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Black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with TV as a child in the Boston suburbs to examine how televisual representations of African Americans-ranging from I Love Lucy to How to Get Away with Murder-have changed over the last sixty years.
Challenging the increasingly popular argument that blacks should settle down, stop whining, and get jobs, Skin Trade insists that racism remains America's premier national story and its grossest national product. From Aunt Jemima Pancakes to ethnic Barbie dolls, Ann duCille explains, corporate America peddles racial and gender stereotypes.
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