Bøger om Tidlige 20. århundrede

"She did not want to be organised at all. She wanted to be solitary and free."This is the story of Jenny Flower, London slum child, who one day, on an outing to the country, meets a Dark Stranger with horns on his head. It is the first day of August-Lammas-a witches' sabbath. Jenny was born on Hallowe'en, and possibly descended from witches herself . . .Reminiscent of Machen's, "The White People", Lucifer and the Child is a tale of witchcraft-or is it? The author does not commit herself; merely stating that the story is open to natural explanation; alternatively, she invites "the willing suspension of disbelief"."There is never any name for the impact of strangeness on the commonplace," Mannin writes. With this sensibility Lucifer and the Child will at last be recognised as a classic of strange fiction and a work to be enjoyed by contemporary lovers of the genre.Once banned in Ireland by the Censorship of Publications Board, Lucifer and the Child is now available worldwide in this splendid new edition from Swan River Press featuring an introduction by Rosanne Rabinowitz and cover by Lorena Carrington.

It is 1943. In the skies above war-torn Europe a savage battle continues as Allied bomber crews rain down fire and destruction on Hitler's cities and Luftwaffe fighters tear the bombers to pieces.

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Read the True Story that inspired Windtalkers, a major summer 2002 release that honors the Navajo Code Talkers of World War II, directed by John Woo (Mission Impossible II) and starring Nicholas Cage and Adam Beach. Based on first-person accounts and Marine Corps documents, this newly revised edition of Navajo Weapon: The Navajo Code Talkers describes how the U.S. Marine Corps recruited young Navajo warriors to create a secret code, using their native language that many of them had once been forbidden to speak.The Navajo Code Talkers played decisive roles in the Pacific Theater and helped turned the tide in the bloody battles for Bougainville, Cape Gloucester, New Britain, Saipan, Guam, Peleliu, and Iwo Jima. Their unbreakable code helped save countless American lives and earned the Navajo Code Talkers the undying respect of their comrades in arms.

The Capture of Attu, first published in 1944, recounts first the history of the westernmost Aleutian Island - Attu - then provides many firsthand stories of the infantrymen fighting in this incredibly harsh and rugged island, against an enemy determined to fight to the last man. In June 1942 Attu and the nearby island of Kiska were invaded by the Japanese. On May 11, 1943, the American effort to retake Attu began in what quickly became an infantry battle: the ever-present fog, rain, and high winds limited airplane use, and the rocky terrain and sodden tundra prevented the use of most mechanized equipment. Fighting was finished by July 4, 1943, and as recounted in the emotional final paragraph of the book: "The battalion was assembled. Major Charles G. Fredericks read the Roll Call of the men who had fallen. Lieutenant Colonel Glen A. Nelson spoke. A sergeant sang My Buddy. And Padre Habetz repeated a prayer. After the volley, the last note of Taps echoed over the mountains. Then it was over. Captain Robert C. Foulston said, "Forward..." but the "march" stuck in his throat. With chins clamped hard and wet eyes blinking, the silent fighting men marched off the field. It had been paid for. Attu was ours." Included are 6 pages of maps and 23 pages of photographs.

Das fiktive Dokudrama "Robert" ist ein Versuch, die Geschehnisse des Badeunfalls meines Bruders in Erinnerung zu rufen und dadurch sein Gedächtnis zu bewahren. Die erzählerische Dokumentation will eintauchen in das kurze Leben Roberts (1937-1944), in die damalige Zeit (Drittes Reich) und damit auch in das furchtbare Kriegsjahr 1944, in dem sich der Badeunfall ereignet hatte. Mit den spärlich vorhandenen Fakten soll der nicht restlos aufgeklärte Ertrinkungstod des Bruders aufge- und verarbeitet werden.

