Bøger af Alex Coles

The first book-length inquiry into the twisted romantic ballad, giving a sense of both its history and contemporary currency. Titled after Soft Cell's version of the original 1965 Gloria Jones track, Tainted Love is the first book-length inquiry into the subject of the twisted romantic ballad, giving a sense of both its history and contemporary currency. Sometimes extreme, this twist to the conventional romantic ballad spans across gender and generational boundaries to subvert our understanding of both the genre's function and its behavior. Each chapter of Tainted Love takes a deep dive into a single twisted ballad, examining both its inner workings--lyrics, melody, and vocal approach--and its broader cultural resonance. Featuring an analysis of songs by Kendrick Lamar, Nina Simone, Roxy Music, Joni Mitchell, The Velvet Underground, Frank Sinatra, Soft Cell, Paul McCartney, Charlotte & Serge Gainsbourg, PJ Harvey & Nick Cave, and Little Simz, this book turns on the question: What compels songwriters to compose--and us to listen to--these warped songs?

An intimate history of the crooner in popular music from the 1950s to the present. In this book, Alex Coles explores the history of the crooner--someone who sings close to the mic in a soft style--in popular music from the 1950s to the present. Each chapter focuses on how one song by one artist contributes to the image of the crooner in the popular imagination. The book describes the rich diversity of crooners throughout music history, including artists in disco, rock, hip-hop, and more such as Frank Sinatra, Scott Walker, Barry White, David Bowie, Bryan Ferry, Tom Waits, Grace Jones, Ian McCulloch, Nick Cave, and Nas. Ultimately, Coles shows how the crooner continues to connect listeners with their hidden feelings.

Walter Benjamin is often considered the key modern philosopher and critic of modern art. Tracing his influence on modern aesthetics and cultural history, Introducing Walter Benjamin highlights his commitment to political transformation of the arts as a means to bring about social change. Benjamin witnessed first-hand many of the cataclysmic events of modern European history. He took a critical stance on the dominant ideologies of Marxism, Zionism and Technocracy, and his attempt to flee Nazi Europe ultimately led to his suicide in 1940. With its brilliant combination of words and images, this is an ideal introduction to one of the most elusive philosophers.