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This book explores how neoliberalism and austerity have affected older people living within a deindustrialised town, utilising a Foucauldian approach and an ethnographic methodology.
The Most Trusted Guide to the World of Children's Publishing, fully revised and updatedThe 33rd edition of Children's Writer's and Illustrator's Market is the definitive and trusted guide for anyone who seeks to write or illustrate for kids and young adults. If you're a writer or an illustrator for young readers and your goal is to get published, CWIM is the resource you need.In this book, you'll find more than 500 listings for children's book markets, including publishers, literary agents, magazines, contests, and more. These listings include a point of contact, how to properly submit your work, and what categories each market accepts.This edition also features:500+ listings for children's markets, including book publishers, literary agents, magazines, contests, and moreInterviews with bestselling authors, including Cassandra Clare, N.K. Jemisin, Jacqueline Woodson, Leigh Bardugo, and moreCraft articles on topics ranging from P.O.V., mocking-up picture books, and including diverse charactersBusiness articles on topics such as making the most of your platform, tracking submissions, and maximizing the time + energy you have to write, and much more
What is the best way to tell a story? In first-person peripheral, or third-person focalised? Unfolding in the present, or as events in the past? Where is the camera? What is the lens? Where is the action? In this concise little book, educator Amy Jones describes the different ways that novelists and scriptwriters tell their stories. Packed with examples and insights, this is an essential reference guide for writers of all ages and disciplines. It's not the story, it's how you tell it!
What Boys Like brings together a motley assemblage of urban misfits and outsiders, and explores their love/hate relationships with their city and one another. Joness characters grapple with lust, love and loss with an unsentimental eye, while remaining open to the sharp-edged humour caused by the chaotic and random nature of life, and the absurdity of the world around them.
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