Bøger af Alan Ayckbourn

Colin must be comforted in his grief over the death of his fiancee so his friends, who never met the girl, arrange a tea party for him. Understandably they are on edge wondering what to say, but there is more to their unease: Diane and Paul, John and Evelyn, and Marge and her husband are perpetually out of circulation with trivial illnesses are all kept together by a mixture of business and cross-marital emotional ties. By the time Colin arrives for tea, their tenseness contrasts dramatically with his air of cheerful relaxation. He is the only happy one among them and his happiness and insensitive analyses of their troubles causes each of them to break down.

Placing wartime and lockdown life side-by-side, Alan Ayckbourn's 85th play is a touching, tender and, of course, funny reflection on the ability of love to rise above adversity and reach across the years.Veteran actor Rob Hathaway, stuck at home during the summer of 2020 with only his sensible older sister for company, has little to do but relive his glory days. One day Rob spots a stranger hanging out the washing in the adjoining garden - but the neighbours haven't been around for months. So who is the mysterious girl next door? And why is she wearing 1940s clothing?

Characters: 2 male, 4 femaleComedyWinnie is nearly nine. Her mum, Laverne, is second-generation Afro-Caribbean and heavily pregnant but continues with her cleaning job since her husband left while she dreams of moving the family back to Martinique. Tuesdays are special: Laverne insists that Winnie speaks only French (in preparation for Martinique) and today is Tuesday - not her usual day to clean at the north London house of Kevin Tate, an affluent, bad-tempered, philandering, minor tele

Alan Ayckbourn ComedyCharacters: 7 male, 5 female Multiple Interior Scenes England's master of satire is in top form in this comic morality play which was triumphantly presented by the National Theatre of Great Britain. Jack McCraken has the opportunity of a lifetime: he is the new head of a family furniture business and believes he will initiate a new age of honesty and integrity. He quickly learns that everyone else involved in the enterprise has a vested intere

For the first time, Alan Ayckbourn shares all of his tricks of the playwright's trade. From helpful hints on writing to tips on directing, the book provides a complete primer for the newcomer and a refresher for the more experienced. Written in Ayckbourn's signature style that combines humor, seriousness, and heady air of theatrical sophistication that Noel Coward would envy, The Crafty Art of Playmaking is a must-have for aspiring playwrights and students of drama.

A sci-fi comedy thriller, Comic Potential is a play set in the foreseeable future, when everything has changed--except human natureComic Potential is set in a television studio in the near future, where the director--an alcoholic has-been--and two assistants are making a daytime soap opera of the usual appalling sort. However, the difference here is that they are using actoids--robots programmed to act--and there are no scriptwriters. Into this situation comes the idealistic Adam, the nephew of the millionaire station owner, who wants to write comedy of the quality that Chaplin and Keaton once embodied. But when Adam falls in love with Jaycee Triplethree (JC333), one of the actoids on the show, everything is turned upside down as she grows more human and the line between actoid and human diminishes. When in anguish Jaycee finally cries that she can't say anything she hasn't been programmed to say, Adam points out that no one ever says anything original anyway.

Adrian is about to introduce his fianc¿e Grace to his parents at a birthday party, but they are worried that Grace doesn't know about Adrian's alleged reputation. As more birthdays unfold, the truth about the suburban closet Lothario is revealed...

Features ten plays, which have been selected from the BT National Connections scheme, in which some contemporary playwrights in the UK and Europe were commissioned by the Royal National Theatre to produce original drama specifically for young people. The scripts are specifically written for 11-16+.

The year is 1996. Trevor and Linda have been struggling for a while to deal with the behaviour of their rebellious teenage son Jason. In a moment of madness, they hatch a plan to create his own funeral in their living room.

Five one-act plays from 1976 by Britain's most popular playwright, Ayckbourn's classic series of plays are presented in a Student Edition with a full introduction, commmentary and questions for study.

