Bøger af Algernon Blackwood

Algernon Henry Blackwood (1869-1951) was an English writer of tales of the supernatural. In his late thirties, Blackwood started to write horror stories. He was very successful, writing ten books of short stories and appearing on both radio and television to tell them. He also wrote fourteen novels and a number of plays, most of which were produced but not published. He was an avid lover of nature, and many of his stories reflect this. Although Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur (1911) and Julius LeVallon (1916) and its sequel The Bright Messenger (1921).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This new selection of Algernon Blackwood’s essays and short stories is a unique combination of supernatural writing and the author’s own reflections on the art of fiction, and the themes and impulses that created these remarkable stories.

The haunted house is a foundational motif in the literary ghost story. There may be a distinct spectral presence, or the building itself (or even just a room) may take on the supernatural essence. Authors have been playing with the theme for decades, exploring the idea of haunting and being haunted within what was intended to be a welcoming home, making clear that tragedy, pain, and evil leave their marks.Eighteen stories and a short series ('The Ghost Hunters, ' by Allen Upward) are included in this volume.Included are: The Ghost Story of Pliny the Younger; The Tapestried Chamber (Sir Walter Scott); The Haunted Manor-House of Paddington (Charles Ollier); The Haunted and the Haunters (Edward Bulwer-Lytton); An Authentic Narrative of a Haunted House (Sheridan Le Fanu); The Ghost at Laburnum Villa (Anonymous); The Spook House (Ambrose Bierce); The Little Room (Madeline Yale Wynne); The Red Room (H. G. Wells); The House that was Not (Elia Wilkinson Peattie); A Case of Eavesdropping (Algernon Blackwood); The Southwest Chamber (Mary E. Wilkins Freeman); The Empty House (Algernon Blackwood); The Toll-House (W. W. Jacobs); Afterward (Edith Wharton); The Beckoning Fair One (Oliver Onions); The Attic (Algernon Blackwood); The Decoy (Algernon Blackwood); The Ghost Hunters (Allen Upward)For additional anthologies of supernatural fiction and fantasy, visit CoachwhipBooks.com.

Ten Minute Stories / Day and Night Stories "The author plunges with boldness, yet with consistent invention, into the realm of the fantastic." -The Outlook Ten Minute Stories, originally published in 1914, and Day and Night Stories, from 1917, offer two superlative story collections of ghost stories, strange nature tales, weird events and dark fantasies from one of the greatest writers of supernatural fiction in the 20th century. These pieces are shorter than Algernon Blackwood usually produced, "little thoughts or episodes which he often scribbled in his notebook high up in the mountains and then typed up later that day, and sold to newspapers back in England," as Mike Ashley points out in his informative introduction. Some of these stories are humorous slices-of-life, matter-of-fact stories borne out from Blackwood's love of human observation. Many of the Day and Night Stories were written during World War I, and are more reflective than his earlier tales. Most have at least a tinge of the mystic to them. A bonus story, "The Farmhouse on the Hill," appears in book form for the first time, an early story that originally appeared in an Australian newspaper in 1907. These are stories that capture the shifting qualities of perception as daylight gradually fades into dusk, and the curtain of dreams is pulled gently across our vision-short stories of day…into night.

Drawing on Native American folklore and legends of the Western Frontier, Algernon Blackwood's 1910 novella The Wendigo recounts the eldritch experience of a moose-hunting party lost in the lonely wastes of western Ontario coming face-to-face with the titular creature. Fans of the later H.P. Lovecraft will notice some similarities in both style and substance.The Wendigo possesses the greedy, the hungry, and the envious - a spirit of famine, scarcity, and selfishness. The Spirit of the Lonely Places - the deserted wilderness of America.This chilling tale of man's helplessness against forces he cannot understand is sure to keep you guessing til the very end. And after all is said and done, we wonder which was the greater monster - the Wendigo, or the landscape itself?

The book "" Four Weird Tales "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

"Blackwood is one of those writers who can scare you simply by a turn of phrase ... These stories are downright spooky!"- Hollis George, Bram Stoker, Without FangsAlgernon Blackwood was a master of the ghost story. No, not gore and zombies and such. A descriptive writer, he knew how to tell a story that would raise goosebumps on your arm without resorting to dripping blood, claws, or gnashing teeth of a physical monster. The creak of a footstep on the stairs, a limb brushing against the roof, a shadow on the wall, Blackwood knew how to scare you without saying, "Boo!" Here are ten of his finest stories, a collection to read by flashlight (or e-reader glow) under the covers late at night. This is the illustrated edition.