Following a bitter and bruising divorce, Jill Warneford moves with her two children into a Pennine cottage. She has recently returned from her uncle's funeral with a number of letters and photographs. She remembers her aunt and uncle with great affection, having visited them as a student, but she and the rest of her family know little of their early life together.Between caring for people's dogs and teaching Ballroom dancing, Jill begins unravelling the mystery. She learns that, as a nurse in Malaya, Auntie Iris was interned by the Japanese, and that Uncle Maurice discovered her after the Japanese surrender, whilst searching the Rompin riverbanks for elements of resistance.The only available letters are those written by Maurice and, from this one-sided source, she attempts to trace their reunion in England and learns how their relationship was impeded by the inhibiting spectre of past brutality.The stories continue a generation apart, with Jill seeking her own way forward whilst hoping to learn of similar resolution in the past.

The 42nd Division, or "Rainbow Division" as it was known popularly, was composed entirely of unproven National Guard units hailing from twenty-six different states and the District of Columbia. For that reason, there were many who thought the division would never see combat when it deployed to France in October 1917. However, the division would spend 164 days in combat during World War I, a number exceeded by only two other American divisions. Despite the doubts of General John J. Pershing and many senior American officers regarding their ability to serve in combat, the division would come to be viewed by the Allies and their German opponents as one of the best combat divisions in the American Expeditionary Forces. As a result, the Rainbow Division was chosen to lead the American offensive in the Saint Mihiel salient, the first offensive planned and led by the American army in World War I. The division went on to play a critical role in the final offensive of the war in the Meuse-Argonne, where these battle-hardened National Guardsmen were the first Allied unit to finally break through the main German lines of resistance, the heavily fortified Kriemhilde Stellung, which had stopped assaults by three other American divisions. Approach to Final Victory: America's Rainbow Division in the Saint Mihiel and Meuse-Argonne Offensives by historian Robert Thompson, chronicles the efforts of the Rainbow Division during these final two Allied offensives that were key to the ultimate Allied victory. Based on letters, journals, action reports, and unit histories, the challenges, set-backs, and accomplishments of the division stand as a fitting symbol of American valor and sacrifice during the "war to end all wars."

Film and Fashion in Japan, 1923-39 examines the interaction between the audience member and Japan's film and fashion industries, focusing on Western-inspired fashion objects as opposed to indigenous Japanese items. Taking an interdisciplinary approach, Barnett examines the semiotics of dress onscreen within Japan's transcultural media climate, consulting not only film- or fashion-related theoretical bases but also historical and gender-based approaches. The work consults surviving films, print media and advertising materials, allowing insights into lost films and the period's thriving commercial context. It focuses on the expressive Modern Girl image (the Japanese equivalent of the Hollywood flapper); sportswear and hybridised dress styles (which combined Japanese and Western-influenced aesthetics) and their relationship with body; and menswear in the early work of the director Ozu Yasujirō. This book discusses the role of fashion consumption in defining emergent modern identities and their relationships with new spaces, questioning their arising in the Japanese context and within the global sphere. Lois J. E. Barnett is a Postdoctoral Research Associate at the School of Oriental and African Studies, University of London (SOAS).

Immigration in the Equality State Long before Heart Mountain Internment Camp brought Japanese prisoners to Wyoming, an immigrant work force put down lasting roots. Beginning in 1892, Japanese came to toil on Union Pacific's railroad and coal mines. But they weren't warmly welcomed. Newspapers charged every Japanese section worker was secret Japanese Army. Allegedly, "600 Japs in Utah, [and] about 400 in Wyoming and probably 100 in Colorado," were ready to serve Japan during the Japanese Russo War. George Wakimoto said the number was closer to six. Such misinformation about Japanese laborers spawned violence against Asians. The citizens of Evanston tried to blow them up. Rawlins ran the Japanese out of town. And in Laramie, young boys threw stones and dragged a Japanese man through the street. Author Dan Lyon chronicles Japanese perseverance, before and after both world wars, in their adopted state.

Afrikaner right-wingers plot pro-Nazi support as Hitler continues his rise to power during the 1930s. When war breaks out in Europe and north-east Africa, Donald Kirkwood's son Ewan enlists and is exposed to the full horrors of war.

