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Over nine million series page reads on Amazon!

Over nine million series page reads on Amazon!

"The Poems, Sacred, Passionate, and Humorous" by Nathaniel Parker Willis is a captivating anthology that showcases the diverse facets of this 19th-century American poet and essayist. In this collection, Willis's poetic talent unfolds through a spectrum of emotions and themes.The "Sacred" poems in the collection delve into spiritual contemplation and reverence, offering readers a glimpse into Willis's reflections on faith and the transcendent. These verses are imbued with a sense of awe and reverence, inviting readers to explore the spiritual dimensions of life.The "Passionate" poems capture the intensity of human emotions and relationships. Willis's exploration of love, desire, and the complexities of the heart resonates through verses that are both tender and fervent. His ability to convey the nuances of passion adds a depth of emotion to this section of the anthology.In the "Humorous" poems, Willis showcases his wit and playful spirit. Through clever wordplay and satirical observations, he infuses humor into his verses, providing readers with moments of levity and amusement.This collection is a testament to Nathaniel Parker Willis's versatility as a poet, offering a literary feast that spans the sacred and the humorous, the passionate and the contemplative. Immerse yourself in the poetic world of Willis, where each line is a brushstroke painting a vivid portrait of the human experience.

"The Poetical Works of Oliver Wendell Holmes" invites readers into the delightful world of one of America's most versatile literary figures. Oliver Wendell Holmes, a physician, essayist, and poet, showcases his poetic prowess in this comprehensive collection. Known for his wit, humor, and keen observations, Holmes crafts verses that span a diverse range of themes.In works like "The Chambered Nautilus," Holmes contemplates the progression of life and personal growth, drawing inspiration from the metaphor of the nautilus shell. "Old Ironsides" passionately defends the USS Constitution, blending patriotism with poetic flair, while "The Deacon's Masterpiece" offers a whimsical narrative about a one-horse shay.Holmes's poetry is characterized by a charming blend of sentiment and intellect, often exploring the intersections of science, philosophy, and everyday experiences. His humorous and satirical pieces, such as "The Wonderful 'One-Hoss Shay'" and "The Height of the Ridiculous," showcase his ability to infuse levity into his reflections on life."The Poetical Works" is a testament to Holmes's ability to engage readers with both serious contemplation and lighthearted amusement. Whether exploring the complexities of existence or celebrating the beauty of the mundane, Holmes's verses continue to captivate audiences with their timeless charm and enduring relevance. Immerse yourself in the poetic tapestry of Oliver Wendell Holmes, where wit and wisdom coalesce to create a literary legacy.

An uplifting, feel-good read about the power of friendship and community.

"Vintage Stoppard in itsintelligence and wit." -VarietyIt is1936, and A. E. Housman is being ferried across the river Styx, glad to be deadat last-yet his memories are dramatically alive. Confronting his younger selffrom the vantage of death, Housman thinks back to the man he loved, who couldnot return his feelings, and considers the Oxford of his youth, suffused withthe flamboyant influence of the Wildean Aesthetic movement and the restrictionsof High Victorian morality. Winner of the Evening Standard's Best PlayAward, The Invention of Love inhabits Housman's imagination as if adream, illuminating both the pain of hopeless love and the passion displacedinto poetry.

"I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O'Callaghan."-Robert Olen Butler The prizewinning Irish short-story writer and author of the highly praised novel, My Coney Island Baby, delivers his most accomplished book of short fiction to date-a poignant story collection that "grips from the opening page" (Bernard MacLaverty). These are twelve poignant, quietly dazzling, and carefully crafted stories that explore the resiliency of the human heart and its ability to keep beating in the wake of bereavement, violence, lost love, and incomparable trauma and grief. Spanning a century and two continents, from the muddy fields of Ireland to a hotel room in Paris, a dingy bar in Segovia to an airplane bound for Taipei, The Boatman and Other Stories follows an unforgettable cast of characters. Three gunshots on the Irish border define the course of a young man's life; a writer clings fast to a star-crossed affair with a woman who has never been fully within his reach; a fisherman accustomed to hard labor rolls up his sleeves to dig a grave for his child; and a pair of newlyweds embark on their first adventure, living wild on the deserted Beginish Island. Ranging from the elegiac to the brutally confrontational, these densely layered tales reveal the quiet heroism and gentle dignity of ordinary life. Billy O'Callaghan is a master celebrant of the smallness of the human flame against the dark: its strength and its steady brightness.

