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A compilation of esoteric musings, Kandinsky: Incarnating Beauty explores Alexandre Kojève’s philosophical approach to the relationship between art and beauty.A teacher to Jacques Lacan, André Breton, and Albert Camus, Kojève defined art as the act of extracting the beautiful from objective reality. His poetic text, “The Concrete Paintings of Kandinsky,” endorses nonrepresentational art as uniquely manifesting beauty. Taking the paintings of his renowned uncle, Wassily Kandinsky, as his inspiration, Kojève suggests that in creating (rather than replicating) beauty, the paintings are themselves complete universes as concrete as the natural world. Kojève’s text considers the utility and necessity of beauty in life, and ultimately poses the involuted question: What is beauty? Including personal letters between Kandinsky and his nephew, this book further elaborates the unique relationship between artist and philosopher. An introduction by Boris Groys contextualizes Kojève’s life and writings.
This is a first-time, meticulous translation of Kojève's late, unfinished magnum opus, the "updating" of the Hegelian System of Knowledge, meaning its modification so as to make it comprehensible to the author himself and to his contemporaries. It is, however, much more than an exposition of its central terms, The Concept and Time and their identity. It is an acute, original review of the major themes of the West's philosophical tradition; it is, in fact, a philosophical education in itself. Robert Williamson has done this tradition a great service by making Kojève's work accessible to Americans. - Eva Brann, Dean Emerita and Senior Faculty, St. John's College, Annapolis, MarylandWe now recognize Alexandre Kojève as one of the central figures of 20th century European philosophy. A translation of his The Concept, Time, and Discourse will enable English speaking readers to have a fuller understanding of his remarkably ambitious intellectual project. - Michael S. Roth, President, Wesleyan University, Middletown, Connecticut.
In The Notion of Authority, written in the1940s in Nazi-occupied France, Alexandre Kojeve uncovers the conceptual premisesof four primary models of authority,examining the practical application of theirderivative variations from the Enlightenment to Vichy France.This foundational text, translated here intoEnglish for the first time, is the missing piece in any discussion of sovereignty and politicalauthority, worthy of a place alongside the work of Weber, Arendt, Schmitt, Agambenor Dumezil. The Notion of Authority is a short andsophisticated introduction to Kojeve'sphilosophy of right. It captures its author'sintellectual interests at a time when he wasretiring from the career of a professionalphilosopher and was about to become oneof the pioneers of the Common Market and the idea of the European Union.
The original text of this work was published in the French journal Revue d'Histoire et de Philosophie Religieuses. This English translation presents Kojève's attempt to unify the religious philosophy of Vladimir Solovyov into a metaphysical system that Solovyov strived for but was never able to fully articulate in his lifetime.
Atheism is an erudite and open-ended exploration of profound questions of estrangement, death, suicide, and the infinite that demonstrates the range and the provocative power of Alexandre Kojeve's thought.
Offering a systematic discussion of key themes such as right, justice, law, equality, and autonomy, this work presages our contemporary world of economic globalization and international law. It is also a translation of a work in political philosophy.
This collection of lectures shows the intensity of Kojeve's study and thought and the depth of his insight into Hegel's Phenomenology of Spirit.
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