Bøger af Andrew Nette

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades.Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

Gary Chance is an ex-Australian army driver and nightclub bouncer turned professional thief and in need of a job. An offer comes from a former employer, once notorious Melbourne social identity, now aging owner of a failing S&M club, Vera Leigh. A shadowy real estate developer is trying to squeeze Leigh out of a rapidly gentrifying city. But she has a rescue plan that involves one of Australia's biggest heists, Melbourne's Great Bookie Robbery. On April 21, 1976, a well organised gang stole as much as three million dollars, a fortune at the time, from a Melbourne bookmakers club. The money was never recovered. No one was ever charged. And everyone associated with the crime has since died, either by natural causes or violently. Leigh maintains that money was not the only thing stolen that day. So was a stash of uncut South African diamonds. And she wants Chance's help to retrieve them. Problem is, they are not the only ones looking. The heist always goes wrong and the consequences, even half a century later, can be deadly. Critical Acclaim for Orphan Road: "Orphan Road is a breakneck tale of robbery and vengeance, as lyrical and gritty as a Bad Seeds tune. Superb." -Sam Wiebe, award-winning author of Sunset and Jericho and Invisible Dead "Orphan Road hits Mr Inbetween levels of brilliance. Stylish writing and whip-smart dialogue, this is noir done right." -David Whish-Wilson, author of Line of Sight and The Sawdust House "I have been waiting for another Gary Chance book. Orphan Road is grimy, twisty and fast. Absolutely worth the wait." -Iain Ryan, author of Four Days and The Student "A multi-continental heist romp, Nette's Orphan Road is in direct lineage with Westlake/Stark's Parker series and Thompson's The Getaway. Filled with pulpy goodness, this crime caper scratches your thieving itch. For fans of Barry Gifford's Black Lizard catalog, this one's a guaranteed delight." -Nolan Knight, author of The Neon Lights Are Veins and Gallows Dome "Some people will do anything for money...or in this case diamonds. Gary Chance is one of those people and in Orphan Road, Andrew Nette gifts us with a good, old-fashioned hard-boiled thriller that moves at a machine-gun-like pace leaving the reader gasping for air." -Charles Salzberg, multiple Shamus Award-nominated author

The first book-length study of Sydney-based Horwitz Publications, the largest and most dynamic Australian pulp publisher to emerge after World War II. Although best known for its cheaply produced, sometimes luridly packaged, softcover books, Horwitz Publications played a far larger role in mainstream Australian publishing than has been so far recognised, particularly in the expansion of the paperback from the late 1950s onwards. Horwitz was adept at seeking out and exploiting the porous spaces that existed, sometimes only temporarily, between pulp and mainstream publishing: where mainstream literary forms were reconfigured to suit more sensational tastes, authorial reputation was fluid, and government regulation failed to keep pace with shifting reading tastes and social mores. Its dealings were aggressively transnational in scope, moving beyond London, to directly encompass the United States and other overseas fiction markets. And Horwitz continually mined international literary and publishing fashions and successes to create local analogues of popular pulp and mass-market publishing genres, giving them a makeover to align them with Australian cultural sensibilities, tastes and legislative environments.Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback examines the authorship, production, marketing and distribution of Horwitz pulp paperbacks. It includes ground-breaking material on the conditions of creative labour: the writers, artists and editors involved in the production of Horwitz pulp. The book also explores how Horwitz pulp paperbacks acted as a local conduit for the global modern: the ideas, sensations, fascinations, technologies, and people that came crashing into the Australia consciousness in the 1950s and 1960s. This is part of the larger story of Australian pulp fiction's role as an unofficial archive of changing tastes, ideas, controversies and debates about gender, race, class, youth, and economic and social mobility that occurred in 1950s and 1960s Australia.

Gary Chance is a former Australian army driver, ex-bouncer and thief. His latest job takes him to Surfers Paradise, Queensland, working for aging standover man, Dennis Curry. Curry runs off-site, non-casino poker games, and wants to rob one of his best customers, a high roller called Freddie Gao. The job seems straightforward but Curry's crew is anything but. Frank Dormer is a secretive ex-soldier turned private security contractor. Sophia Lekakis is a highly-strung receptionist at the hotel where Gao stays when he visits Surfers Paradise. Amber, Curry's female housemate, is part of the lure for Gao. Chance knows he can't trust anyone, but nothing prepares him for what unfolds when Curry's plan goes wrong. Praise for GUNSHINE STATE: "Part heist novel, part revenge tale, Gunshine State is a searing action story in exotic locales populated by fascinating grifters and unsavory characters. You won't know where it's going next but you'll love getting there. Add this to your must read list." -Eric Beetner, author of Criminal Economics and The Year I Died Seven Times "A tense, fast-moving, vividly-drawn thriller." -Garry Disher, author of the Wyatt novels "A gritty slice of Down-Under noir, served lean and mean." -Wallace Stroby, author of The Devil's Share and Shoot the Woman First "A phenomenal, hard-as-nails thriller with more tight corners than a maze and a double cross around every one of them. I loved it." -Timothy Hallinan, award-winning author of the Poke Rafferty and Junior Bender mysteries "A lean, mean, hard-boiled knockout." -David Whish-Wilson, author of Line of Sight and Zero at the Bone "Gunshine State moves like a bullet. The prose is taught without sacrificing atmosphere, character or psychological depth. Brimming with evocative settings, sharp dialogue and vibrant characters, this novel firmly positions Nette as one of Australia's leading writers of hard-boiled crime." -Alex Hammond, author of The Unbroken Line and Blood Witness "Gunshine State is magnificent. Taut, tense-a tremendous thriller." -Andrew Grant, author of False Positive and Run "Gunshine State is a breakneck ride from first page to last. Nette drags the reader into a sharply drawn world of dark motives and even darker morals. A must for lovers of hard-boiled crime fiction." -Emma Viskic, author of Resurrection Bay "This brutal, hard-boiled thriller comes at you like a furious street brawler and pins you to the wall with a white-knuckle plot and authentic characters. Like a vicious left hook to the ribs it will leave you breathless." -Leigh Redhead, author of Peepshow, Rubdown, Cherry Pie and Thrill City

Rollerball, Norman Jewison's 1975 vision of a future dominated by anonymous corporations in which all individual effort is subsumed into a horrifically violent sport, remains critically overlooked. Andrew Nette examines Rollerball's making and reception to show how it anticipates numerous contemporary concerns.