A partire dagli anni '40, il giornalismo sportivo iniziò a prendere forma nei giornali stampati del Piauí. Con la professionalizzazione del giornalismo, gli editorialisti sportivi, anche senza aver frequentato corsi, sono riusciti a rendere il periodo dal 1963 al 1983 il più prospero per la professione. Con il calcio che ottiene l'appoggio degli agenti politici, i giornalisti trasformano lo sport in un argomento di dibattito sociale. Attraverso i reportage, possiamo costruire un panorama dell'attività nel Piauí basandoci sui comuni di Teresina e Parnaíba, dove il calcio locale ha avuto inizio. Riportando gli eventi sociali, è possibile vedere come il calcio, la stampa e la politica abbiano stabilito un rapporto di complicità. Il "pane e il circo" della società brasiliana durante la dittatura militare, dove il calcio era lo strumento più importante ed efficace nella strategia di controllo sociale, e quanto la stampa vi abbia contribuito.

Seit den 1940er Jahren nahm der Sportjournalismus in den gedruckten Zeitungen von Piauí allmählich Gestalt an. Mit der Professionalisierung des Journalismus gelang es den Sportkolumnisten, auch ohne Ausbildung, die Zeit von 1963 bis 1983 zur blühendsten für diesen Beruf zu machen. Mit der Unterstützung der politischen Akteure verwandelten die Journalisten den Sport in ein Thema für die gesellschaftliche Debatte. Anhand der Berichte können wir ein Panorama der Aktivitäten in Piauí erstellen, das sich auf die Gemeinden Teresina und Parnaíba stützt, wo der lokale Fußball seinen Anfang nahm. Anhand der sozialen Ereignisse lässt sich erkennen, wie Fußball, Presse und Politik eine Beziehung der Komplizenschaft eingegangen sind. Die "Brot und Spiele" der brasilianischen Gesellschaft während der Militärdiktatur, in der der Fußball das wichtigste und wirksamste Instrument in der Strategie der sozialen Kontrolle war, und wie sehr die Presse dazu beitrug.

S 1940-h godow sportiwnaq zhurnalistika nachala formirowat'sq w pechatnyh gazetah Piaui. S professionalizaciej zhurnalistiki sportiwnye obozrewateli, dazhe ne poseschaq kursow, sumeli sdelat' period s 1963 po 1983 god samym procwetaüschim dlq ätoj professii. Posle togo kak futbol poluchil podderzhku politicheskih deqtelej, zhurnalisty prewratili ätot wid sporta w predmet social'nyh debatow. Blagodarq reportazham my mozhem sostawit' panoramu deqtel'nosti w Piaui na osnowe municipalitetow Teresina i Parnaiba, gde zarodilsq mestnyj futbol. Priwlekaq wnimanie k social'nym sobytiqm, mozhno uwidet', kak futbol, pressa i politika ustanowili otnosheniq souchastiq. Hleb i cirk" brazil'skogo obschestwa w period woennoj diktatury, gde futbol byl samym wazhnym i äffektiwnym instrumentom w strategii social'nogo kontrolq, i naskol'ko ätomu sposobstwowala pressa.

Depuis les années 1940, le journalisme sportif a commencé à prendre forme dans les journaux imprimés du Piauí. Avec la professionnalisation du journalisme, les chroniqueurs sportifs, même sans avoir suivi de cours, ont réussi à faire de la période de 1963 à 1983 la plus prospère pour la profession. Le football ayant gagné le soutien des agents politiques, les journalistes ont ensuite transformé le sport en un sujet de débat social. Les reportages permettent de dresser un panorama de l'activité au Piauí à partir des municipalités de Teresina et de Parnaíba, où le football local a vu le jour. En évoquant les événements sociaux, il est possible de voir comment le football, la presse et la politique ont établi une relation de complicité. Le "pain et le cirque" de la société brésilienne pendant la dictature militaire, où le football était l'instrument le plus important et le plus efficace dans la stratégie de contrôle social, et comment la presse y a contribué.

