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Contributors examine how international theatre festivals have been organised and how they have affected the evolution of sustainable theatre.
A Nigerian re-working of Shakespeare's Othello, this is an ambitious effort in the tradition of much contemporary Nigerian drama and spirit of cultural exchange to translate the timeless and classic work into the language, cultural reality and settingof the Igbo people. Yerima's play responds to the humanistic values, social and religious sensibilities of the original, reinventing them to speak for different people of a different age. From these perspectives, the play raises questions about the freedom of the individual in society, the nature of collective existence, and whether folly and greatness, jealousy, suspicion, tradition and love can co-exist.
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