Bøger om Tidlige 20. århundrede

Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market.

Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible.Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.

?A haunting meditation on the bonds between mothers and daughters. Zeldis offers a fascinating look into historic New York City and New Orleans, and her skill as a storyteller is matched by her compassion for her characters. What a beautiful read.??Fiona Davis, New York Times bestselling author of The Magnolia Palace?By turns heartbreaking and heartwarming, Kitty Zeldis's The Dressmakers of Prospect Heights, set against the backdrop of the not-always-so-roaring Twenties, is an only-in-America story of reinvention, rising above tragedy, and finding family.??Lauren Willig, New York Times bestselling author of Band of SistersFor fans of Fiona Davis, Beatriz Williams, and Joanna Goodman, a mesmerizing historical novel from Kitty Zeldis, the author of Not Our Kind, about three women in 1920s New York City and the secrets they hold.Brooklyn, 1924. As New York City enters the jazz age, the lives of three very different women are about to converge in unexpected ways. Recently arrived from New Orleans, Beatrice is working to establish a chic new dress shop with help from Alice, the orphaned teenage ward she brought north with her. Down the block, newlywed Catherine is restless in her elegant brownstone, longing for a baby she cannot conceive.When Bea befriends Catherine and the two start to become close, Alice feels abandoned and envious, and runs away to Manhattan. Her departure sets into motion a series of events that will force each woman to confront the painful secrets of her past in order to move into the happier future she seeks.Moving from the bustling streets of early twentieth century New York City to late nineteenth-century Russia and the lively quarters of New Orleans in the 1910s, The Dressmakers of Prospect Heights is a story of the families we are born into and the families we choose, and of the unbreakable bonds between women.

Until recently the military record of Belfast nationalists in World War One was a part of this City's hidden history. The revised edition of this book seeks to assist the renewed and growing interest in this important part of nationalist history that lay for decades in the shaded margins of contemporary historical events.New political circumstances in our society have made it easier to address the questions of why so many young nationalist men of that time enlisted in regiments of the British Army in 1914-1915, hundreds of them in the 6th Battalion of the Connaught Rangers alone.Through researching factual historical accounts of the period, and recalling the human stories of some those who enlisted, a clearer picture of the influences, political and social, that impacted and motivated people of that time is documented.

From the New York Times bestselling author of the Maggie Hope series comes a tantalizing standalone novel inspired by a real-life mother-daughter duo who stumble upon an underground Nazi cell in Los Angeles during the early days of World War II—and find the courage to go undercover.“Stirring . . . Susan Elia MacNeal’s page-turning prose is as entertaining as ever—I was riveted from beginning to end.”—Kate Quinn, author of The Alice NetworkJune 1940. France has fallen to the Nazis, and Britain may be next—but to many Americans, the war is something happening “over there.” Veronica Grace has just graduated from college; she and her mother, Violet, are looking for a fresh start in sunny Los Angeles. After a blunder cost her a prestigious career opportunity in New York, Veronica is relieved to take a typing job in L.A.—only to realize that she’s working for one of the area’s most vicious propagandists.Overnight, Veronica is exposed to the dark underbelly of her new home, where German Nazis are recruiting Americans for their devastating campaign. After the FBI dismisses the Graces’ concerns, Veronica and Violet decide to call on an old friend, who introduces them to L.A.’s anti-Nazi spymaster.At once, the women go undercover to gather enough information about the California Reich to take to the authorities. But as the news of Pearl Harbor ripples through the United States, and President Roosevelt declares war, the Grace women realize that the plots they’re investigating are far more sinister than they feared—and even a single misstep could cost them everything.Inspired by the real mother-daughter spy duo who foiled Nazi plots in Los Angeles during WWII, Mother Daughter Traitor Spy is a powerful portrait of family, duty, and deception that raises timeless questions about America—and what it means to have courage in the face of terror.