Der Roman ¿Zwischenschritte¿ erzählt die Geschichte einer schicksalhaften Begegnung. Brigitte Weichmann ist auf der Suche. Seit ihr Sohn Michael ein Jahr zuvor bei einem tragischen Unfall ums Leben kam, bereist sie Frankreich, sein Lieblingsland. Ihr Leben am Starnberger See und ihre Ehe hat sie hinter sich gelassen. In Dijon lernt sie den jungen, passionierten Buchhändler Christian kennen, der mit seinen eigenen Dämonen zu kämpfen hat. Es wird stürmisch. Finden sie dennoch zueinander? Kann man ein gemeinsames Leben aufbauen, wenn der Verlust das Einzige ist, das zusammenhält? Und was macht Christian, als seine geschiedene Frau plötzlich wieder auftaucht?

Diese Arbeit befasst sich mit der seit jeher umstrittenen Frage nach der Zulässigkeit der Vergleiche im Steuerrecht; dies im Schwerpunkt mit der gänzlich unbeantworteten Frage nach der Zulässigkeit von Vergleichen vor der Finanzgerichtsbarkeit. Das Feld für den finanzgerichtlichen Prozessvergleich ist weit. Die Möglichkeiten zur konsensualen Streitbeilegung innerhalb der Finanzgerichtsbarkeit sind, trotz der, im Vergleich zur allgemeinen Verwaltungsgerichtsbarkeit überproportional konsensual erledigten Fälle, unterausgeprägt. Unter empirischen Gesichtspunkten zeigt sich, dass einvernehmliche Verfahrensbeendigungen im finanzgerichtlichen Verfahren die Mehrheit der erledigten Fälle bilden, obschon deren rechtliche Möglichkeiten unter verfahrensvergleichenden Gesichtspunkten eingeschränkt sind. Diese Arbeit macht es sich unter anderem zum Gegenstand zu prüfen, welche nationalen und internationalen Auswirkungen die Einführung eines finanzgerichtlichen Prozessvergleichs mit sich bringt.

I WILL that if I say a heavy thingYour tongues forgive me; seeing ye know that springHas flecks and fits of pain to keep her sweet,And walks somewhile with winter-bitten feet.Moreover it sounds often well to letOne string, when ye play music, keep at fretThe whole song through; one petal that is deadConfirms the roses, be they white or red;Dead sorrow is not sorrowful to hearAs the thick noise that breaks mid weeping were;The sick sound aching in a lifted throatTurns to sharp silver of a perfect note;And though the rain falls often, and with rainLate autumn falls on the old red leaves like pain,I deem that God is not disquieted.Also while men are fed with wine and bread,They shall be fed with sorrow at his hand. There grew a rose-garden in Florence landMore fair than many; all red summers throughThe leaves smelt sweet and sharp of rain, and blewSideways with tender wind; and therein fellSweet sound wherewith the green waxed audible,As a bird¿s will to sing disturbed his throatAnd set the sharp wings forward like a boatPushed through soft water, moving his brown sideSmooth-shapen as a maid¿s, and shook with prideHis deep warm bosom, till the heavy sun¿sSet face of heat stopped all the songs at once.The ways were clean to walk and delicate;And when the windy white of March grew late,Before the trees took heart to face the sunWith ravelled raiment of lean winter on,The roots were thick and hot with hollow grass.

