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Bøger af Antoine Compagnon

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  • af Antoine Compagnon
    227,95 - 894,95 kr.

  • af Antoine Compagnon
    202,95 kr.

    Blaise Pascal is a marquee name, yet little read outside France. Antoine Compagnon provides an ideal introduction to one of the great intellects, contextualizing Pascal in his own time and offering insightful readings of the Pensées and the Provincial Letters. Compagnon proves a welcoming guide to Pascal's challenging and rewarding thought.

  • af Antoine Compagnon
    163,95 kr.

    Is this a serious and philosophical book? Certainly. But Compagnon never pontificates and is never austere. Many of the anecdotes he chooses allow us to approach the world of Montaigne with a sense of humor and, most importantly, companionship.

  • af Antoine Compagnon & Donald Morrison
    200,95 - 527,95 kr.

    * This is an expanded and updated version of an article that originally appeared in Time Magazine, which caused a sensation in France and elsewhere. * Morrison argues that French culture no longer has the kind of international standing it once did. His discussion ranges from art and fashion to philosophy, literature and cinema.

  • af Antoine Compagnon
    138,95 kr.

    Montaigne for the 21st century

  • af Antoine Compagnon
    885,95 kr.

    Assessing the accomplishments and failings of literary theory, this work defends the methods and goals of a theoretical commitment tempered by the wisdom of common sense. It is organized not by school of thought but around seven central questions: literariness, the author, the world, the reader, style, history, and value.

  • af Antoine Compagnon
    1.113,95 kr.

    This book explores the formative period when Scotland acquired the characteristics that enabled it to enter fully into the comity of medieval Christendom. These included a monarchy of a recognizably continental type, a feudal organisation of aristocratic landholding and military service, national boundaries, and a body of settled law and custom.

  • af Antoine Compagnon
    361,95 kr.

    This treatise on modernism and postmodernism establishes that modernists' faith in the cult of novelty inevitably led to its destruction. Exploring the paradoxical nature of the modernist tradition in literature and the arts, the author considers its aesthetic and moral contradictions.

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