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In this publication to accompany Nick Hornby's first solo exhibition at a public institution, the London-based artist presents a substantial new body of sculptures. Hornby explores themes of portraiture, the body, identity, sexuality and intimacy in the digital era.
Addressing aesthetic journalism, this title investigates why contemporary art exhibitions often consist of interviews, documentaries, and reportage. It traces the shift in the production of truth from the domain of the news media to that of art and aestheticism - a change that questions the very foundations of journalism and the nature of art.
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