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"John is brilliant at communicating. She's also really funny. Poems don't get more direct and precise and unforgettable than this." —National PostThe highly anticipated new collection from Griffin Poetry Prize finalist Aisha Sasha John.
In THOU, Aisha Sasha John knows the day biblically. What if time itself was an object of desire? And the book was a theatre for that? Aisha Sasha John has a crush on time. Which is why she discipled in it. For three years. Also for three months. Also for three months at 33. Ya. Aisha Sasha John has a crush on time and discipled in time, moving it across her body, watching it, um, course the day. She slowed it down and thought along it, she cut it up. She slowed it down and thunk along it and sped it up. She cut it up and spaced it out and rhythmed it down and laid it flat and looked at it hard. Aisha Sasha John has a crush on time. She did it. She did time. It was gross and funny and it was hard and it was good. The result is/was THOU.
Poetry. African American Studies. In THE SHINING MATERIAL, Aisha Sasha John is a hostess; welcome to her house. Inside there is a party, a prayer, a painting that puts its fingers in your mouth--let it: in THE SHINING MATERIAL witness Aisha Sasha John braid self-portraiture, ekphrasis, and her own brand of psalm to create a collection of poems that is a tonic: dizzying in its open-mouthed, symphonic charge. These poems stage intimate encounters as they work against the language of the banal. Dancing across, between and at the interstices of the self, no poem is a single statement: they all recognize language as a perpetual subject of inquiry. THE SHINING MATERIAL is an opportunity to trace a fresh sensibility that will continue and make the work of this young innovative woman writer a powerful force in avant-garde writing around the world.
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