Utilises fresh archival evidence to significantly advance our knowledge of Scottish experiences of war Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War addresses this gap in the research by providing a pioneering account of society and culture in wartime Scotland. Through investigating recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties related to nationhood, cultural identity, Scotland's place within the Union and the country's future that permeated Scottish society at that time. By doing this it interrogates wartime conceptions of community and examines how the national emphasis on British unity played out in a fragmented Scottish nation. In taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and other nations and regions in Britain as represented in established scholarship. This book reinserts the voices of Scots and those living in Scotland into the narrative of Britain's Second World War years. Key features and benefits: - The first academic monograph that attempts a national approach to the British home front - Provides an original overview of Scottish society during the Second World War - Makes a significant contribution to knowledge of Scottish culture and society during the twentieth century - Uses a diverse and largely untapped range of archival sources - Features 19 black & white illustrations showcasing the everyday lives of people residing in Scotland during the war - Focuses on the experiences of women, children, prisoners of war, Irish people in Scotland and Scottish Jews Dr Michelle Moffat is a historian of war and society, affiliated with the History Programme at the University of Otago in Dunedin, New Zealand. Her award-winning doctoral research examined Scottish life and society during the Second World War. She is currently researching dissent and discontent in Second World War Scotland.

The biography of Thomas Brown, who provided the template for a successful search by the German navy for oil access.Thomas Brown is an unknown figure of Scottish origin who played a significant role in the onset and development of both world wars in the first half of the 20th century. In the First World War he contributed to the Anglo-German conflict in the Middle East particularly in his switch from UK to German nationality in 1914 by contributing directly to the expansion of German imperialism in the Persian Gulf and Ottoman Empire. His most important role was in providing logistical support to German and Turkish forces in support of the Turkish jihad in November 1914. Despite his arrest by MI5 as a suspected traitor in 1919, he returned to Germany as a business middleman aided by former political and military colleagues in the Weimar Republic. After promoting German interests in Iran, he was able as a company director to represent German steel manufacturers who bought into the Anglo-Italian British Oil Development Company (BOD) in Iraq. He helped to obtain an oil concession from independent in Iraq in 1932, and used his skills as a negotiator with British, German and Arab speakers to promote a large oil strike and major expansion of the company in 1935.It is here that the German-Italian axis comes to center-stage. Brown initially rejected Italian approaches to take over the company - exactly when Mussolini was trying to conquer Abyssinia - in favor of support for the UK investors, Lord Glenconner and Sir Percy Hunting. Brown was not fully aware of the maneuvering by the Hitler regime since autumn 1933 to promote alliances with Britain, Italy and Japan against the USSR and France, which ended in December 1935 with Hitler's preference for Italy. This was accelerated by Gestapo investigations into Italian involvement and Hitler's calculation that it would promote divisions among former allies and decrease German dependence on the world oil economy they dominated. Access to oil was key to military and political success. Brown belatedly understood that Britain was opposed to permitting Italy and Germany access to to key raw materials.Brown reported directly to Berlin even though he was mistakenly identified as a 'Scottish Jew' but he failed to recognize that Hitler's support for Italy enabled access to Italian oil while maintaining domestic sources of fuel for rearmament of the army and air force. Brown was terminally ill by 1936 but had provided the template for a successful search by the German navy for access to oil, independent of the Anglo-American dominance of the world oil industry

