Bøger af Alexander Kluge

A profound exploration of the enduring impact of war in the wake of the Russian invasion of Ukraine. "War is back again." So begins Alexander Kluge's latest book, prompted by a war of aggression that, though being waged in Europe, is of global importance. Blending simple stories with multimedia and reflecting on human responses and hope, the author does not aim to take sides nor make an appeal. Rather, he is concerned with what he calls "mole war," the tenacious and often subterranean survival of war--what war makes of people and what life of its own it is capable of. Kluge's book is based on an iconic model, the primer, and named after a famous one: Bertolt Brecht's. Here we find simple stories underpinned with montages, film stills, and sequences. The author was ten years old when--sitting at his school desk and with his finger on the map--he followed German tanks on their journey to Stalingrad. In the time between then and his ninety-first birthday in February 2023, this chronicler of emotions has studied the costumes of war again and again: War is mortal but does not die quickly. How can we respond to its demands?

Alexander Kluge explores the madcap, multifaceted world of the circus through a global geopolitical lens. The circus has fascinated Alexander Kluge ever since he was a child, and his devotion to it has been preserved throughout his cinematic output and his most recent literary work. In the circus, he finds both the shadow image of work and the epitome of human excellence, from love to war to revolution. As surfaces onto which utopias are projected, these elaborate performances offer a tangible representation of developments within civilization, with its nearly infinite possibilities and sometimes inevitable crashes--from the excited roar of the crowd to death on the floor of the ring. In Circus Commentary, Kluge's montage of modernities moves back and forth through time and space, expressing his unique mix of fictional and non-fictional reports, histories, and stories through semantic fields, images, and film sequences inserted in the book via QR codes. We encounter a broad panorama of perplexed artists and sophisticated surgeons cavorting alongside fighter pilots, sans-culottes drunk with dreams of omnipotence, and, most importantly, animals--to whose superhuman performances, this book creates a lasting memorial.

Essen's Museum Folkwang has assembled the first museum exhibition of the work of German filmmaker, writer, philosopher and artist Alexander Kluge (born 1932) to mark the occasion of the 85th birthday of this artistic polymath. Kluge is primarily known to American audiences as a filmmaker and writer. But he has never been satisfied with confining himself to a single art form, and he has not confined himself to a conventional model of single authorship either. Collaboration has long been a central principle in Kluge's work, conceived as a process of "thinking together" with artists and writers such as Thomas Demand, Georg Baselitz and Ben Lerner. This comprehensive survey, developed in close collaboration with the artist, introduces Kluge's artistic "pluriverse," illustrating his most important methods, themes and conceptual approaches through a central focus on his filmic collages and collaborative work.

A book about bitter fates--both already known and yet to unfold--and the many kinds of organized machinery built to destroy people. Alexander Kluge's work has long grappled with the Third Reich and its aftermath, and the extermination of the Jews forms its gravitational center. Kluge is forever reminding us to keep our present catastrophes in perspective--"calibrated"--against this historical monstrosity. Kluge's newest work is a book about bitter fates, both already known and yet to unfold. Above all, it is about the many kinds of organized machinery built to destroy people. These forty-eight stories of justice and injustice are dedicated to the memory of Fritz Bauer, a determined fighter for justice and district attorney of Hesse during the Auschwitz Trials. "The moment they come into existence, monstrous crimes have a unique ability," Bauer once said, "to ensure their own repetition." Kluge takes heed, and in these pages reminds us of the importance of keeping our powers of observation and memory razor sharp.

"Die SEPARATRIX ist eine Nahtstelle. In Niklas Luhmanns Theorie ist es die Grenze zwischen System und Umwelt. Zwei Unvereinbarkeiten treffen aufeinander und dort, wo sie einander berühren, entsteht nicht nur eine Trennlinie oder Grenze, sondern die beiden UNVEREINBARKEITEN bilden winzige, infinitesimale Gesandschaften (embassys) des Einen im Anderen. Man kann dies bei den Aquarellen von Katharina Grosse sehen, wo Blau und Rot, also gegensätzliche Farben, an den Übergängen, wo die Farben ineinanderlaufen, zahllose Nuancen erzeugen. Man kann es aber auch an den reichen Grauwerten sehen, wenn wir Filmemacher nicht am Tag oder in der Nacht sondern in der Dämmerung filmen. Nirgends gibt es eine so reiche Skala an Grauwerten wie an dieser Nahtstelle von Tag und Nacht im Herbst Ähnlich die Separatrix zwischen Künstlern, je stärker, je unterschiedlicher sie sind." (Alexander Kluge)Mit Das SEPARATRIX-Projekt setzt Spector Books eine Reihe von kleinformatigen Dünndruckausgaben mit Alexander Kluge fort, die wir mit Napoleon Kommentar und Schramme am Himmel. Nachrichten vom Helden Hagen begonnen haben.Katharina Grosse, geboren 1961 in Freiburg / Breisgau, lebt und arbeitet in Berlin. Alexander Kluge, geboren 1932 in Halberstadt, ist Filmemacher, Autor, Fensehproduzent, Philosoph und Rechtsanwalt.

