Bøger af Alan Jacobs

The selections made in this volume shed light on these esoteric doctrines revealing intimate conversations between Jesus and his Disciples. The Gospel of Mary Magdalene throws new light on his relationship with this favourite disciple. The Gospel of Thomas contains concentrated mini-parables, containing deep inward and symbolic meaning, many of which are not found in the New Testament. The texts chosen are relevant to many of the perplexities of contemporary life and deal with the questions of good and evil, sin and suffering and the path to salvation.

The life and times of Milton's epic poem about Satan's revolt against God and humanity's expulsion from paradiseJohn Milton's Paradise Lost has secured its place in the pantheon of epic poems, but unlike almost all other works in the pantheon, it is intimately associated with religious doctrine and its implications for how we live our lives. For more than three centuries, it has been a flashpoint for arguments not just about Christianity but also about governance, rebellion and obedience, sexual politics, and what makes poetry great. Alan Jacobs tells the story of Milton's enduring poem, shedding light on its composition and reception and explaining why it resonates so powerfully with us today. Composed through dictation after Milton went blind in 1652, Paradise Lost centers on an ancient biblical answer to the eternal question of how evil came into the world. It has proved impossible to disentangle the defense or critique of the poem from attitudes toward Christianity itself. Does Christian theology entail monarchy or democracy? Are relations between the sexes thwarted by pompous and tyrannical men or by vain and disobedient women? Jacobs traces how generations of readers have grappled with these and other questions, along the way revealing how Milton's poem influenced novelists like Mary Shelley and Philip Pullman and has served as the inspiration for paintings, operas, comic books, and video games. An essential companion to Milton's poetic masterpiece, this book shows why Paradise Lost continues to serve as a mirror reflecting our own complex attitudes about power and authority, justice and revolt, and sin and salvation.

Essayist and biographer Alan Jacobs introduces us to the world of original sin, which he describes as not only a profound idea but a necessary one. As G. K. Chesterton explains, "Only with original sin can we at once pity the beggar and distrust the king."Do we arrive in this world predisposed to evil? St. Augustine passionately argued that we do; his opponents thought the notion was an insult to a good God. Ever since Augustine, the church has taught the doctrine of original sin, which is the idea that we are not born innocent, but as babes we are corrupt, guilty, and worthy of condemnation. Thus started a debate that has raged for centuries and done much to shape Western civilization.Perhaps no Christian doctrine is more controversial; perhaps none is more consequential. Blaise Pascal claimed that "but for this mystery, the most incomprehensible of all, we remain incomprehensible to ourselves." Chesterton affirmed it as the only provable Christian doctrine. Modern scholars assail the idea as baleful and pernicious. But whether or not we believe in original sin, the idea has shaped our most fundamental institutions--our political structures, how we teach and raise our young, and, perhaps most pervasively of all, how we understand ourselves. In Original Sin, Alan Jacobs takes readers on a sweeping tour of the idea of original sin, its origins, its history, and its proponents and opponents. And he leaves us better prepared to answer one of the most important questions of all: Are we really, all of us, bad to the bone?

The White Witch, Aslan, fauns and talking beasts, centaurs and epic battles between good and evil -- all these have become a part of our collective imagination through the classic volumes of The Chronicles of Narnia. Over the past half century, children everywhere have escaped into this world and delighted in its wonders and enchantments. Yet what we do know of the man who created Narnia? This biography sheds new light on the making of the original Narnian, C. S. Lewis himself.Lewis was one of the intellectual giants of the twentieth century and arguably the most influential religious writer of his day. An Oxford don and scholar of medieval literature, he loved to debate philosophy at his local pub, and his wartime broadcasts on the basics of Christian belief made him a celebrity in his native Britain. Yet one of the most intriguing aspects of Clive Staples Lewis remains a mystery. How did this middle-aged Irish bachelor turn to the writing of stories for children -- stories that would become among the most popular and beloved ever written?Alan Jacobs masterfully tells the story of the original Narnian. From Lewis's childhood days in Ireland playing with his brother, Warnie, to his horrific experiences in the trenches during World War I, to his friendship with J. R. R. Tolkien (and other members of the "Inklings"), and his remarkable late-life marriage to Joy Davidman, Jacobs traces the events and people that shaped Lewis's philosophy, theology, and fiction. The result is much more than a conventional biography of Lewis: Jacobs tells the story of a profound and extraordinary imagination. For those who grew up with Narnia, or for those just discovering it, The Narnian tells a remarkable tale of a man who knew great loss and great delight, but who knew above all that the world holds far more richness and meaning than the average eye can see.

Through theological reflection interspersed with readings of literary texts, this book provides an elusive quarry-the charitable reader. It is a meaty meditation on absolutely central issues in serious reading, and its specific examples give a sufficient guide and impetus to a willing reader.

How The Book of Common Prayer became one of the most influential works in the English languageWhile many of us are familiar with such famous words as, "e;Dearly beloved, we are gathered together here. . ."e; or "e;Ashes to ashes, dust to dust,"e; we may not know that they originated with The Book of Common Prayer, which first appeared in 1549. Like the words of the King James Bible and Shakespeare, the language of this prayer book has saturated English culture and letters. Here Alan Jacobs tells its story. Jacobs shows how The Book of Common Prayer--from its beginnings as a means of social and political control in the England of Henry VIII to its worldwide presence today--became a venerable work whose cadences express the heart of religious life for many.The book's chief maker, Thomas Cranmer, Archbishop of Canterbury, created it as the authoritative manual of Christian worship throughout England. But as Jacobs recounts, the book has had a variable and dramatic career in the complicated history of English church politics, and has been the focus of celebrations, protests, and even jail terms. As time passed, new forms of the book were made to suit the many English-speaking nations: first in Scotland, then in the new United States, and eventually wherever the British Empire extended its arm. Over time, Cranmer's book was adapted for different preferences and purposes. Jacobs vividly demonstrates how one book became many--and how it has shaped the devotional lives of men and women across the globe.

A wonderful and inspiring collection of eloquent prose, beautiful poetry and ancestral wisdom from Chiefs, Medicine Men and ordinary members of many Native American tribes.

In this lucid and balanced treatise Alan Jacobs reveals the true parameters of Auden's change after the poet's move to America in 1939. By carefully examining poems that represent transitional moments in Auden's thinking, Jacobs identifies the points at which the tectonic plates of the poet's intellect clashed and the buckles and rifts these pressures caused in Auden's body of work.

Alan Jacobs is fond of the essay because it lets a writer do something that more formal pieces of writing cannot: follow the "vagaries of the mind," let the writing follow its own path, encountering surprises and fresh insights along the way. In this new collection, Jacobs offers essays for companionable wayfaring. To be a Christian, he says, is to be a wayfarer, to move hopefully towards a cherished goal. These essays are a wayfarer's notes, a record of ideas and experiences encountered on the pilgrim path. Gathered here are pieces serious and comic, eloquent and interesting. Jacobs muses on the usefulness and dangers of blogging, the art of dictionary making, the world of Harry Potter, and an appreciation of trees. He also includes several book reviews, including a wickedly witty poem. With Wayfaring, Jacobs continues his tradition of exploring Christian theology and experience by way of the essay, bringing serious musings within reach of us all.

Through theological reflection interspersed with readings of literary texts, this book provides an elusive quarry-the charitable reader. It is a meaty meditation on absolutely central issues in serious reading, and its specific examples give a sufficient guide and impetus to a willing reader.