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The mechanisms of celebrity culture at the Venice Biennale are dissected in this merciless critique of art-world logic. Essays by Dorothee Albrecht, Andreas Bernhardt, Beatrice von Bismarck, Jolanka Boeke, Paola Bonino, Anna Bromley, Régis Debray, Pamela Church Gibson, Elke Krystufek, Rachel Mader, Jana Riester and others analyse the Biennale's peculiar social laws.
Supports and deepens the existing interfaces between art, science, and technology; and transgressing traditional principles and styles of research. This book suggests a transdisciplinary network that prefers to avoid traditional dualisms like nature and culture, subjects and objects as well as man and machine.
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