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Growing up in the 1970s has never before been portrayed with such delightful ludicrousness and heartrending tenderness as in Why Aren't You Smiling? When teenage Leonard decides to quit being a Dweeb and instead join the Burnouts, his "good kid" persona is abandoned as he embarks on a comically painful journey of self-discovery through his unconventional friendship with Rick, an older Jesus freak barefoot hippie. The farcical parallel story of how Irving Mandelbaum from Los Angeles transmogrifies into rag-tag cult leader Rick of The Forever Family paints an indelible portrait of California during one of its most preposterous eras.
Harris, San Francisco's most annoying gay barfly, doesn't mean to be bitchy, passive aggressive, or insulting. But he's so bedazzled by his own critical brilliance he feels morally obliged to share his scathing opinions with the world at any and every opportunity. This irritates no one more than his roommate, Maxine, an avant-garde transsexual cabaret singer. When she overhears him badmouthing her on the phone she flies into a rage and expels him from their apartment. This crisis couldn't come at a worse time. The year is 1999 and the "dot com" boom has rendered cheap housing nonexistent, and Harris, who works as a part-time telemarketer, is--as usual--low on funds. Will he be able to convince one of his eccentric, semi-dysfunctional friends with a rent-controlled apartment to let him move in?
***2020 LAMBDA LITERARY AWARD FINALIST***DISASTERAMA: Adventures in the Queer Underground 1977 to 1997, is the true story of Alvin Orloff who, as a shy kid from the suburbs of San Francisco, stumbled into the wild, eclectic crowd of Crazy Club Kids, Punk Rock Nutters, Goofy Goofballs, Fashion Victims, Disco Dollies, Happy Hustlers, and Dizzy Twinks of post-Stonewall American queer culture of the late 1970s, only to see the "e;subterranean lavender twilit shadow world of the gay ghetto"e; ravished by AIDS in the 1980s. Includes an introduction by Alexander Chee (How to Write an Autobiographical Novel. In Disasterama, Orloff recalls the delirious adventures of his youth-from San Francisco to Los Angeles to New York-where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters, until AIDS threatened to destroy everything he lived for. In his introduction, award-winning essayist and novelist Alexander Chee notes, "e;There's a strange love I have for these times that can be hard to explain. How can I love what I lived through from a time that was as 'bad' as that? But as I read this, and those days came into view again, what I think of that love now is that there was a beauty to the beauty you found then that was made the more fierce by the horror of what was happening. If you could still find the worth of your life, still find sex, love, friendship, your own self-worth amid these attempts by the state at erasure and the ravages of the AIDS epidemic, then it had the strength of something forged in fire."e; Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS' wrath-the boys in black leather jackets and cackling queens in tacky frocks-remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of Orloff's friends. Disasterama showcases Orloff's wit and poignancy as he relays the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster, and, struggled to keep the spirit of camp and radicalism alive, even as their friends lost their lives to the plague.
Gutterboys is a twisted tale of steamy gay sex and unrequited love in Lower Manhattan in the early 1980s. Filled with scenes of debauchery and explicitly depicted gay sex, this wanton outing portrays a carnal world of orgiastic delights that may never exist again. Jeremy, a shy 19-year-old, falls madly in love with Colin, a disturbed yet brilliant older hustler. Though Colin rejects Jeremy as a lover, he takes him on as a protégé, introducing him to the hilariously depraved world of new-wave nightclubs and gay bars in the days before AIDS and the war on drugs. Innocent Jeremy, protected by the spirits of his beloved dead grandmothers - one a fiery Jewish socialist, the other a proper British matron - becomes increasingly unstable under the strain of his unreturned love. When Jeremy finally snaps, he reaches an understanding with Colin that he never anticipated.
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