This is the first comprehensive survey of the colourful ceramic tiles produced by Morris & Company. From the earliest examples made for Red House to the tiles produced in the twentieth century, all the many different designs are illustrated and discussed in detail. Richard and Hilary Myers are proud to include a previously unrecorded tile panel among the many little-known examples described in this book. Found in a Sussex church, the panel takes its place with such masterpieces as the overmantel at Queens' College, Cambridge, and the Membland panels. All Morris & Co.'s tile designs are analysed and linked to related stained-glass, textile or graphic work produced by the Firm. The authors reveal the various contributions of individual designers, including Edward Burne-Jones, D. G. Rossetti, Ford Madox Brown, Kate Faulkner and William Morris himself. Morris & Co.'s connections with the Dutch tileries, William de Morgan, Murray Marks and Barnard, Bishop & Barnard, and the roles they played in the production and distribution of the tiles, are all thoroughly examined.

A translation of the history of the 14th Baden Pionier Battalion in WWI 1914-1918

Il Carro Armato L6/40 fu l'unico vero carro armato leggero italiano della Seconda Guerra Mondiale, utilizzato prevalentemente dal Regio Esercito che lo impiegò praticamente in tutti i teatri di guerra: Africa settentrionale e orientale, Russia, Balcani e resto dell' Europa. Venne utilizzato soprattutto come mezzo di ricognizione a partire alla primavera del 1941 fino all'armistizio con gli alleati nel settembre 1943. Mezzo originariamente progettato per le operazioni in montagna, si rivelò tuttavia presto inadatto alle operazioni cui venne affidato. Già prima di entrare in azione, era obsoleto sia per l'armamento che per la debolezza della corazza.

Volume 2 in~THE LONG-AWAITED SEQUEL IN THE BEST SELLING 'The Things Our Fathers Saw' SERIES~At the height of World War II, LOOK Magazine profiled a small upstate New York community for a series of articles portraying it as the wholesome, patriotic model of life on the home front. Seventy years later, a history teacher tracks down the veterans with a connection to "Hometown, USA" who fought the war in the air over Europe, men who were tempered in the tough times of the Great Depression and forged in battle. He rescues and resurrects firsthand accounts of combat and brotherhood, of captivity and redemption, and the aftermath of a war that left no American community unscathed. Here are the stories that the magazine could not tell, from a vanishing generation speaking to America today.*Groundwood 38 lb eggshell b/w interior version

~VOLUME 4 IN THE BEST SELLING 'The Things Our Fathers Saw' SERIES~(Up the Bloody Boot-The War in Italy)From the deserts of North Africa to the mountains of Italy, the men and women veterans of the Italian campaign open up about a war that was so brutal, news of it was downplayed at home. By the end of 2018, fewer than 400,000 of our WW II veterans will still be with us, out of the over 16 million who put on a uniform. But why is it that today, nobody seems to know these stories? ~This book should be a must-read in every high school in America. It is a very poignant look back at our greatest generation; maybe it will inspire the next one.~ Reviewer, Vol. I¿¿*Groundwood 38 lb eggshell b/w interior

(2ND EDITION, REVISED and EXPANDED: COMBAT, CAPTIVITY, REUNION)WHAT DO YOU FILL YOUR POCKETS WITH when you're rousted awake in the middle of a freezing German night to be death-marched across Germany?WHEN YOUR BUDDY STAGGERS AND FALLS by the side of the road, and no longer even knows who you are, do you keep moving to keep yourself alive?- "The next day we marched almost twenty hours, so now we were coming up to a town, now everybody is falling over, but I was in a group where everybody made a pledge to watch each other. I found myself off the side of the road and I lay in the snow and I said to myself, 'Wow, this is so warm.' I was so damn cold, I didn't know my name or anything, or where I lived-I was gone!" -B-24 bombardier, shot down, taken prisonerDying for freedom isn't the worst that could happen. Being forgotten is.- "We got shot down around noontime by a Messerschmitt. I was in the top turret shooting at them, and I could see [their faces] as clearly as I'm looking at you. They wiped us out completely. I'm following him with the top turret gun and you could see bits of the plane coming off his tail section, but not enough to bother him. As I'm turning, the electrical cord on my flying suit got caught underneath the swivel of the turret. I ducked down, I untangled it... now I got back into my turret. Fellas, the turret wasn't there anymore. That son-of-a-gun who had been eyeing me came in and he hit his 20mm gun, took the top of that Plexiglas and tore it right off! The fighters made another pass. They hit a couple of our engines; they made another pass and they shot away our controls! We peeled off into one of these spirals-you've seen them on television where the plane will come over on its back and just spiral into the ground. Trees are coming up at me; I had my hand on the ripcord and out I went, headfirst." -B-17 engineerMaybe our veterans did not volunteer to tell us their stories; perhaps we were too busy with our own lives to ask. But they opened up to a younger generation, when a history teacher taught his students to engage.- "I was standing on the train in Paris right next to an SS colonel-he had a satchel handcuffed to his arm, and a guard with a Sten gun. The train started up, and the SS colonel bumped into me. And he turned around to me and said, 'Pardonne moi.' I thought, 'Oh, my God!'" -B-17 crewman/evadee, shot down on his first mission- "What made me cry was this is a guy from Texas, and even if he didn't like blacks, or he didn't like Jews, or Catholics, or whoever, no German was going to tell him what to do-no general was pushing him around! He says, 'We are Americans in this camp, and we are all the same.' They asked him for a list of all Jews, and he said, 'You're not going to get it-if you're going to shoot them, you're going to shoot us all, because we are not going to tell you which ones to pick out.' So these are the things that make me feel damn proud to be an American!" -Lead navigator, PoW¿*Groundwood 38 lb eggshell b/w interior version