A highly readable and lighthearted, yet intellectual-stimulating exploration of the modern human condition.   This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‿Black Friday‿ because Wall Street‿s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We‿ve encountered a pandemic. We‿ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation‿just like ships that navigate the high seas. We might just find that in Kluge‿s vignettes and stories. Â

Collects 166 of Alexander Kluge‿s love stories previously concealed among his vast library of more than 2,000 texts. The latest offering from one of the greatest living German writers, The Labyrinth of Tender Force masterfully explores the greatest peaks and the most dreadful crevasses of passionate love through an inspired combination of Kluge‿s vignettes with drawings, photographs, and other archival material culled from diverse sources. Organized thematically, these stories take readers on a flight over the maps‿the varied topography‿of love. This flight ends on a high plateau, at the heart of the most beautiful romances and a cardinal text of modernity about the economy of relationships: Madame de La Fayette‿s The Princess of Cleves. Â

»Ohne Musik wäre alles Leben ein Irrtum.« Alexander Kluge wählte dieses Zitat von Friedrich Nietzsche als Slogan seines mehrteiligen Ausstellungsprojektes, in dem sich alles um die Macht der Musik dreht. In der Kunsthalle Weishaupt und im Museum Ulm inszeniert er mit neuesten Filmarbeiten, Textpassagen, Bildwerken und künstlerischen Interventionen ein lustvolles Feuerwerk der Eindrücke. In ihnen verdichtet sich die Oper, diese historische Bühne der Ernsthaftigkeit, mit all ihrem Drama, ihrer Poesie und Innerlichkeit, mit ihren fantastischen Übertreibungen und traumwandlerischen Erzählungen. Zu den Ausstellungen in Stuttgart und Halberstadt erscheinen zwei unterschiedliche Publikationen: »Das dünne Eis der Zivilisation« und »Weiße Tücher hängen aus den Kirchen«.Mit Arbeiten von Georg Baselitz, Thomas Demand, Katharina Grosse, Anselm Kiefer, Sarah Morris oder Anna Viehbrock und ausgewählten Werken aus der Sammlung Siegfried und Jutta Weishaupt.Alexander Kluge (geb. 1932 in Halberstadt) Drehbuchautor, Film- und Fernsehproduzent, Schriftsteller, Philosoph und einer der einflussreichsten Vertreter des Neuen Deutschen Films.

American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things.

Anlässlich des 85. Geburtstags von Alexander Kluge richtet das Museum Folkwang dem Filmemacher, Autor und Künstler eine umfassende Werkschau aus. Die Ausstellung führt in sein künstlerisches ,Pluriversum' ein und zielt auf die Veranschaulichung von Kluges zentralen Methoden, Themen und Denkwegen. Im Zentrum stehen dabei seine filmischen Collagen. Die ausstellungsbegleitende Publikation greift die Themen der Ausstellung auf und stellt das für Kluge zentrale Arbeitsprinzip der Kollaboration ins Zentrum, das ,Zusammen denken' mit Wissenschaftlern und Künstlern wie beispielsweise Thomas Demand, Georg Baselitz oder Ben Lerner. Wie die Ausstellung entsteht auch die Publikation in enger Zusammenarbeit mit Alexander Kluge. "Alexander Kluge-Pluriversum", Museum Folkwang, Essen (15. September 2017 bis 7. Januar 2018 und im 21er Haus in Wien von Februar bis April 2018).

An intellectually stimulating yet accessible collection of short vignettes on Russia and Germany by Alexander Kluge. Not just in light of a contested pipeline during the war in Ukraine but also after centuries of both exchange and rejection, Russia and Germany were and are as far away from each other as they are intrinsically linked. The geopolitical present seems critical, the signs pointing towards conflict and polarity. In this hot climate, German author Alexander Kluge makes Russia the exclusive subject of his latest book, offering multiple perspectives: from that of the historical German patriots of the Napoleonic Wars of Liberation to the narrative point of view of Franz Kafka and Heiner Müller; from messianic yearning and utopian expectations of the twentieth century to the full-blown or near-miss catastrophes in the atomic age. Composed in Kluge's characteristic short-prose vignette style, interspersed with numerous images and often humorous asides, Russia Container is yet another brilliant and thought-provoking work from one of Europe's most prolific and deeply intellectual literary genius. The volume includes a preface specially written to engage with the current events in Ukraine, making Kluge's narratives even more timely and topical.

