Bøger af Alain (l'Ecole normale superieure) Badiou

Dissecting how facile accusations of "anti-Semitism"are used to stifle dissent.

"Originally published in French as Maefiez-vous des blancs, habitants du rivage! ALibrairie Arthaeme Fayard, 2019."

Interviews originally conducted in French but first published in German under title: Feur eine Politik des Gemeinwohls.

'I'm 79 years old. So why on earth should I concern myself with speaking about youth?' This is the question with which renowned French philosopher Alain Badiou begins his passionate plea to the young. Today young people, at least in the West, are on the brink of a new world.

On 13 November 2015, Paris suffered the second wave of brutal terrorist attacks in a year, leaving 130 dead and many more seriously injured. How are we to make sense of these violent acts and what do they tell us about the forces shaping our world today?In this short book the influential philosopher Alain Badiou argues that while these violent events are commonly portrayed as acts of Islamic terrorism, in fact they attest to a much deeper malaise that is connected to the triumph of global capitalism and to new forms of imperialism that involve the weakening of states, such that whole regions of the world have been turned into ungovernable zones run by armed gangs in which ordinary people are forced to live the most precarious lives. These zones have become the breeding ground for a new kind of nihilism that seeks revenge for the domination of the West. And it is this new nihilism, on to which Islam has been grafted, that exerts a particular appeal to the young men and women on the margins who carried out the atrocities in Paris. The tragedy of 13 November might appear at first sight to be rooted in immigration and Islam but our wound is not so recent: it is rooted in a deeper set of transformations that have reshaped our world, creating small islands of privilege amidst large masses of the destitute and depriving us of a politics that would offer a serious alternative to the present.

Who hasn't had the frightening experience of stumbling around in the pitch dark? Alain Badiou experienced that primitive terror when he, with his young friends, made up a game called "The Stroke of Midnight.

In Praise of Theatre is Alain Badiou s latest work on the most complete of the arts, the theatrical stage.

In a well-known text called The Communist Hypothesis , first published in 2007, the renowned philosopher Alain Badiou breathed fresh life into the idea of communism as an intellectual representation that provides a critical perspective on existing politics and offers a systemic alternative to capitalism.

The fall of the Berlin wall was seen by many as the final triumph of liberal democracy over communism. But now, in the wake of the great financial crisis of 2008 and its aftermath, things look a little different.

* Alain Badiou is probably the most widely read and influential philosopher in France today. Alain Finkielkraut is also a well-known public intellectual in France * Both have attracted controversy in the past and they hold strongly contrasting political views.

Alain Badiou was born in 1937 in Rabat and Jean-Claude Milner in 1941 in Paris. They were both involved in the Red Years at the end of the Sixties and both were Maoists, but while Badiou was focusing all his attention on China, Milner was already taking his distance from it.

* Alain Badiou is one of the most widely read and influential philosophers in France today. * This volume brings together Badiou s writings on cinema from the last fifty years. The topics range from the key filmmakers of modernity (Tati, Oliveira, Antonioni, Godard, etc.

This concise and accessible book is the perfect introduction to Badiou s thought. Responding to Tarby s questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science.

Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction.