Bøger af Andrew Burstein

In America's Jubilee distinguished historian Andrew Burstein presents an engrossing narrative that takes us back to a pivotal year in American history, 1826, when the reins of democracy were being passed from the last Revolutionary War heroes to a new generation of leaders.Through brilliant sketches of selected individuals and events, Burstein creates an evocative portrait of the hopes and fears of Americans fifty years after the Revolution. We follow an aged Marquis de Lafayette on his triumphant tour of the country; and learn of the nearly simultaneous deaths of John Adams and Thomas Jefferson on the 4th of July. We meet the ornery President John Quincy Adams, the controversial Secretary of State Henry Clay, and the notorious hot-tempered General Andrew Jackson. We also see the year through the eyes of a minister's wife, a romantic novelist, and even an intrepid wheel of cheese. Insightful and lively, America's Jubilee captures an unforgettable time in the republic's history, when a generation embraced the legacy of its predecessors and sought to enlarge its role in America's story.

Washington Irving-author, ambassador, and Manhattanite-has largely slipped from America's memory, and yet, his creations are well known. Acclaimed historian Andrew Burstein returns Irving to the context of his native nineteenth century where he was an international celebrity-both a comic genius and the first American to earn his living as an author. Irving traveled through Europe and America, excavating tales and writing popular social satire, beloved children's stories, gothic drama, and picturesque history. He gave his young nation such enduring tales as The Legend of Sleepy Hollow and Rip Van Winkle. His 1809 burlesque, A History of New York, popularized the figure of jolly old St. Nicholas, and gave birth to the modern American Christmas. Irving was the original "Knickerbocker"; he also coined "Gotham" as the name for New York. By showing Irving as a leading architect of the American personality Burstein has managed to reinvigorate the legacy of one our nation's most outsized literary talents as well as to help us better understand the country we live in.

Thomas Jefferson died on July 4, 1826, leaving behind a series of mysteries that captured the imaginations of historical investigators-an interest rekindled by the recent revelation that he fathered a child by Sally Hemmings, a woman he legally owned-yet there is still surprisingly little known about him as a man. In Jefferson's Secrets Andrew Burstein focuses on Jefferson's last days to create an emotionally powerful portrait of the uncensored private citizen who was also a giant of a man. Drawing on sources previous biographers have glossed over or missed entirely, Burstein uncovers, first and foremost, how Jefferson confronted his own mortality; and in doing so, he reveals how he viewed his sexual choices. Delving into Jefferson's soul, Burstein lays bare the president's thoughts about his own legacy, his predictions for American democracy, and his feelings regarding women and religion. The result is a moving and surprising work of history that sets a new standard, post-DNA, for the next generation's reassessment of the most evocative and provocative of this country's founders.

Untangling the private feelings, ambitions, and fears of early Americans through their personal writings from the Revolution to the Civil War.Modern readers of history and biography unite around a seemingly straightforward question: What did it feel like to live in the past? In Longing for Connection, historian Andrew Burstein attempts to answer this question with a vigorous, nuanced emotional history of the United States from its founding to the Civil War. Through an examination of the letters, diaries, and other personal texts of the time, along with popular poetry and novels, Burstein shows us how early Americans expressed deep emotions through shared metaphors and borrowed verse in their longing for meaning and connection. He reveals how literate, educated Americans--both well-known and more obscure--expressed their feelings to each other and made attempts at humor, navigating an anxious world in which connection across spaces was difficult to capture. In studying the power of poetry and literature as expressions of inner life, Burstein conveys the tastes of early Americans and illustrates how emotions worked to fashion myths of epic heroes, such as the martyr Nathan Hale, George Washington, and Abraham Lincoln. He also studies the public's fears of ocean travel, their racial blind spots, and their remarkable facility for political satire.Burstein questions why we seek a connection to the past and its emotions in the first place. America, he argues, is shaped by a persistent belief that the past is reachable and that its lessons remain intact, which represents a major obstacle in any effort to understand our national history. Burstein shows, finally, that modern readers exhibit a similar capacity for rationalization and that dire longing for connection across time and space as the people he studies.

The provocative interpretation of American political rhetoricAmericans like to use words of sentiment and sympathy, passion and power, to explain their democracy. In a provocative new work, Andrew Burstein examines the metaphorically rich language which Americans developed to express their guiding principle: that the New World would improve upon the Old. In journals, letters, speeches, and books, an impassioned rhetoric of "feeling" set the tone for American patriotism. Burstein shows how the eighteenth century "culture of sensibility" encouraged optimism about a global society: the new nation would succeed. Americans believed, as much by sublime feeling as by intellectual achievement or political liberty. As they grew more self-confident, this pacific ideal acquired teeth: noble Washington and humane Jefferson yielded to boisterous Jackson, and the language of gentle feeling to the force of Manifest Destiny. Yet Americans never stopped celebrating what they believed was their innate impulse to do good.

In political speech, Thomas Jefferson is the eternal flame. No other member of the founding generation has served the agendas of both Left and Right with greater vigor. When Franklin Roosevelt dedicated the iconic Jefferson Memorial on the founder's two hundredth birthday, in 1943, he declared the triumph of liberal humanism. Harry Truman claimed Jefferson as his favorite president, too. And yet Ronald Reagan was as great a Jefferson admirer as any Democrat. He had a go-to file of Jefferson's sayings and enshrined him as a small-government conservative. So, who owns Jefferson--the Left or the Right? The unknowable yet irresistible third president has had a tortuous afterlife, and he remains a fixture in today's culture wars. Pained by Jefferson's slaveholding, Democrats still regard him highly. Until recently he was widely considered by many African Americans to be an early abolitionist. Libertarians adore him for his inflexible individualism, and although he formulated the doctrine of separation of church and state, Christian activists have found intense religiosity between the lines in his pronouncements. The renowned Jefferson scholar Andrew Burstein lays out the case for both "e;Democrat"e; and "e;Republican"e; Jefferson as he interrogates history's greatest shape-shifter, the founder who has inspired perhaps the strongest popular emotions. In this timely and powerful book, Burstein shares telling insights, as well as some inconvenient truths, about politicized Americans and their misappropriations of the past, including the concoction of a "e;Jeffersonian"e; stance on issues that Jefferson himself could never have imagined. Here is one book that is more about "e;us"e; than it is about Jefferson. It explains how the founding generation's most controversial partisan became essential to America's quest for moral security-how he became, in short, democracy's muse.

A study of the third president of the United States, this text examines 70 years of letters and private accounts, providing an insight into the contradictions that surround Jefferson. The author recreates the world of the 18th century to demonstrate his subject's position within it.