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Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character.
The category of the aesthetic has been accused of promoting class-based ideologies of distinction, of cultivating political apathy, and of indulging irrational sensuous decadence. This work re-examines the history of aesthetic theorizing that has led to this critical alienation from works of art.
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