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Bøger af Aaron Kreuter

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  • af Aaron Kreuter
    277,95 kr.

    In seven and a half interlinked stories, Aaron Kreuter's Rubble Children tackles Jewish belonging, settler colonialism, Zionism and anti-Zionism, love requited and unrequited, and cannabis culture, all drenched in suburban wonder and dread. Sometimes realist, sometimes not, the book revolves around Kol B'Seder, a fictional Reform synagogue in the Toronto suburb of Thornhill. In these stories, the locked basement room in the home of the synagogue's de facto patriarch opens onto a life-altering windfall; visions of an omnipotent third temple terrify; rhythms of the Jewish and scholastic year collide in bong rips and hash hits; alternate versions of Israel/Palestine play out against domestic drama. In the title story, a group of Jewish girls obsessed with the Holocaust discover that they are far from the only people who live in the rubble of history. Engaging, funny, dark, surprising, Rubble Children is a scream of Jewish rage, a smoky exhalation of Jewish joy, a vivid dream of better worlds.

  • af Aaron Kreuter
    328,95 kr.

    Leaving Other People Alone reads contemporary North American Jewish fiction about Israel/Palestine through an anti-Zionist, diasporic lens.

  • af Aaron Kreuter
    173,95 kr.

    A satiric and searing collection of poetry obsessed with television, oceans, Jewish history, and time.Nature isn't dying it's simply revising its target audience In Shifting Baseline Syndrome, Aaron Kreuter asks the hard questions: will the Anthropocene have a laugh track? Is it okay to marry your eighteenth cousin? How different would the world look from outside the life-frame of the human? What is it like to have an acid trip in a portapotty? Is it the end . . . of Earth? Of capitalism? Of television? Throughout Kreuter's sophomore collection, the TV remote is never far. Shifting Baseline Syndrome is both searching and searing, veering between satire and sincerity, history and prophecy, and human and non-human worlds. As these clash ecstatically with loathingand with the end loomingKreuter demonstrates why we'll keep doing what we've always done: hoping, for once, that the series finale will be good.

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