Bøger om Tidlige 20. århundrede

"From the best-selling author of Longbourn, a gripping novel of one young woman's unraveling during the Blitz-a story of WWII intrigue, love, and danger. It is 1940 and bombs are falling on London. Watching from her attic window, Charlotte sees enemy planes flying in over the city and her neighbours' homes turning to rubble. Still grieving for her beloved brother who never returned from France, Charlotte has moved away from her overbearing father and built a new life for herself. She works as a typist for the Ministry of Information, rents a room in a ramshackle house, and shares gin and confidences with her best friend, Elena. Every day brings new scenes of devastation, and after each heartbreaking loss Charlotte comes to fear that something-or someone-else is responsible. Who is the shadow man that seems to be following her? Is her mind playing tricks? Her nerves increasingly frayed, she soon finds her very freedom under threat. . . Utterly riveting and hypnotic, The Midnight News is a love story, a war story, and an unforgettable journey into the fragile mind and fierce heart of an extraordinary young woman"--

"This is a previously classified story of one group of scientific researchers-men and women-who exposed themselves to extraordinary risks to make D-Day a success"--

A meticulously created facsimile edition of a classic work on design by the progenitor of today’s information design.Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar’s ideas, making clear their continuing influence on graphic design.In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual features, including typography, pictures and charts, and covers, and shows how the arrangement and organization of visual units allows information to flow smoothly. For this edition, the Ladislav Sutnar Faculty of Art and Design at the University of West Bohemia in Pilsen, Czech Republic, has carefully recreated the original, with redrawn figures, retouched photos, re-typeset texts, five-color printing, and spiral binding. A separate reader’s guide by celebrated design historian Steven Heller accompanies the book. Both book and guide are packaged in a slipcase.

"The history of a singular building project - the Wolkenbugel, or 'cloud iron': an enigmatic design for a horizontal skyscraper designed in the 1920s by the Russian constructivist artist and architect El Lissitzky"--

"A detailed portrait of the Beistegui Penthouse Apartment in Paris, perhaps the most celebrated modernist apartment ever produced - designed by Le Corbusier in the 1920s, but now sadly demolished"--

"The Literature of Japanese American Incarceration Edited with an Introduction by Frank Abe and Floyd Cheung TARGET CONSUMER: Readers of They Called Us Enemy by George Takei, No No Boy by John Okada, Farewell to Manzanar by Jeanne Wakatsuki Houston, Facing the Mountain by Daniel James Brown, When the Emperor was Divine by Julie Otsuka, and Only What We Could Carry by Lawson Fusao Inada The collective voice of Japanese Americans defined by a specific moment in time: the four years of World War II during which the US government expelled resident aliens and its own citizens from their homes and imprisoned 125,000 of them in American concentration camps, based solely upon the race they shared with a wartime enemy. A Penguin Classic This anthology presents a new vision that recovers and reframes the literature produced by the people targeted by the actions of President Franklin D. Roosevelt and Congress to deny Americans of Japanese ancestry any individual hearings or other due process after the Japanese attack at Pearl Harbor. From nearly seventy selections of fiction, poetry, essays, memoirs, and letters emerges a shared story of the struggle to retain personal integrity in the face of increasing dehumanization - all anchored by the key government documents that incite the action. The selections favor the pointed over the poignant, and the unknown over the familiar, with several new translations among previously unseen works that have been long overlooked on the shelf, buried in the archives, or languished unread in the Japanese language. The writings are presented chronologically so that readers can trace the continuum of events as the incarcerees experienced it. The contributors span incarcerees, their children born in or soon after the camps, and their descendants who reflect on the long-term consequences of mass incarceration for themselves and the nation. Many of the voices are those of protest. Some are those of accommodation. All are authentic. Together they form an epic narrative with a singular vision of America's past, one with disturbing resonances with the American present"--

The essays in this trans-disciplinary collection debate how contemporary culture engages with the legacy of the Holocaust now that, 75 years on from the end of the War, the number of actual survivors is dwindling.

This book focuses upon significant aspects of Stalinism as a system in the USSR. It sheds new light on established questions and addresses issues that have never before been raised in the study of Stalinism.