Inviting a conceptual reconsideration of centre and periphery in the study of National Socialist camps and killing sites, this volume puts forth novel scholarly analyses of the history and memory of the Holocaust and World War II. The book is organised thematically into three interrelated sections that engage innovative methodological approaches to the history of this period, perpetrator studies, and post-war memorial practices. Employing a fluid and interpretive understanding of centre and periphery, the authors offer timely interventions into the use of visual sources and archival materials, explore perpetration and collaboration as transnational and political categories, and examine contested legacies of the Holocaust, and post-war commemorative practices, pedagogy and memorialisation.

Fair Stood the Wind for France, first published in 1944, is author H. E. Bates' fictional account of a downed English bomber-pilot and his crew over occupied France during World War II. The men are taken in by a French family who hide them in their home. However, the pilot, injured during the plane's landing, must remain in France to heal, while his crew begin their journey back to friendly territory. The pilot falls in love with the home-owner's daughter, their relationship grows and eventually they travel together across France, seeking a way back to England.Fair Stood the Wind for France rises above the average romance, however. Set against the horrors of war, it takes on a life-affirming force, enhanced by the simple, yet elegant prose of the author. Bates also excels at evoking a sense of place; much of the story occurs over the course of a hot summer in rural France, and there are many beautiful descriptions of the French countryside as it bakes in the summer heat. In 1980, the book was the subject of a 4-part television mini-series by the BBC.

UNE VIE, celle de Laurent Hibrant, est une fresque en passe d'être oubliée, les trente premières années d'un exceptionnel XXe siècle et d'un jeune Périgourdin rural, une histoire qui transforme la biographie en document. On y découvre avec une curiosité relancée toutes les étapes d'une vocation d'enseignant, de Poitiers à Montmorillon [...] et Bordeaux. (Raymond POURRAIN, Bourgogne.) Ce livre est habité. Des précisions et des détails du quotidien, enfouis dans nos mémoires, nous reviennent à chaque page. [...] Quand il est question du temps de vivre et de l'évocation du village qui était comme un petit monde en soi , c'est un hommage aux hommes et aux femmes de la terre, et c'est le monde paysan de notre belle France profonde qui s'active sous nos yeux. (Raymond KUNTZMANN, Aquitaine.) - Préface, Cartes, Photos, Dessins, Notes, Gloss., Bibliogr., Index.

A true-crime whodunnit set in a Chesapeake Bay oystering village at the turn of the 20th century with a double-barrel focus on crime and its consequents-in the courts of public opinion and of law-and beyond.

