Bøger af Anna Lowenhaupt Tsing

What a rare mushroom can teach us about sustaining life on a fragile planetMatsutake is the most valuable mushroom in the world-and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction.By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.

"A Field Guide to the Patchy Anthropocene leads the reader through a series of sites, observations, thought experiments, and genre-stretching descriptive practices to take stock of our current planetary crisis. This is a guide for researchers of many stripes; a book that nurtures and promotes a revitalized natural history in direct response to worlds falling apart"--

Hvad en sjælden svamp kan lære os om at opretholde livet på en skrøbelig planet.Matsutake er den mest værdifulde svamp i verden og vokser i menneskeforstyrrede skove på hele den nordlige halvkugle. Den kan ikke dyrkes, men der, hvor den gror, giver den næring til træerne og hjælper dem med at overleve. Matsutake anses for en delikatesse og handles for astronomiske priser. Ved at følge de nye globaliserede forsynings- og varekæder disse meget efterspurgte svampe skaber, beskriver Anna Lowenhaupt Tsing områder, der rækker langt ud over svampe, ogstiller et afgørende spørgsmål: Hvad formår at leve i de ruiner, vi har skabt?Svampen ved verdens ende udforsker den underjordiske fælled og de multiartslige verdener omkring os. Vi møder japanske gourmeter, købmænd, hmongfolk i Oregon, industriskove, yi-kinesiske gedehyrder, finske naturguider og meget mere. Disse ledsagere fører os ind i svampeøkologier og skovhistorier for bedre at forstå løftet om samliv i en tid med massiv menneskelig ødelæggelse. Det er en original undersøgelse af forholdet mellem kapitalisme og samarbejdet om overlevelse i multiartslige landskaber, som er forudsætningen for fortsat liv på jorden.“En poetisk og bemærkelsesværdig frugtbar udforskning af forholdet mellem mennesker og det naturlige miljø.” – Pankaj Mishra, The Guardian“Jeg er meget taknemmelig for at have denne bog.” – Ursula K. Le Guin

A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "e;clash"e; of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world. She focuses on one particular "e;zone of awkward engagement"e;--the rainforests of Indonesia--where in the 1980s and the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out. Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked in contemporary theories of the global.

In this highly original and much-anticipated ethnography, Anna Tsing challenges not only anthropologists and feminists but all those who study culture to reconsider some of their dearest assumptions. By choosing to locate her study among Meratus Dayaks, a marginal and marginalized group in the deep rainforest of South Kalimantan, Indonesia, Tsing deliberately sets into motion the familiar and stubborn urban fantasies of self and other. Unusual encounters with her remarkably creative and unconventional Meratus friends and teachers, however, provide the opportunity to rethink notions of tradition, community, culture, power, and gender--and the doing of anthropology. Tsing's masterful weaving of ethnography and theory, as well as her humor and lucidity, allow for an extraordinary reading experience for students, scholars, and anyone interested in the complexities of culture.Engaging Meratus in wider conversations involving Indonesian bureaucrats, family planners, experts in international development, Javanese soldiers, American and French feminists, Asian-Americans, right-to-life advocates, and Western intellectuals, Tsing looks not for consensus and coherence in Meratus culture but rather allows individual Meratus men and women to return our gaze. Bearing the fruit from the lively contemporary conversations between anthropology and cultural studies, In the Realm of the Diamond Queen will prove to be a model for thinking and writing about gender, power, and the politics of identity.