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Unveränderter Nachdruck der Originalausgabe von 1864.
Introduction to the Interpretation of the Beethoven Piano Works is an unchanged, high-quality reprint of the original edition of 1895.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Adolf Bernhard Marx (1795-1866) was an influential music theorist, critic, composer and pedagogue. He believed that music should be part of everyone's general education and lobbied the Prussian government for a comprehensive national music-education scheme. This English translation by George Macirone of Marx's 1839 Allgemeine Musiklehre was published in 1854 as the first work in the series Novello's Library for the Diffusion of Musical Knowledge. The series, described by the publisher as 'a collection of standard treatises on the art of music written by the most esteemed English and foreign masters', was devised in response to a growing demand for training books and manuals to support domestic music-making. It also included Berlioz's famous treatise on instrumentation (also reissued in this series). Marx's work covers the basic elements of music theory, musical instruments, compositional techniques, forms of music, performance advice, and the importance of musical education in general.
Adolf Bernhard Marx (1795-1866), influential music theorist, composer and friend of Mendelssohn, believed music should be part of everyone's education. This English translation, of only the first volume of the fourth edition of his influential work on the principles of music theory and composition, was first published in 1852.
Adolf Bernhard Marx (1795-1866) was a German composer, music critic and university teacher. His influential publications included this two-volume study, published in 1863, of the radical innovations in operatic composition that Gluck had pioneered a century earlier. Marx's account is chronologically organised, and includes biographical details and music examples.
A. B. Marx was a scholar, teacher and critic of music, and a friend of Mendelssohn. This influential book, published in German in 1855 and translated into English in the same year, consists of two parts: a survey of the significance of music to civilisation, and a guide to musical education.
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