Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
The Rose, a sprawling poem by Pittsburgh poet, Ed Steck was his response to a suite of 9 collages that New York visual artist, Adam Marnie made by cutting up photographs of a hydrangea still-life, which were mailed to him in early 2012-resulting in mirrored explorations of beauty, redaction, and the porousness of language and image. The 35 page poem was written in this collaborative process over the two year correspondence yielding three sections: The Grid, The Rose, The Desert.
On the face and the self in Mark Flood's early workThis book investigates a crucial period for the Houston-based artist Mark Flood (born 1957), from 1987 to 1992, during which he was still making and exhibiting work using his birth name, John Peters. Artist and editor Adam Marnie explores Flood's motif of the face and his use of personae, aliases and surrogates.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.