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The Cup is a tragedy which was produced at the Lyceum Theatre under the management of Mr. Henry Irving, January 3, 1881. This tragedy is set in the times of Roman soldiers and Generals, and priestesses. The Falcon was produced at the St. James's Theatre under the management of Messrs. Hare and Kendal in December 1879. This play is set in an Italian cottage, with the castle and mountains seen through the window, with the main characters being Count Federico Degli Alberighi and his falcon.
This book contains another phenomenal work of poetry by the incomparable Alfred Tennyson. The Last Tournament is set in Camelot and gives the account of a tournament with the characters from Camelot we all know, Arthur, Dagonet and Tristram. Illustrated.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
A century ago Tennyson had begun to be dismissed as a poet whose work embodied everything the modern world was looking to leave behind. He still seems to readers to embody the substance of the Victorian era more fully than any other poet--but nowadays that is counted in his favor. Critics continue to find layers of complexity in poems once thought simplistic--while appreciating with fresh ears Tennyson's aural mastery. This new edition includes the two long poems In Memoriam and Maud: A Monodrama in their entirety, all the short poems for which Tennyson remains famous, and a generous selection of his lesser-known poetry, together with a concise introduction to the poet and his work, and substantial headnotes for In Memoriam, Maud, and Idylls of the King. Unlike other editions that provide a selection of Tennyson's work, this one includes both marginal glosses of obscure or archaic words and phrases, and extensive annotations at the bottom of each page. Appendices of visual material are also included.
This volume offers one of the most comprehensive surveys of Tennyson's poetry available for the serious student.
First published in 1932, this book contains a selection of Tennyson's poetry edited by renowned English author, poet and classicist Frank Laurence Lucas (1894-1967). A detailed editorial introduction is also included. This book will be of value to anyone with an interest in Tennyson and Lucas.
Published in 1850, In Memoriam won its author the Poet Laureateship of Britain and received widespread attention from critics and reviewers, as well as from ordinary readers. The poem was written in memory of Tennyson's close friend Arthur Henry Hallam, who died suddenly in 1833; it became an unofficial devotional manual for mourners, including Queen Victoria after the death of Prince Albert. The poem's scope goes beyond individual grief, however, to the development and extinction of species, audaciously exploring history, evolution, and God's relationship with humanity. Its formal beauty and emotional resonance make In Memoriam as compelling today as it was for nineteenth-century readers. Matthew Rowlinson's introduction traces the poem's composition history and places it in the context of Tennyson's personal and intellectual development. Historical appendices include writings by Arthur Hallam, Victorian fiction on courtship and marriage, and materials on natural history and evolution.
'Next to the Bible, In Memoriam is my comfort.' Queen Victoria's reliance, after the death of Prince Albert, on Tennyson's 1850 elegy for his friend Arthur Henry Hallam - who died in Vienna in 1833 of a cerebral haemorrhage - epitomises its place at the heart of Victorian public and private life.
Tennyson interprets the Arthurian myth as an epic poem, tracing the birth of a king; the founding, fellowship, and decline of the Round Table; and the king's inevitable departure.
This edition, previously published in the Oxford Authors series, includes all Tennyson's classic poems and The Princess, In Memoriam, Maud, Enoch Arden in full, as well as several of the Idylls of the King. It includes letters and extracts from Hallam Tennyson's Memoir of his father.
Tennyson's correspondence during the last 20 years of his life is arranged in this volume. It describes his becoming a peer, and the publication of several of his dramas and letters to and from personalities of the day, such as Edward Fitzgerald, Gladstone and Browning.
Although Tennyson has often been characterized as an austere, bearded patriarch and laureate of the Victorian age, his poems still have relevance. His mastery of rhyme, metre, imagery and mood communicate their dark, sensuous and sometimes morbid messages.
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