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The Student and Other Writings contains Stories from well known Authors such as Anton Chekhov; H.H. Munro (SAKI); Clara Dillingham Pierson; Guy de Maupassant;Hans Christian Andersen;Oscar Wilde & Banjo Paterson.The Book Contains below Stories;The Student;The Unkindest Blow;The Night Moth With A Crooked Feeler;Alexandre;The Thorny Road Of Honor;The Vendetta;The Selfish Giant;The Looking Glass;Vanka &The Merino Sheep.
Reviews from the world premiere of the new translation: "The most affecting version that I have ever seen of this epochal comedy of discontent.... The first VANYA that brought me to tears and made me laugh in places I never had before." Ben Brantley, The New York Times "A new and sparkling version."David Barbour, Lighting & Sound America "[This] trim adaptation...underscores the timeless nature of UNCLE VANYA. The artful simplicity.. and this American interpretation of a Russian classic is very satisfying."Michael Sommers, New York Stage Review "A spectacular new Vanya..." Charles McNulty, Los Angeles Times "A canny and colloquial translation."James Herbert, San Diego Union-Tribune "Exquisite new UNCLE VANYA is intimate, resonant... The exquisite translation strips the language to its essence. It's clear and illuminating." Jennifer Vanasco, WNYC, New York
Ivanoff (Ivanov)Anton Chekhov Ivanov (Russian: Иванов драма в четырёх действиях (Ivanov: drama in four acts) also translated as "Ivanoff") is a four-act drama by the Russian playwright Anton Chekhov.Ivanov was first performed in 1887, when Fiodor Korsh, owner of the Korsh Theatre in Moscow, commissioned Chekhov to write a comedy. Chekhov, however, responded with a four-act drama, which he wrote in ten days. The first performance was not a success and the production disgusted Chekhov himself. In a letter to his brother, he wrote that he "did not recognise his first remarks as my own" and that the actors "do not know their parts and talk nonsense". Irritated by this failure, Chekhov made alterations to the play. Consequently, the final version is different from that first performance. After this revision, it was accepted to be performed in St. Petersburg in 1889. Chekhov's revised version was a success and offered a foretaste of the style and themes of his subsequent masterpieces.Nikolai Ivanov - A government official concerned with peasant affairs, Chekhov paints him as the quintessentially melancholy Russian from the upper social strata. Severely afflicted by internal conflicts his loss of appetite for life, love of his wife, and external pressures managing his estate and his debts, collide in a melodramatic climax.Anna (born as Sarah Abramson) - Ivanov's wife of 5 years who (unknowingly) suffers from tuberculosis. She renounced her Jewish heritage and converted to Russian Orthodox in order to marry Ivanov.Paul Lebedev - Chairman of the rural district council. Confidant and good friend to Ivanov.Zinaida - Lebedev's wife. She is a wealthy lender to whom Ivanov owes a large sum of money.Sasha - The Lebedevs' 20-year-old daughter. She is infatuated with Ivanov, an infatuation which ends in her nearly marrying him.Eugene Lvov - A pompous young doctor on the council's panel, and an honest man. Throughout the play, he moralizes and attacks Ivanov's character. He later resolves to reveal what he believes are Ivanov's intentions in marrying Sasha.Count Matthew Shabelsky - Ivanov's maternal uncle, a geriatric buffoon. He indulges in antisemitic jokes but his tenderness to Anna is unmistakable.Martha Babakina - A young widow, estate-owner, and the daughter of a rich businessman. She has a turbulent relationship with the Count.Michael Borkin - A distant relative of Ivanov and manager of his estate.
‘300 Quotes from Russian Writers’ is a carefully crafted collection of inspiration, wit, and wisdom from some of the greatest ever Russian writers, including Fyodor Dostoievsky, Léo Tolstoy and Anton Chekov. These giants of literature are considered among the greatest writers to have ever lived and are responsible for some of the world’s most influential and highly acclaimed works. A carefully crafted collection, ‘300 Quotes from Russian Writers’ is ideal for anyone with an inquiring mind about the musings of some of Russia's greatest authors. Anton Pavlovich Chekhov (1860 –1904) was a Russian playwright and short-story writer who is considered to be one of the greatest writers in the world. He is best known for his works ‘The Seagull’ and ‘Uncle Vanya’.Fyodor Mikhailovich Dostoevsky (1821 – 1881) was a Russian novelist and short story writer. His most celebrated novels include ‘Crime and Punishment’ (1866), ‘The Idiot’ (1869), and ‘The Brothers Karamazov’ (1880). Leo Tolstoy (1828 –1910) was a Russian writer who is regarded as one of the greatest writers of all time. Best known for his great novels ‘War and Peace’ (1869) and ‘Anna Karenina’ (1878).