Alan Ayckbourn's play is about a very ordinary teenager called Lucy. With her father glued to the cowboys on the telly, her mother preoccupied with neighbourly gossip and her brother enclosed in his ear-phones, no one wants to know about her place in the school swimming team. So Lucy revives her childhood fantasy friend, Zara, setting a place for her at the very ordinary tea table. This time Zara materializes, bringing with her an idealized father and brother, and showing Lucy how to make her real family vanish. The moral of this cautionary tale is carefully spelt out - that when you get what you want it's not what you wanted - as Lucy's dream family turns out to be a nightmare. The play is supposedly for children of seven upwards, but there's a message here for parents, too, about listening to kids.

Rockfist Slim's enemies have just plunged him into yet another desperate situation when Kevin has to close his detective book and go to sleep. But his own adventure is only just beginning. Fast-moving, fun and full of special effects, Ayckbourn's wonderfully inventive play for children brings alive several well-known children's books as Kevin and Rockfist Slim escape the baddies and plunge into many different worlds.The Boy Who Fell into a Book premiered at the Stephen Joseph Theatre, Scarborough, in December 1998.

A treat to read and a joy to perform, this second collection of Alan Ayckbourn's work is a cornucopia of some of his wonderfully inventive children's plays. From the story of the teenage Lucy in Invisible Friends who revives her childhood imaginary friend when things get difficult at home, onto the storytellers in My Very Own Story and This Is Where We Came In and, finally, to young Ernie who 'illucinates' all sorts of wild and weird happenings with astonishing results.

How Ms Poopay Dayseer, a twenty-first century Specialist Sexual Consultant, whilst peddling her 'services' to an elderly hotel room client unexpectedly finds herself running for her life. How her flight through a communicating door brings her face to face with her own past and with Ruella who apparently died under suspicious circumstances twenty years earlier. And how Poopay's gradual friendship with that remarkable woman changes the future for both of them...A time-travelling comedy thriller, Communicating Doors was published to coincide with the West End opening in 1995.

The first volume of Alan Ayckbourn's collected work contains his morality plays from the 1980s. It includes the plays A Chorus of Disapproval, A Small Family Business, Henceforward . . ., and Man of the Moment.

The central character of Alan Ayckbourn's new play is Susan, a parson's wife, 'one of the most moving and devastating that he has created...'Robin Thornber reviewing the first production in Scarborough in the Guardian.

The Revengers' ComediesA hugely entertaining pitch that recalls the old movies to which it frequently pays homage - Strangers on a Train, Rebecca, Kind Hearts and Coronets - and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times Things We Do for LoveLloyds Private Banking Playwright of the Year AwardOne of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday TimesHouse & GardenThe triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times

Snake in the GrassA terrific piece - brilliant, bizarre and yet totally believable . . . In fact, it's more than classic; it's close to the top of its class. Yorkshire Post If I Were YouA blissfully funny comedy that's also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature. Daily Telegraph Life and BethA wise, humane, funny play about the inevitability of death and the continuity of life. GuardianMy Wonderful DayA transformation happens as magical as the most magnificent pantomime transformation anyone could ever imagine . . . the playwright dissolves the paraphernalia of our adult selves and uncovers that space inside each of us that is still the child we once were. ObserverLife of RileyAs perceptive as ever . . . Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity. Daily Telegraph

Elspeth and Arthur are celebrating forty years of quiet, safe, unspectacular, ordinary marriage. Or so most of the guests attending their anniversary party are led to believe. But knowing her and knowing him as they do, their son and daughter know differently.

After a hit and run accident, naive country girl Sasha comes to the aid of ex-villain Val who is using a bogus identity as an ex-policeman. Sasha befriends Val and welcomes him into her home; overcome by her generosity and childlike innocence, he showers Sasha with lavish gifts whilst his rival Ashley, knowing of Val's sordid past, seeks to protect Sasha from this potential danger.

Six people with six very separate lives are strangely linked by circumstance. Does Nicola still love Dan? Can Stewart be on the verge of an office romance? Will Imogen ever find true love? Does Ambrose have a secret life? And what on earth is Charlotte up to?