Bøger af Aphra Behn

""The Rover Or The Banished Cavaliers"" is a play written by Aphra Behn, first performed in 1677. Set in Naples during the carnival season, the play follows the adventures of a group of English cavaliers who have been banished from their homeland for supporting the losing side in the English Civil War. The main character, Willmore, is a charming and rakish rover who falls in love with a wealthy and beautiful woman named Hellena. However, Hellena is determined to maintain her independence and not be forced into marriage. Meanwhile, Willmore's friend Belvile is also in love with a noblewoman named Florinda, but their love is complicated by her father's disapproval and the presence of a jealous suitor. The play explores themes of love, desire, gender roles, and social class, and features witty dialogue, lively music, and colorful characters.Tis true, I was never a Lover yet -- but I begin to have a shreud Guess, what 'tis to be so, and fancy it very pretty to sigh, and sing, and blush and wish, and dream and wish, and long and wish to see the Man; and when I do, look pale and tremble; just as you did when my Brother brought home the fine English Colonel to see you -- what do you call him? Don Belvile.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Love Letters Between A Nobleman And His Sister: With The History Of Their Adventures is a novel written by Aphra Behn in 1712. The book is a collection of letters exchanged between a brother and sister, both members of the English aristocracy. The letters reveal their secret love affair, which is complicated by their social status and the disapproval of their family and society.The novel also includes the adventures of the siblings as they navigate their forbidden relationship. They encounter various obstacles, including jealous lovers, family members who disapprove of their relationship, and societal pressures.Throughout the book, Behn explores themes of love, desire, social class, and the constraints of society. The novel is considered scandalous for its time, as it depicts incestuous relationships and challenges traditional notions of morality and social norms.Love Letters Between A Nobleman And His Sister is a significant work in the history of English literature, as it is one of the earliest examples of the epistolary novel genre. The book was controversial and received mixed reviews upon its publication, but it has since become a classic of English literature and is studied by scholars and students alike.In Three Parts. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Materially founded upon George Wilkins' popular play, The Miseries of Enforced Marriage. Sir Timothy himself is moulded to some extent upon Sir Francis Ilford, but, as Geneste aptly remarks, he may be considered a new character. In the older drama, Clare, the original of Celinda, dies tragically of a broken heart. It cannot be denied that Behn has greatly improved Wilkins' scenes. The well-drawn character of Betty Flauntit is her own, and the realistically vivacious bagnio episodes of Act iv replace a not very interesting or lively tavern with a considerable accession to wit and humour, although perhaps not to strict propriety.

Mirtilla, the Amorous Jilt, who had once been attached to George Marteen, the Younger Brother, married for a convenience the clownish Sir Morgan Blunder. Prince Frederick, who had seen and fallen in love with her during a religious ceremony in a Ghent convent, follows her to England. They meet accidentally and she promises him a private interview. George Marteen had recommended a page to Mirtilla, and the lad is his sister Olivia in disguise. Mirtilla, although she falls in love with her 'smooth-chin'd boy', receives Prince Frederick, but the house wherein she lodges catches fire that night, and it is George Marteen who, in spite of the fact that he knows his friend the Prince is with her, procures a ladder and rescues the lady at some danger to himself.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

The Forced Marriage Or The Jealous Bridegroom is a play written by Aphra Behn, a prominent female playwright in the late 17th century. The play revolves around the story of two sisters, Isabella and Leonora, who are both in love with the same man, Don Lopez. However, Don Lopez is already engaged to Leonora, and Isabella is forced into a marriage with another man against her will.As the story unfolds, Isabella's husband dies, and Don Lopez becomes jealous of Isabella's newfound freedom. He tries to force her to marry him, but Isabella refuses, causing Don Lopez to become increasingly obsessed and possessive. The play explores themes of love, jealousy, and the societal pressures placed on women during this time period.Written in Behn's signature style, The Forced Marriage Or The Jealous Bridegroom is a witty and satirical play that challenges traditional gender roles and societal norms. It is a captivating and entertaining read that provides insight into the cultural and social context of the time period in which it was written.Er. Madam, that grief the better is sustain'd, That's for a loss that never yet was gain'd: You only lose a man that does not know How great the Honour is which you bestow: Who dares not hope you love, or if he did, Your greatness would his just return forbid; His humbler thoughts durst ne're to you aspire, At most he would presume but to admire; Or if it chanc'd he durst more daring prove, You still must languish in concealed love.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Not I, be witness heav'n with what reluctancy I forc't my breaking heart; and can I see, that charming Body in my Sisters Armes! that Mouth that has so oft sworn love to me, kist by anothers Lips! no, Jacinta, that night that gives him to another Woman, shall see him dead between the Charmers Armes. My life I hate, and when I live no more for Carlos, I'll cease to be at all, it is resolv'd.

