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WITH AN INTRODUCTION BY SALMAN RUSHDIEAs well as her eight novels, Angela Carter published four wonderful collections of short stories during her lifetime, and contributed stories to several anthologies. The stories were scattered amongst different publishers, and a couple of the volumes are now out of print.
Based on real people, this volume offers a collection of stories focusing on mingling history, invention, literary criticism, high drama and low comedy.
A collection of short stories which tear through the archives of cinema, of art and of the subconscious. A young Lizzie Borden visits the circus; a pianist makes a Faustian pact in a fly-blown Southern brothel; and a transfigured Mary Magdalene steps out of the canvases of Donatello and de la Tour.
Centre stage in Angela Carter's unruly tale of the Flower Power Generation is Joseph - a decadent, disorientated rebel without a cause. A self-styled nihilist whose girlfriend has abandoned him, Joseph has decided to give up existing. But his concerned friends and neighbours have other plans.In an effort to join in the spirit of protest which motivates his contemporaries, Joseph frees a badger from the local zoo; sends a turd airmail to the President of the United States; falls in love with the mother of his best friend; and, accompanied by the strains of an old man's violin, celebrates Christmas Eve in a bewildering state of sexual discovery. But has he found the Meaning of Life?
WITH AN INTRODUCTION BY AUDREY NIFFENEGGERLove is Angela Carter's fifth novel and was first published in 1971. This revised edition has lost none of Angela Carter's haunting power to evoke the ebb of the 1960s, and includes an afterword which describes the progress of the survivors into the anguish of middle age.
The scar drew her whole face sideways and even in profile, with the hideous thing turned away, her face was horribly lop-sided, skin, features and all, dragged away from the bone. She was a beautiful girl, a white and golden girl, like moonlight on daisies, a month ago.'And yet the men still hover around her, more out of curiosity than lust, and none more so than the wildly seductive, dangerous funny man, Honeybuzzard; lithe as a stick of liquorice, he is the demonic puppet master at the swirling centre of the tale.'In a modern day horror story gleaming with perfect 1960's detail, she performs a double act, conjuring up just the right amount of unease and perversion beneath the idiosyncratic business of relatively ordinary lives' THE TIMES
Presenting a selection of her writing, the author covers more than a decade of her thought, which ranges over a diversity of subjects giving a measure of the focus of her interests.
In the pursuit of magnificence, nothing is sacred,' says Angela Carter, and magnificence is indeed her own achievement. One of the most acclaimed novelists of her generation, her work as a journalist and critic was no less original. Long autobiographical pieces on her life in South Yorkshire and South London are followed by highly individual inspections of 'abroad'. Some of her most brilliant writing is devoted to Japan - exotically and erotically described here - so perfectly suited to the Carter pen. Domestically, Angela Carter used her mordant wit and accurate eye to inspect England and Englishness as it manifested itself throughout the land. Then she turns to her own craft, and her extraordinarily wide-ranging book reviews are masterpieces.
Discover Angela Carter's classic feminist retelling of favourite fairy tales interwoven by a master of seductive, luminous storytelling.
Is Sophie Fevvers, toast of Europe's capitals, part swan...or all fake?Courted by the Prince of Wales and painted by Toulouse-Lautrec, she is an aerialiste extraordinaire and star of Colonel Kearney's circus.
WITH AN INTRODUCTION BY ALI SMITHA richly comic tale of the tangled fortunes of two theatrical families, the Hazards and the Chances, Angela Carter's witty and bawdy novel is populated with as many sets of twins, and mistaken identities as any Shakespeare comedy, and celebrates the magic of over a century of show business.
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