Bøger af Antonio Tabucchi

'Subtle, skillful, and clear. It's so clear, in fact, that you can see a very long way down, into the heart of a flawed but valiant human being, into the sickness of a nation, into the depths of political evil. It's the most impressive novel I've read for years, and one of the very few that feels truly necessary' - Philip PullmanIn the sweltering summer of 1938, with Lisbon in the grip of Portugal's dictatorship of Ant nio Salazar, a journalist is coming to terms with the rise of fascism around him and its insidious impact on his work. Consumed by the passing of his wife and the child he never had, Pereira lives a quiet and lonely existence. One day, the young and charismatic Monteiro Rossi enters his life, changing everything. A man who once shied away from criticizing Portugal's authoritarian regime finds himself unable to stay quiet any longer, resulting in his political awakening and a devastating act of rebellion. Tabucchi's celebrated masterpiece is an ode to courage and solidarity in the face of political oppression.'A stunningly good novel, and it goes on getting better in one's head after one has stopped reading it - it works as an experience - something that has happened to one, which is of course the proof of great writing' Diana Athill

Antonio Tabucchi, Italy's premier writer and a best-selling author throughout Europe, draws together Manolo the gypsy, Firmino, a young tabloid journalist with a weakness for Lukacs and Vittorini, and Don Fernando, an overweight lawyer with a professed resemblance to the actor Charles Laughton, to solve a murder that leads far up and down Portugal's social ladder. As the investigation leads deeper into Portugal's power structure, the novel defies expectations, departing from the formulaic twists of a suspense story to consider the moral weight of power and its abuse.

'Misunderstandings, uncertainties, belated understandings, useless remorse, treacherous memories, stupid and irredeemable mistakes, all these irresistibly fascinate me, ' the Italian writer Antonio Tabucchi remarks. 'Life is by nature ambiguous and distributes ambiguities among all of us.' This side of life is reflected in these eleven stories. Is it choice, fate, accident, or even, occasionally, a kind of magic that plays the decisive role in the protagonists' lives?

'A funny, sad novella about how we got here from there, and how, in our youth, "e;our eyes saw things differently"e;' The TimesA private meeting, chance encounters and a mysterious tour of Lisbon haunt this moving homage to Tabucchi's adopted cityIn the city of Lisbon, Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. Misunderstanding twelve to mean noon as opposed to midnight, he is left to wait. As the day unfolds he has many unexpected encounters - with a young drug addict, a disorientated taxi driver, a cemetery keeper, the mysterious Isabel and the ghost of the late great poet Fernando Pessoa - each meeting travelling between the real and illusionary. Part travelogue, part autobiography, part fiction, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.'Tabucchi is a master of illusion and allusion, and this is a literary puzzle that teases, amuses and provokes' Sunday Telegraph

The short story collection that launched Tabucchi to fame, reflecting on the uncertainties, memories, mistakes and mysteries of life Eleven short stories pivoting on life's ambiguities and the central question they pose in Tabucchi's fiction: is it choice, fate, accident, or even, occasionally, a kind of magic that plays a decisive role in the protagonists' lives? Set in Paris, Lisbon, Madras and New York and blended with the author's wonderfully intelligent imagination, Tabucchi reflects on the elemental aspects of the human experience, exploring grief, uncertainty, adventure, memory and love.'One of the most admired Italian writers of his generation' The Times

A masterful collection about intimacy, loneliness, and time, each inspired by different works of art, spanning the entirety of the great Italian writer's career.In Stories with Pictures, Antonio Tabucchi responds to photographs, drawings, and paintings from his dual homelands of Italy and Portugal, among other European countries. The stories in this collection spring forth from the shadows of Tabucchi's imagination, as he steps into worlds just hidden from view. From inscrutable masks of pre-Columbian gods, stamps of bright parrots and postcars of yellow cities, portraits of devilish Portuguese nuns, the way to these remote landscapes appear like a "train emerging from a thick curtain of heat." As we peer through the curtain, what we find on the other side rings distinctly human, a world charged with melancholic longing for time gone by. "Sight, hearing, voice, word" Tabucchi writes, "this flow isn't in one direction, the current is back and forth." Reading these stories, one feels the pendulum current, and the desire in this remarkable author to hold the real in the surreal.

Late on night, the body of a young man is delivered to the morgue of an Italian town. The next day's newspapers report that he was killed in a police raid, and that went by the obviously false name "Carlo Nobodi." Spino, the morgue attendant on duty at the time, becomes obsessed with tracing the identity of the corpse. "Why do you want to know about him?" asks a local priest. "Because he is dead and I'm alive," replies Spino. In this spare yet densely packed cautionary tale, Tabucchi reminds us that it is impossible to reach the edge of the horizon since it always recedes before us, but suggests that some people "carry the horizon with them in their eyes."

This new, expanded collection of Antonio Tabucchi's stories collects the best short fiction from the Italian author recognised as one of the masters of the form.

Translated from the Italian, this winner of the Prix Medicis Etrangerfor 1987 is an enigmatic novel set in modern India. Roux, the narrator,is in pursuit of a mysterious friend named Xavier. His search, whichdevelops into a quest, takes him from town to town across thesubcontinent.

From Italy, an epistolary novel like no other, full of Tabucchi's special "enchantment, which trans-figures even as it captivates" (TLS).In It's Getting Later All the Time, an epistolary novel with a twist, Antonio Tabucchi"internationally acclaimed as the most original voice in the new generation of Italian writers" (The Harvard Book Review)revitalizes an illustrious tradition, only to break all its rules. Seventeen men write seventeen strangely beautiful letterstender or rancorouslonely monologues which move in circles, each describing an affair, and each desperate for a reply which may never come. The letters plunge the reader into an electric, timeless no-man's-land of "this past that is always somewhere, hanging in shreds." And at last, collecting all their one-sided, remorseful adventures into a single polyphonic novel, an 18th letter startlingly answers the men's pleas: a woman's voice, distant, implacable, yet full of sympathy. It's Getting Later All the Time captures destinies which, though so varied in appearance, are at rock bottom all the same: broken. This is an anti-Proustian noveltime lost is lost forever: it is impossible to get back to the past no matter how it haunts the present. As Tabucchi remarked, "Broken time is a dimension you find lots of men living in...an ambiguous, impossible situation, because they are faced with a kind of remorse, a choice they never made."