In a world full of devils, the giant ape Kong defends what he loves the most. But who and what is this undomesticated animal? Might it reside within us? As we tread confidently, is this where the earth opens up beneath us?   In Kong‿s Finest Hour, Alexander Kluge explores anew the accessible spaces where Kong dwells within us and in our million-year-old past. The more than two hundred stories contained in this volume form a chronicle of connections that together survey these spaces using diverse perspectives. These include stories about the folds of Kong‿s nose, the voice of the author‿s mother, the poet Heinrich von Kleist and Jack the Ripper, the indestructability of the political, and the supercontinent Pangaea that once unified the earth. Dissolving theory into storytelling has been Kluge‿s lifelong pursuit, and this magnificent collection tells stories of people as well of things.   First in a series of Kluge‿s Chronicles forthcoming from Seagull Books, Kong‿s Finest Hour will delight those familiar with his writing as well as introduce readers to the brilliance of one of Germany‿s greatest living writers. Â

A book about bitter fates‿both already known and yet to unfold‿and the many kinds of organized machinery built to destroy people. Alexander Kluge‿s work has long grappled with the Third Reich and its aftermath, and the extermination of the Jews forms its gravitational center. Kluge is forever reminding us to keep our present catastrophes in perspective‿“calibratedâ€?‿against this historical monstrosity. Kluge‿s newest work is a book about bitter fates, both already known and yet to unfold. Above all, it is about the many kinds of organized machinery built to destroy people. These forty-eight stories of justice and injustice are dedicated to the memory of Fritz Bauer, a determined fighter for justice and district attorney of Hesse during the Auschwitz Trials. “The moment they come into existence, monstrous crimes have a unique ability,â€? Bauer once said, “to ensure their own repetition.â€? Kluge takes heed, and in these pages reminds us of the importance of keeping our powers of observation and memory razor sharp. Â

Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands...

Combines science fiction with modernist forms of montage and reportage to describe a future in which Earth has been almost totally destroyed following the catastrophic Black War.

Rage and obstinacy are close relatives--and fundamental categories in the work of both Georg Baselitz and Alexander Kluge. In World-Changing Rage, these two accomplished German creators explore links and fractures between two cultures through two media: ink and watercolour on paper, and the written word.   The long history of humankind is also a history of rage, fury, wrath. In this book, Baselitz and Kluge explore the dynamism of rage and its potential to rapidly grow and erupt into blazing protests, revolution, and war. The authors also reflect the melancholy archetype of the Western hero (and his deconstruction) against the very different heroic ethos of the Japanese antipodes. More powerful than rage, they argue, is wit, as displayed in the work of Japanese master painter Katsushika Hokusai. In this volume, Baselitz repeatedly draws an image of Hokusai, depicting him with an outstretched finger, as if pointing towards Europe in a mixture of rage, wrath, irony and laughter, all-too-fleetingly evident in his expression. A unique collaboration between two of the world's leading intellectuals, World-Changing Rage will leave every reader with a deeper appreciation of the human condition.

A major collection that brings together 166 stories by the German master that deal with love.

Combining fact and fiction, each of the one hundred and two tales of Alexander Kluge's Temple of the Scapegoat (dotted with photos of famous operas and their stars) compresses a lifetime of feeling and thought: Kluge is deeply engaged with the opera and an inventive wellspring of narrative notions. The titles of his stories suggest his many turns of mind: "Total Commitment," "Freedom," "Reality Outrivals Theater," "The Correct Slowing-Down at the Transitional Point Between Terror and an Inkling of Freedom," "A Crucial Character (Among Persons None of Whom Are Who They Think They Are)," and "Deadly Vocal Power vs. Generosity in Opera." An opera, Kluge says, is a blast furnace of the soul, telling of the great singer Leonard Warren who died onstage, having literally sung his heart out. Kluge introduces a Tibetan scholar who realizes that opera "is about comprehension and passion. The two never go together. Passion overwhelms comprehension. Comprehension kills passion. This appears to be the essence of all operas, says Huang Tse-we." He also comes to understand that female roles face the harshest fates: "Compared to the mass of soprano victims (out of 86,000 operas, 64,000 end with the death of the soprano), the sacrifice of tenors is small (out of 86,000 operas 1,143 tenors are a write-off)."

IN

Each of the thirty-nine tales of Alexander Kluge's Cinema Stories combines fact and fiction, and they revolve around movie-making. The book compresses a lifetime of feeling, thought, and practice: Kluge-considered the father of New German Cinema-is an inventive wellspring of narrative notions. "The power of his pros," as Small Press noted, "exudes the sort of pregnant richness one might find in the brief scenarios of unknown films." Cinema Stories is a treasure trove of strikingly original writing and cinematic lore.