'Told with heart and vibrant energy, A Dangerous Land is action packed and brimming with love. Marisa Jones' debut deftly combines the sweetest romance with the tough realities of war, colonialism and racism. Amelia and Daniel leap from the page. Jones is a next-gen Belinda Alexandra.' KIM KELLY, author of This Red Earth. New Guinea, 1941Australian aviatrix Amelia McKenzie's love for her Pacific Island home of New Guinea is as strong as her love for Daniel, a mixed-race pilot her parents disapprove of. Lucky for her parents, the Pacific War is looming and women are being evacuated to Australia, forcing Amelia to leave Daniel behind. Rejected by the Australian Army because of his colour, Daniel must find a way to defend his home from Japanese invasion and is willing to do whatever it takes. Meanwhile, Amelia is torn between her love for Daniel, her family and her country. She refuses to leave but when the Japanese attack their town, Amelia and Daniel suddenly become trapped and must separate. They embark on harrowing treks across New Guinea's remote jungles, including the notorious Kokoda Trail - facing treacherous mountains, tribal warfare and the threat of the Japanese lurking around every bend. They soon realise it's not just the war that's keeping them apart, and that they must fight harder to be together. But even the toughest fights require sacrifice. Are they willing to give up everything they know to find a way back to each other? For fans of Natasha Lester and Sara Ackerman comes this World War Two historical novel based on true events from the Pacific War in New Guinea.

At the end of 1941, after the invasion of the Soviet Union, an idea of collaboration with the Islamic peoples of the Soviet Union arose among the Germans. Although Hitler and high command were sceptic about a partnership with 'Soviet citizens' in order to defeat Moscow, eveyone did agree that the Islamic peoples of the Caucasus and the Krim were reasonably trustworthy allies. Especially the Turkmen were considered reliable. This led to a large-scale military and political collaboration. The SS joined as well and established the 'Neu Turkestan' division, with help from the Grossmufti from Jeruzalem. This partnership came too late and suffered from the unbridgeable differences between the diverse ideologies. The experiment could not end in anything but drama. Furthermore, the collaboration at the Balkan, where Islamic volunteers served in the ranks of the Waffen-SS, is also touched upon.

The dramatic defence of the Netherlands in May 1940 against the German invasion lasted only five days. It started with a massive German airborne landing in the capital west of the country and ended with a, for those days impressive, German air bombardment of the harbour-city of Rotterdam, devastating the city centre and shocking the Dutch supreme command. When hours later another major Dutch community was threatened with destruction from the air the Dutch supreme command decided to surrender. How was it possible that a flat, water-rich country was seized so quickly by only modest German forces? The brief Dutch defence in May 1940 is often mocked and usually dismissed as a logical consequence of its poorly equipped and prepared armed forces. Although to some extent these conclusions may be correct, there was a much deeper cause for that quick Dutch defeat. This book elaborates on the birth of the Dutch defence strategy during the thirties, the shaping processes it went through when the tension rose, the political leverage and the developments of strategic planning within the armed forces. The crucial element that enriches this dynamic pre-war period was a politically driven late change of supreme command that fundamentally changed the military planning from a joint strategy with the southern neighbours to an isolated and disconnected defence of the capital northwest of the country. When the German invasion of 10 May 1940 transformed the Dutch cold war strategy into a hot operational strategy, the book follows the Dutch supreme command during its crucial first hours, its decision-making processes and adjustments and the anticipation of both allied and enemy manoeuvres. The book is extensively enriched with situational maps and endnotes for citations, sources and archive references.

A memoir about a Jewish boy surviving the Holocaust in Warsaw by escaping the ghetto and hiding in the city.

This is a unique story about the unyielding love of a mother, who fought to protect her two young children from harm while helping every stranger who crossed her path, about belief in god, and the naïve perspective of a child in such a difficult and challenging time.This is not just another holocaust story. This is the story of an era, when tears of joy and tears grief flow together to the sea, and angels dressed in white battle with angels in black. It is laced with delicate humor and written in associative language, allowing you to relate to the story, no matter at what page you open the book. Starving, and close to giving up all hope, henry volunteered to work in the stables, responsible for breeding horses for the war effort. As he watched other prisoners leave and never return, henry quickly realised these horses were his only lifeline - because every morning he was sent to the stables, was one more morning he escaped the gas chambers.The author goes on to describe the defining moments of her childhood after the holocaust, when her family immigrated to the state of israel. She recounts her childhood in the shadow of a holocaust survivor mother, the responsibility she undertook as a child by becoming an anchor for her mother's bi-polar disorder, and how her family never escaped the ever-present black mantle of the holocaust.