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This book explores art song as an emblem of musical modernity in early twentieth century East Asia and Australia. It appraises the lyrical power of art song-a solo song set to a poem in the local language in Western art music style accompanied by piano-as a vehicle for creating a localized musical identity.
Presents a series of case studies that demonstrate the persistence of Japanese sung narratives in a multiplicity of genres over ten centuries, including the way they flourished and declined, together with factors contributing to development and change in narrative performance.
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