Joys (Joies in French) is the fourth book of poetry written by Francis Vielé-Griffin (1864-1937). It was first published in 1889, when Griffin was 25 years old. Griffin was American by birth, born in Virginia. As a boy of seven or eight years old, he was sent to France by his father to attend school; he remained.Francis Vielé-Griffin was an adherent, and one of the principal and early practitioners, of the Symbolist movement in poetry, which grew out of the Decadent movement of poetry. An intimate friend of Stéphane Mallarmé, Griffin was also a great believer in free verse.In his own words, Griffin says this about Joys:"The verse is free verse; - which means nothing more than that the ¿old¿ Alexandrine with one or more ¿cæsura,¿ with or without ¿rejet¿ or ¿enjambment,¿ is abolished or put down; but - more generally - that no fixed form is considered as the necessary mold anymore for the expression of all poetic thought; that, from now on, but consciously free this time, the Poet will obey the personal rhythm that must be, without M. de Banville or any other ¿legislator of Parnassus¿ intervening; and that talent shall resplend in different ways than by the traditional or illusory ¿vanquished difficulties¿ of rhetorical poetics: - Art is not merely learnt, it recreates itself continually; it does not live by tradition, but by evolving."

Mémoires pour servir à l'Histoire de France sous Napoléon, Tome 2/2; Écrits à Sainte-Hélène par les généraux qui ont partagé sa captivité, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de History, General and Eastern Hemisphere

Mémoires pour servir à l'Histoire de France sous Napoléon, Tome 1/2 écrits à Sainte-Hélène par les généraux qui ont partagé sa captivité, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de History, General and Eastern Hemisphere

Kidnapped as a youth, Birdalone grew up in the forest of Evilshaw as the servant of a witch. Against all odds, she escapes via boat, but before she can return home she must navigate a series of treacherous islands with the sporadic guidance of Habundia, her fairy godmother. The Water of the Wondrous Isles is a novel by William Morris.

V dannoj monografii issleduütsq i rassmatriwaütsq suschestwennye osobennosti perewoda klassicheskoj äpicheskoj poämy s uzbexkogo qzyka na anglijskij. V chastnosti, osoboe wnimanie udeleno problemam perewoda sobstwennyh suschestwitel'nyh, takih kak antroponimy (imena lüdej), toponimy (geograficheskie nazwaniq), realii, kul'turno-swqzannye slowa, binomial'nye pary i obraznye qzykowye sredstwa, ispol'zuemye w äpicheskoj poäme Alishera Nawoi "Saddi Iskandari". Dannaq monografiq mozhet najti dal'nejshee primenenie u studentow bakalawriata kafedry "Gid i perewod" ili magistrantow, interesuüschihsq teoriej i praktikoj perewoda klassicheskih proizwedenij.

Frans Hals is one of the most important portrait painters of all time. Like Rembrandt, the famous Dutch Baroque master's striking portraits of the bourgeoisie and social outsiders are distinguished by their extraordinary vividness and accurate depiction. His sketch-like paintings, executed with bold brushstrokes, had a decisive influence on modernist painting. This comprehensive publication coincides with the first major survey exhibition of Hals' oeuvre in more than thirty years. FRANS HALS (1582/84-1666) was born in Antwerp, the son of a cloth merchant. In 1610 he was accepted into the Haarlem Guild of St. Luke. Hals created hundreds of genre paintings, individual, and group portraits and enjoyed great public prestige. Despite his fame during his lifetime, it was not until the nineteenth century that he was enthusiastically rediscovered by the Impressionists and Realists.

This book is a comprehensive tribute to the Polish-Belgian artist Tapta (Maria Wierusz-Kowalska). Her work transcends traditional artistic boundaries, captivating audiences with her innovative exploration of fluid spaces and dynamic interactions. Her work, an important contribution to twentieth century sculpture, is essentially divided into two major sections: the textile works of the 1960s to 1980s and the subsequent neoprene works of the last years of her life. Her practice moved away from traditional weaving through experimental techniques and evolved into three-dimensional works-first made of cords, then of neoprene sheets-that interacted with the space and the viewer. TAPTA (*1926-1997) was born in Poland and came to Belgium as a political refugee with her husband, Krzysztof Wierusz-Kowalski, after taking part in the Warsaw Uprising of 1944. She studied weaving at the La Cambre National School of Visual Arts, Brussels, from where she graduated in 1949. Shortly afterwards, the couple moved to the Belgian Congo (now Democratic Republic of the Congo), where they lived from 1950 to 1960. On their return to Belgium in 1960, until her sudden death in 1997, she worked in Brussels as an artist and-from 1976 until 1990-as a professor at La Cambre.