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"This interdisciplinary anthology presents 10 chapters from a range of scholars in art history, cultural studies and anthropology to unpack the complex relationship between people and things via an object-centred model of identity. Presenting a global section of case studies, Material Selves confronts vital questions of identity, agency, and materiality, highlighting the way in which we use objects to tell stories, construct myths and make sense of our place in the world. Thus, this path-breaking volume shows how the objects with which we adorn and surround ourselves provide a model for the construction of raced, gendered, and cultured subjectivity"--
"In China, from the past to the present, ceramics is not just a material but a language. Alex Burchmore has insightfully translated this language and its variations, or accents, in contemporary Chinese art."--Jiang Jiehong, author of The Art of Contemporary China "Rather than simply extracting meanings from the artworks, Alex Burchmore tells us broader stories of China's history, culture, and contemporary social life associated with the making of contemporary ceramic art. These are not aesthetic objects alone; rather, this is a conceptually oriented collective production full of the ambiguity between traditional symbolism and contemporary deconstruction."--Gao Minglu, author of Total Modernity and Avant-Garde in Twentieth-Century Chinese Art
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