The whereabouts and disposal of the Nazi's remaining stolen gold has led to numerous investigations and countless conspiracy theories. Norman Ridley uncovers many of the mysteries surrounding this continuing search for the missing millions.War is a costly business and in 1939, Germany was almost broke with its economy overheating and heading for runaway inflation. Hitler needed hard foreign currency to pay for his war machine and the only way he could get this was by selling gold that he looted from the national banks of Austria, Czechoslovakia and all the countries that were occupied after September 1939.Another source of gold was the theft of personal gold especially from the Jews, most grotesquely, the haul of dental gold which came out of the concentration camps.No neutral country would accept Reichsmarks so the gold had to be laundered through Swiss banks. The story of Swiss complicity in German war crimes is still a subject of controversy, and lawsuits. There are also questions about the parts played by other countries, particularly Portugal, in laundering stolen gold for the Nazis. The Vatican's dealings with Hitler have often been seen as ambiguous and this book investigates the Holy See's role in helping ship Nazi gold to South America, and how that gold might have been used to re-create the German Reich.After the war a commission was set up to recover as much gold as possible and restore it to those from whom it was stolen. This, of course, was beset by huge problems especially with regards to gold that was looted from Holocaust victims. Enormous quantities of gold and other treasures were hidden in a mine at Merkers in Thuringia which was found by the US 3rd Army in 1945, but much gold remains unaccounted for, and attempts are still ongoing to uncover supposed hidden caches, the most recent in Poland where four tons are believed to have been found by the Silesian Bridge Foundation in May of 2022.The whereabouts and disposal of the remaining stolen gold has led to numerous investigations and countless conspiracy theories. In Hitler's Gold the author analyzes these and uncovers many of the mysteries surrounding this continuing search for the missing millions.

When Nicholas Winton canceled his skiing holiday in favor of going to Prague to visit a friend, little did he know this decision would change the course of thousands of lives, including his own. As millions of Jewish families attempted to flee the growing clutches of the brutal Nazi war of terror, this twenty-nine-year-old stockbroker decided to act, pulling off one of the most remarkable rescue missions of the century. The British Oskar Schindler tells the story of this remarkable man's life and those around him who helped him to achieve all he did.

Storyville was the infamous red-light district of New Orleans. It was a world where normative social values didn't apply and was shrouded in mystery and myth until the photographs of E.J. Bellocq were rediscovered. Bellocq's depictions of Storyville's sex workers have typically been treated as tragic, ominous and emblematic of New Orleans' singularity. Yet, such interpretations have projected gendered stereotypes of frailty and victimhood onto the women they portrayed. In Images of Sex Work, Mollie LeVeque interrogates these glib readings and argues that sex work was a routine aspect of life in a modern city. She supports this theory by examining a range of cultural forms such as crime fiction, illustrations and paintings from contemporary urban centres like Paris, London and New York. In doing so, she advances the new argument that Bellocq humanised his subjects, de-sensationalised sex work and gave these women the dignity they were all too often denied.

The nineteenth century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, ThéodoreRousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist.Simon Kelly argues for the pioneering role of Rousseau, his patrons, and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book offers fresh insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formalchoices within Rousseau's oeuvre, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

Combining a broad overview of Jean-Jacques Lebel's coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, "Funeral of the Thing of Tinguely" (1960), and the most scandalous, "120 Minutes dedicated to the Divine Marquis" (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s.Research in Lebel's archives, and others like the Archives nationale d'outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.

"A Storm in Flanders" is novelist and prizewinning historian Groom's gripping history of the four-year battle for Ypres in Belgian Flanders, the pivotal engagement of World War I that would forever change the way the world fought--and thought about--war. 16-pages of illustrations.

Edvard Munchs radikale Modernität der Malerei forderte die Zeitgenoss:innen heraus. Das gilt insbesondere für die Berliner Kunstszene um 1900, auf die der norwegische Symbolist großen Einfluss nahm, wo er aber auch Förderung erfuhr und sein Werk weiterentwickelte. Der Band erzählt bildreich und fundiert die Geschichte von Munch und Berlin.1892 lud der Verein Berliner Künstler den noch unbekannten Edvard Munch (1863-1944) zu einer Ausstellung ein. Die Öffentlichkeit war geschockt von den farbgewaltigen, skizzenhaften Bildern. Der Künstler genoss dieses Aufsehen und zog an die Spree, wo er bis 1908 immer wieder lebte. In Berlin bedeuteten Munchs Werke nicht nur eine Initialzündung für die Moderne. Auch die Vorstellung vom »Zauber des Nordens« (Stefan Zweig) erfuhr einen Wandel. Statt mit romantischen oder naturalistischen Fjordlandschaften verband man damit nun Munchs psychisch verdichtete Bildwelten.