Other Life collects thirteen tales of strange and sometimes incomprehensible life forms from alien worlds throughout (and beyond) the universe. Humanity faces the unknown, whether peaceful or deadly, and is rarely the same after. From sentient "trees" and comet-based medusae, to living rocks and unearthly forces, classic science fiction writers have explored the outer limits of their imagination to create a diverse bestiary of non-terrestrial beings. This anthology will entertain anyone who has glanced to the stars and wondered what life could be like far from planet Earth. The stories include are: The Willows by Algernon Blackwood; The Green Splotches by T. S. Stribling; The Thing from-Outside by George Allan England; Spawn of the Comet by Otis A. Kline; The Planetoid of Peril by Paul Ernst; Hunt the Hunter by Kris Neville; Tree, Spare That Woodman by Dave Dryfoos; In the Forest by Leslie Perri; The Anglers of Arz by Roger Dee; Green Thumb by Clifford D. Simak; Tabby by Winston Marks; The Night of Hoggy Darn by R. M. McKenna; The Botticelli Horror by Lloyd Biggle, Jr.

Dr. John Silence was Algernon Blackwood's most well-known character, investigating all manner of strange phenomena. In this collection, all six of the John Silence stories are brought together: A Psychical Invasion, Ancient Sorceries, The Nemesis of Fire, Secret Worship, The Camp of the Dog, and A Victim of Higher Space.

This stand-alone short story is one of Algernon Blackwood's masterful John Silence tales, exploring the strange and mysterious adventures of a psychic doctor. A silk merchant is traveling home through the perilous mountains of southern Germany when he decides to visit his old school. He fondly remembers the strict discipline and dedicated religious education he underwent at the school over 30 years ago, and how the system had shaped his life and brought him peace. Yet, the institution isn't all he remembers, and the merchant soon finds himself entrapped in a disturbing Brotherhood ritual. First published in 1908, Secret Worship is a chilling work of weird literature and a must-read for fans of classic horror.

he stranger.--Elsewhere and other-wise.--Full circle.--Dr. Feldman.--A threefold cord.--Chemical.--Shocks.--The survivors.--The adventure of Tornado Smith.--Hands of death.--The land of green ginger.--The colonel's ring.--Revenge.--The man who lived backwards.--Adventures of Miss De Fontenoy.

Set against the terrifying and tense backdrop of the First World War, this Algernon Blackwood tale is a masterful example of weird literature and a classic short horror story. First published in 1921, this anti-war tale follows the protagonist as he leaves his Holy Order and finds work with the Red Cross in France. Dedicating his life to helping in the hospitals and convalescent camps, he discovers the true horrors of war. He finds peace and respite during walks in the forest but soon encounters a strange, comely woman who entraps him in her curious rituals.

This chilling tale is shrouded in the eerie atmosphere of classic ghost stories as two men unravel the mysteries of an abandoned barn with a macabre past. The supernatural remnants of occult experiments linger in a barn where a disturbed gardener met his tragic end. When two men decide to spend a night in the forsaken place, they're soon overwhelmed by its omnipresent darkness. While sharing spine-chilling stories of folklore and legend, the men are consumed by fear as they realise the horrifying presence looming around them. Prepare to confront the unknown in With Intent to Steal, where survival may come at a nightmarish price.

In The Wave, Algernon Blackwood has written a story of reincarnation in the style that has won him fame, and of which he is peculiarly and essentially the master. It is mystical and absorbing, and the style is as delightful as the plot is thrilling. To attempt to reveal the scheme of the story would be to spoil it for the reader. It is, therefore, better to say that "The Wave" is a novel well worth reading -- more particularly for those who enjoy the mystical. Such persons will revel in the adventures of Thomas Kelverdon, haunted from boyhood by the premonition of a great wave that would at some moment of his life rise behind him and break over him. It never did, but the feeling that it would was almost always present with him. He was not in fear of drowning, but nevertheless was haunted by the wave's presence. Anyone who has read "Julius Le Vallon," "John Silence," "Ten Minute Stories," etc., by the same author, will be pleased to read "The Wave," which is quite as good in its way as any of its predecessors. (From a review in The Brooklyn Daily Eagle, Brooklyn, New York, 24 February 1917).

The Centaur is a story of a man who is uncomfortable in the modern world and seeks to find the relief from this feeling. He takes vacation to get back in touch with Nature, and heads for Caucasus, the land, which he believes is not yet polluted with the imprint of progress. On his way, he encounters several individuals who argue both for and against the reality of his discomfort and the meaning behind it. Thus, the whole story turns into an opposition and, at the same time, friendship between two sorts of man: the skeptic and the dreamer. The conflict reaches its climax as climax as the travellers see a herd of the mythical creatures, centaurs. This encounter arouses the feeling of supernatural horror. The characters feel the outside force dominating them. Yet, each handles this situation differently. Some get obsessed, while others come away with a feeling of discovered truth. A deeply philosophical novel about our inner drive to discover the mysteries of the world, that remains topical for all times.