne Et ubetydeligt mord, Monsterland og Konkursklubben i Tessa-trilogien.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this remarkable dual biography of the two great lovers of antiquity, preeminent historian Goldsworthy goes beyond myth and romance to create a nuanced and historically acute portrayal of his subjects, set against the political backdrop of their time.
Tag med på en uimodståelig kulinarisk rejse gennem "Middelhavets Smagsoplevelser", en smuk præsentation af det varierede og smagfulde køkken fra Middelhavsregionen. Skrevet af den passionerede madentusiast Anne Nielsen, er denne bog din guide til at udforske de fortryllende smage og traditioner, der kendetegner det middelhavske køkken."Middelhavets Smagsoplevelser" inviterer dig til at fordybe dig i de rige kulinariske skatte fra landene omkring Middelhavet, herunder Grækenland, Italien, Spanien, Tyrkiet og mange flere. Anne Nielsen tager dig med på en sensorisk rejse gennem duftende olivenlunde, solmodne tomater og friske urter, der definerer den autentiske smag af Middelhavet.Denne bog præsenterer en bred vifte af opskrifter, der spænder fra klassiske retter som græsk moussaka og italiensk pasta til spændende nye variationer og fusioner af smage. Anne Nielsen deler også historier, traditioner og madkultur fra regionen, der giver et dybere indblik i Middelhavets rige kulinariske arv.Uanset om du er en erfaren kok eller bare begynder at udforske det middelhavske køkken, vil "Middelhavets Smagsoplevelser" inspirere dig til at skabe uforglemmelige måltider med autentiske smage og friske ingredienser. Lad dig fortrylle af Middelhavets smagsoplevelser og bring solen og havet ind i dit eget køkken med denne enestående kogebog af Anne Nielsen.
"Rose et Ninette" est une nouvelle d'Alphonse Daudet, extraite de son recueil "Lettres de mon Moulin", publié en 1869. L'histoire présente deux jeunes filles, Rose et Ninette, vivant dans un petit village provençal. Rose est une jeune fille douce et aimable, tandis que Ninette est plus espiègle et coquette.L'intrigue tourne autour d'un ruban rouge que Ninette aime porter dans ses cheveux. Rose, quant à elle, est admirative de ce ruban et souhaite en avoir un similaire. Cependant, Ninette refuse de le partager, créant ainsi une petite rivalité entre les deux amies.L'histoire explore les thèmes de l'amitié, de la jalousie et de la générosité, offrant une peinture charmante de la vie quotidienne dans ce village provençal. Elle capture également l'innocence et la simplicité de l'enfance, tout en transmettant des leçons de partage et de compréhension mutuelle.
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