Bøger om Tidlige 20. århundrede

In April 1945, Soviet forces descended on Berlin in the final phase of the war in Europe. The fighting was fierce as soldiers fanatically loyal to the Nazi party - and those afraid of the vengeance their opponents might enact - sought to stave off the end of the regime as long as possible. Even as it became clear that defeat was inevitable, Hitler and his subordinates determined to fight to the bitter end, resulting in a bitter, brutal end to the war. As the Russian tanks crushed the remaining pockets of resistance, the city was turned into a nightmarish dystopia. Pillage, plunder, mass rape and unceasing destruction followed. In this vivid account with contemporary photographs, the author covers both German and allied viewpoints, exploring explores the strategies, the battles, the civilian experiences and the personalities involved in this fateful the final days of the Third Reich. ABOUT THE SERIES Sirius Military History provides gripping, illustrated accounts of different battles and conflicts, featuring contemporary photographs, feature spreads and fascinating testimonies.

The first book, accompanying a traveling exhibition, dedicated to Cuban mid-century design anchored by an under-acknowledged collection of graphic design, prototypes, and furniture, much of which has never been exhibited outside the island or published.Primarily focused on the post-revolutionary era of Cuba from the late 1950s through the 1970s, this volume brings together a prolific cohort of artists, designers, and architects that materialized the ideology of their time, and ultimately narrate the country’s arc from revolutionary promise to authoritarian retrenchment.  Design and architecture played an important role in shaping the country's identity and cultural expression during this time period. Consisting of nearly 100 works, including approximately 50 pieces of furniture, the exhibition and accompanying catalogue features seminal objects of functional design, architectural renderings, speculative prototypes for a “design for all” ethos, and key examples of art and graphic design that contributed to the zeitgeist of the era. The book also includes several examples by contemporary Cuban artists and designers who explore how this post-revolutionary aesthetic survives today.

A novel about a courageous young woman in World War II Germany who becomes involved with the resistance while helping smuggle Jewish children to safety.

NEW YORK TIMES BESTSELLER • From #1 New York Times bestselling author Danielle Steel comes a powerful, sweeping historical novel about a courageous woman in World War II Germany.Sophia Alexander, the beautiful daughter of a famous surgeon in Berlin, has had to grow up faster than most young women. When her mother falls ill, Sophia must take charge of her younger sister, Theresa, and look after her father and the household, while also volunteering at his hospital after school. Meanwhile, Hitler’s rise to power and the violence in her very own town have Sophia concerned, but only her mother is willing to share her fears openly.After tragedy strikes and her mother dies, Sophia becomes increasingly involved in the resistance, attending meetings of dissidents and helping however she can. Circumstances become increasingly dangerous and personal when Sophia assists her sister’s daring escape from Germany, as Theresa flees with her young husband and his family. Her father also begins to resist the regime, secretly healing those hiding from persecution, only to have his hospital burned to the ground. When he is arrested and sent to a concentration camp, Sophia is truly on her own, but more determined than ever to help.While working as a nurse with the convent nuns, the Sisters of Mercy, Sophia continues her harrowing efforts to transport Jewish children to safety and finds herself under surveillance. As the political tensions rise and the brutal oppression continues, Sophia is undeterred, risking it all, even her own freedom, as she rises to the challenge of helping those in need—no matter the cost.In Only the Brave, Danielle Steel vividly captures the devastating effects of war alongside beautiful moments of compassion and courage.

Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.

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