It is New Year's Eve, and Nellie, the pretty daughter of a landowning general, is sitting in her room looking in the mirror. Although she is tired and her eyes are half closed, she is spellbound as the reflection in the looking glass dissolves into a sea of grey mist, in which she starts to discern the beloved features of her fiancé. As in a diorama, the scene keeps changing, and to the early snapshots of joyful marital life succeed other, more sinister images of care, sickness and bereavement, casting a long shadow onto the girl's future.With 'The Looking Glass' Chekhov captured the very essence of the Russian soul. This short story, along with the others included in this collection, demonstrates why he is considered the absolute master of the genre.
Peppered with pithy and wry observations, ‘100 Quotes by Anton Chekhov’ offers an insight into one of the greatest literary minds of the 20th Century. Covering a variety of topics, you may find yourself surprised as to how many of his musings have worked their way into everyday life. A superb book for those who want to get to know the man behind works such as ‘The Seagull,’ and ‘Uncle Vanya.’Anton Pavlovich Chekhov (1860 – 1904) was born in Taganrog, in Southern Russia. The son of a grocer, and the third of six children, he was educated at the local Greek School. After Chekhov’s father became bankrupt, the family lived in poverty, before fleeing to Moscow to avoid debtor’s prison. After writing a series of tales for various publications, Chekhov started to gain critical attention. However, it was a trip to the Ukraine that put the literary wheels in motion. After the publication of his novella, ‘The Steppe,’ he was commissioned to write a play, resulting in ‘Ivanov.’Over the course of his career, Chekhov wrote more than 200 short stories and 14 plays. Works, such as ‘The Seagull,’ ‘The Cherry Orchard,’ and ‘Uncle Vanya,’ have been performed on stages across the world. Chekhov's works have also been adapted to the screen numerous times. The 2018 adaptation of 'The Seagull' stars Annette Bening, Elisabeth Moss and Saoirse Ronan.
In a remote Russian town, Olga, Masha and Irina long for life in Moscow - but their plans go nowhere. Disaster, deception, meaningless self-sacrifice - in Chekhov's heartbreaking masterpiece, each new twist of fate sees the sisters' control over their destiny slip away.This version of The Three Sisters has been radically re-worked. It is set in modern day Russia, with modern language and it re-imagines the sisters' dreams and the world around them. This compelling version of the Russian classic by renowned Australian director Benedict Andrews premiered at the Young Vic on 8 September 2012. Benedict Andrew's version of Three Sisters was third in the Guardian's top ten best theatre picks of 2012.
Written in 1895 and first performed in 1896, "The Sea-Gull" is widely hailed as the first of Anton Chekhov's four most important plays. It is acclaimed for its brilliant use of subtext and remains widely studied and performed as a significant dramatic work. It is the story of the romantic and artistic conflicts between four main characters: Nina, a young, aspiring actress and the daughter of a wealthy landowner; Madame Irina Arkadina, once a great leading actress; Konstantin Treplyov, her son and a playwright; and Trigorin, Irina's lover and a well-known writer. While Chekhov intended that the play be more comedic in tone, it is often performed and interpreted as a subtle and nuanced tragedy, full of doomed romances, frustrated artistic ambitions, loneliness, and regret. "The Sea-Gull" is frequently adapted for stage and screen and the roles of Nina, Irina, Konstantin, and Trigorin are famous for the subtle depths of emotion the parts call for. Over a century after it was first performed, "The Sea-Gull" remains a theatrical masterpiece and the work that established Chekhov's reputation as a brilliant playwright. This edition follows the translation of Marian Fell and is printed on premium acid-free paper.
This volume contains translations of Chekhov's very earliest published short stories. The Chekhov represented here is by no means the confident, near-perfect craftsman who produced some of humanity's best short stories and plays. The artist presented here is a young man willing to experiment but searching for his style and voice. In a way, it can serve as inspiration for any aspiring writer that even the best are not born great, but rather achieve greatness through a relentless dedication to their craft.
"e;Zestier and more colloquial than most translations . . . Letts' main achievement here is to make Chekhov more emotional, accessible and active."e;Chicago Tribune"e;I've seen over a dozen Three Sisters, but never has the final scene . . . registered so hard. It's the cumulative effect of . . . searing truth-tellingfrom Letts, who knows family dysfunction as only the author of August: Osage County can, and Chekhov, the good doctor who diagnoses all our weaknesses that are so strong."e;Chicago Theater BeatWhen the champion of modern family drama takes on the genre's patriarch, the result is an energetic and vitalizing adaptation of one of Anton Chekhov's most beloved plays. A cruder, gruffer outline of the plight of the wistful Prozorov sisters serves to emphasize the anguish of their Chekhovian stagnation. This latest work from Letts envisions the revered classic through a fresh lens that revives the passionate characters and redoubles the tragic effect of their stunted dreams. Tracy Letts was awarded the 2008 Pulitzer Prize for Drama and Tony Award for Best Play for August: Osage County. His other plays include Superior Donars; Pulitzer Prize-finalist Man from Nebraska; Killer Joe, which was adapted into a critically acclaimed film; and Bug, which has played in New York, Chicago and London and was adapted into a film. Letts garnered a Tony Award for his performance in the Broadway revival of Who's Afraid of Virginia Woolf?
