Bøger af Andrew Hadfield

A critical biography of one of the most celebrated prose stylists in early modern English. This book provides an overview of the life and work of the scandalous Renaissance writer Thomas Nashe (1567-c.1600), whose writings led to the closure of theaters and widespread book bans. Famous for his scurrilous novel, The Unfortunate Traveller (1594), Nashe also played a central role in early English theater, collaborating with Ben Jonson, Christopher Marlowe, and William Shakespeare. Through religious controversies, pornographic poetry, and the bubonic plague, Andrew Hadfield traces the uproarious history of this celebrated English writer.

This book explores the intimate relationship between literature and class in England (and later Britain) from the Peasants' Revolt at the end of the fourteenth century to the impact of the French Revolution at the end of the eighteenth century and beginning of the nineteenth. -- .

A new account of the life and work of poet, scholar, soldier and cleric John Donne.

Essays in this volume offer interdisciplinary studies of a county that was at the forefront of religious, political and artistic developments in early-modern England. Ranging from the schism of Reformation to the outbreak of Civil War, the volume brings together scholars from the fields of art history.

Andrew Hadfield offers a challenging reinterpretation of the sixteenth century through the work of major writers of the time, their involvement in the establishment of a vernacular literary tradition as a crucial component of English identity, and the development of 'literature' as a site of critical and political debate.

This is a collection of recent critical writing on Edmund Spenser. The essays cover the whole of Spenser's work, from such early literary experiments as "The Shepeardes Calendar" to his unfinished crowning work "The Faerie Queene". A review of critical responses to Spenser is also included.

An investigation into how soldiers of this period considered and presented themselves.Within the large-scale historiography of sixteenth- and seventeenth-century warfare and the early modern military revolution there remain many unanswered questions about the individual soldier and their relationship to the profession of arms. What was it that distinguished a soldier from the rest of society? How was the military life perceived in this period by those with first-hand experience of soldiery, or who represented soldiers on the page and stage?How were nationality, class, and gender used to construct military identities? And how were such identities also shaped by classical and medieval models? This book examines how early modern fighting men and their peers viewed and represented themselves in military roles, and how they were viewed and fashioned by others. Focusing on English, Irish and Anglo-Irish soldiers active between the 1560s and 1630s, and using sources including poetry, petitions, sermons, military treatises and manuals, campaign records, and plays by Shakespeare, Middleton and their contemporaries, a combination of historians and literary scholars offer new investigations into the construction, representation and interpretation of military identity, and consider the personal and political implications of martial self-fashioning. Drawing on a variety of disciplines and methodologies, the essays here demonstrate how the study of military identity-and military identities-intersects with that of life-writing, digital humanities, gender, disability, the history of emotions, and the relationship between early modern literature and martial culture. MATTHEW WOODCOCK is Professor of Medieval and Early Modern Literature, University of East Anglia; CIAN O'MAHONY is an Independent Scholar. Contributors: Angela Andreani, Benjamin Armintor, Ruth Canning, David Edwards, Andrew Hadfield, Andrew Hiscock, Adam McKeown, Philip Major, Cian O'Mahony, James O'Neill, Vimala Pasupathi, Clodagh Tait, David Trim, Matthew Woodcock.

Presents a survey of the field of popular culture in early modern England. This book explores the meaning and significance of the term 'popular culture' when applied to the early modern period: how did people distinguish between high and low culture - could they in fact do so?