Lyonel Feininger (1871-1956) war Maler, Grafiker und Karikaturist. Er lehrte als Bauhaus-Meister der ersten Stunde seit 1919 in Weimar und später Dessau und übersiedelte 1937 nach New York, wo er bis zu seinem Lebensende arbeitete. Das Buch präsentiert neben seinen berühmten prismatischen Architekturdarstellungen alle Facetten seines OEuvres und Stationen seines Lebens.Mit rund 140 Gemälden, Zeichnungen, Karikaturen, Aquarellen, Holzschnitten, Fotografien und Objekten aus allen Schaffensphasen zeichnet der Band ein Gesamtbild von Feiningers Werk, das auf seine Aktualität hin befragt wird. Entwicklungslinien und Themen, die seine Arbeit bestimmt haben, werden anhand von zentralen Hauptwerken in Beiträgen internationaler Autor:innen herausgearbeitet. Eine besondere Würdigung erfahren zudem sein malerisches Frühwerk wie neueste Forschungen zur Bedeutung der Fotografie im Schaffen des Bauhaus-Meisters.

La Primera Guerra Mundial es tristemente célebre por haber revolucionado la guerra moderna tal y como la conocemos.Es bien sabido que la Primera Guerra Mundial se inició con el asesinato del archiduque austriaco Francisco Fernando. Las superpotencias mundiales se enzarzaron entonces en el conflicto más sangriento de la historia, con millones de bajas en ambos bandos. La Primera Guerra Mundial transformó el panorama sociopolítico de principios del siglo XX y marcó la vida de innumerables personas durante décadas.Sin embargo, la Primera Guerra Mundial es mucho más que el asesinato de Francisco Fernando y el enfrentamiento entre la Entente y las Potencias Centrales. Fue un conflicto profundamente arraigado en las viejas rivalidades de los Estados más poderosos del mundo y llegó como una conclusión en cierto modo lógica de los interminables equilibrios y maniobras políticas de finales del siglo XIX y principios del XX. Y cambiaría el curso de la historia para siempre.Este libro se sumergirá en la Gran Guerra, explorando sus causas, su desarrollo y sus consecuencias a corto y largo plazo. Estas son algunas de las cosas que aprenderá con este libro:El largo siglo XIX y cómo afectó al panorama político.La unificación de Alemania e Italia.El estado de la política de poder europea.Los nuevos avances tecnológicos que dieron forma a la guerra.El problema austrohúngaro y el comienzo de la Primera Guerra Mundial.Actividades militares en todos los teatros de la guerra.Las influyentes batallas de Verdún, Somme, Isonzo y Galípoli.La guerra de trincheras y las nuevas tácticas utilizadas en la guerra.La entrada de Estados Unidos y la Revolución rusa.Los momentos finales de la guerra.La Conferencia de Paz de París y el nuevo orden mundial.¡Y mucho más!

First installment of a family saga inspired by events that actually occurred in Joseph Stalin's Russia, on the one hand, and on the other, in a town in Galicia known by the name of "A Guarda".Contains the narration and description of crimes, torture, vexation, facts and real circumstances to which certain people fit the definition of "human aberrations".If you are a person with a stable and open mind, this work will help you in the debate on ideological contradictions, religious beliefs, ethical and moral questions, and utopian approaches in the societies of our time.On the contrary, if you are a sensitive and impressionable person, it is recommended that you DO NOT read this work.It is not suitable for sensitive people.

THE WWII POET contains poems from Stanley Williams, WWII hero. He didn't talk about his time in the war much until later in life, when he wrote poems about his service time. There are also many pictures and stories from the Williams family pertaining to Stanley, and quite a few head scratching instances that left many questions pertaining to his time in the Army, and life afterward. He told us that the only way we would know the full story is if we had his special number after he died. Unfortunately it was thrown out by accident after his passing. Will we ever know the real truth?