From one of Russia's greatest writers, Anton Chekhov, an indispensable collection of stories, full of humor, truth, and vast insight, selected and introduced by modern American virtuoso Richard Ford, available in a deluxe paperback edition--part of the Ecco Art of the Story series.One of the most beloved Russian writers, Anton Chekov had an indelible influence on many revered modern writers, including Richard Ford, Raymond Carver, Robert Stone, Nadine Gordimer, William Maxwell, and Ernest Hemingway. In this superb anthology, Ford, a master of short fiction in his own right, has chosen twenty of his personal favorites from among more than two hundred of Chekhov's tales and short novels.Though they were composed more than a century ago, Chekhov's stories hold timeless lessons and insights invaluable in our own age. The Essential Tales of Chekhov Deluxe Edition includes familiar masterpieces "The Kiss," "The Darling," and "The Lady with the Dog," as well as several brilliant lesser-known tales--"A Blunder," "Hush!," and "Champagne." These stories, ordered chronologically from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short story writer. The translation is done by the renowned Constance Garnett, who also brought Tolstoy, Dostoyevsky, and Turgenev to the English-speaking world.
Anton Chekhov was a master of the short story. The son of a former serf in southern Russia, he attended Moscow University to study medicine, writing short stories for periodicals in order to support his family. What began as a necessity became a legitimate career in 1886 when he was asked to write in St. Petersburg for the Novoye Vremya (New Times), owned by publishing magnate Alexey Suvorin. Chekhov began paying more attention to his writing, revising and developing his own principles and conceptions of truth, for a time coming under the influence of Leo Tolstoy. As a result of his widespread popularity, Chekhov amassed a vast collection of short stories displaying an early use of stream-of-consciousness writing, as well as his powerful ideas concerning the individual, the tedium of life, and the beauty of nature and humanity. Twenty-eight stories are collected here in the "Selected Stories of Anton Chekhov" including many of the author's most popular shorter works. This edition is printed on premium acid-free paper.
Anton Chekhov was a master of the short story. The son of a former serf in southern Russia, he attended Moscow University to study medicine, writing short stories for periodicals in order to support his family. What began as a necessity became a legitimate career in 1886 when he was asked to write in St. Petersburg for the Novoye Vremya (New Times), owned by millionaire magnate Alexey Suvorin. Chekhov began paying more attention to his writing, revising and developing his own principles and conceptions of truth, for a time coming under the influence of Leo Tolstoy. As a result of his widespread popularity, Chekhov amassed a vast collection of short stories displaying an early use of stream-of-consciousness writing, as well as his powerful ideas concerning the individual, the tedium of life, and the beauty nature and humanity. Twenty-eight stories are collected here in the "Selected Stories of Anton Chekhov" including many of the author's greatest shorter works.
The Cherry Orchard (1903) is Russian playwright and short story writer Anton Chekhov¿s final play. It was first performed at the Moscow Art Theatre in 1904, directed by acclaimed actor Konstantin Stanislavski¿who also played the role of Leonid Gayev, the bizarre and uninspired brother of Madame Ranevskaya. It has since become one of twentieth century theater¿s most important¿and most frequently staged¿dramatic works.After five years of living in Paris with her lover¿where she fled following the death of her young son¿Madame Ranevskaya is brought back to her Russian estate by her daughter Anya. In her absence, Varya, Ranevskayäs adopted daughter, has cared for the estate to the best of her ability, but the family¿s debts have forced them to put the house and its renowned cherry orchard up for auction. Leonid Gayev, Madame Ranevskayäs brother, hopes to keep the estate, while Yermolai Lopakhin¿a wealthy neighbor despite being born a peasant¿encourages the family to sell. Although they initially shelter Madame Ranevskaya, she soon discovers the truth and decides¿against the family¿s wishes¿to throw a party none of them can afford. As the play reaches its tragic conclusion, the wealthy are forced to acknowledge their circumstances have changed, and the characters who depend on them for employment must do what they can to survive. The Cherry Orchard is a powerful drama that takes an unsparing appraisal of the massive shift in political and social circumstances undergone by Russians in the early twentieth century.With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov¿s The Cherry Orchard is a classic of Russian literature reimagined for modern readers.
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