The Feign'd Curtizans Or A Nights Intrigue is a play written by Aphra Behn, a prominent female playwright of the Restoration era. The play revolves around the story of two women, Lucinda and Florinda, who pretend to be courtesans in order to gain access to the wealthy and powerful men of society. They do this in order to gain revenge on their former lovers, who have wronged them in some way. The play is set in London and takes place over the course of one night, during which the two women navigate a series of complicated and often dangerous situations. Along the way, they encounter a number of other characters, including their former lovers, a group of bawdy and lecherous gentlemen, and a wise and witty maid who helps them in their scheme.As the night progresses, the women's plan becomes increasingly complicated, and they find themselves in danger of being exposed. However, with quick thinking and a bit of luck, they are able to outsmart their enemies and achieve their goals.The Feign'd Curtizans Or A Nights Intrigue is a witty and entertaining play that explores themes of love, revenge, and the power dynamics of the Restoration era. It is notable for its strong female characters and its portrayal of women as independent and resourceful, despite the limitations placed on them by society.Cor. Her Sex, a pretty consideration by my youth, an Oath I shall not violate this dozen year, my sex shou'd excuse me, if to preserve their fame, they expected I shou'd ruin my own quiet: in chusing an ill favourd Husband, such as Octavio before a young handsome Lover, such as you say Fillamour is.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""The Young King Or The Mistake"" is a play written by Aphra Behn, a prominent English playwright and novelist of the 17th century. The play revolves around the story of a young king who is mistakenly believed to have died in a shipwreck. However, he survives and is rescued by a group of fishermen who raise him as their own. The young king grows up to be a brave and just ruler, but his true identity remains a secret. When the truth is finally revealed, the young king is faced with a dilemma ������� should he abandon his adoptive family and claim his rightful place as king, or should he remain loyal to the people who raised him? The play explores themes of identity, loyalty, and the responsibilities of leadership. It is a compelling story that offers a glimpse into the political and social issues of the time, and showcases Behn's skill as a writer and storyteller.Thers. Urge it no more, Lysander, 'tis in vain, My Liberty past all retrieve is lost, But they're such glorious Fetters that confine me, I wou'd not quit them to preserve that life Thou justly sayst I hazzard by my Love.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The City Heiress is a play by Aphra Behn produced in 1682. The play conforms to the general rules of Restoration comedy, but it also keeps Behn's own highly Royalist political point of view. The play concerns the "seditious knight" Sir Timothy Treat-all and his Tory nephew Tom Wilding both vying for the affections of Charlot, the eponymous city (London) heiress. Treat-all keeps an open house for all of those who oppose the king, and he has disinherited Wilding. Aphra Behn (1640-1689) was a British playwright, poet, translator and fiction writer from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Works of Aphra Behn V2 is a book that features the collected works of Aphra Behn, a prominent English playwright and novelist from the 17th century. This second volume of her works includes a variety of her plays, poems, and prose works, such as The Dutch Lover, The Roundheads, The City Heiress, and The Amorous Prince. Behn was known for her witty and provocative writing style, and her works often explored themes of gender, power, and sexuality. This volume provides readers with a comprehensive look at Behn's literary output and offers insight into the cultural and social context of her time. The book is ideal for students of literature, history, and women's studies, as well as anyone interested in the works of this influential author.Contains: Abdelazer; Or, The Moor's Revenge; The Young King; Or, The Mistake; The City Heiress; Or, Sir Timothy Treat-all; The Feign'd Curtezans; Or, A Night's Intrigue. Edited By Montague Summers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""The Dutch Lover"" is a play written by Aphra Behn, a prominent female playwright in the 17th century. The play revolves around the character of William, a Dutch merchant who falls in love with a wealthy English widow named Ariana. Despite their class differences, William and Ariana engage in a passionate affair, much to the disapproval of Ariana's family and friends. As their relationship becomes increasingly complicated, William must navigate the social and political tensions between England and the Netherlands, while also dealing with the jealousies and betrayals of those around him. With its themes of love, power, and betrayal, ""The Dutch Lover"" is a classic example of Restoration-era drama and a testament to Behn's skill as a playwright.Sil. Why--I would have thee do--I know not what-- Still to be with me--yet that will not satisfie; To let me--look upon thee--still that's not enough. I dare not say to kiss thee, and imbrace thee; That were to make me wish--I dare not tell thee what.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1871 Edition.

The Rover or The Banish'd Cavaliers by Aphra Behn. First published in 1677. The Rover or The Banish'd Cavaliers is a play in two parts that is written by the English author Aphra Behn. It is a revision of Thomas Killigrew's play Thomaso, or The Wanderer (1664); according to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The Rover features multiple plot lines, dealing with the amorous adventures of a group of Englishmen in Naples at Carnival time. Behn's work should always be read with an eye toward her contemporary political world. She was a Royalist, and her works frequently treat Puritans and democracy roughly. The subtitle "Banish'd Cavaliers" is a reference to the world of exile that the Cavalier forces experienced during the interregnum. Behn based her play on Thomas Killigrew's Thomaso, or The Wanderer (1664). She was criticised for this, although her play is superior in wit, and she wrote the Postscript in response to her critics. The play features multiple plots, dealing with the amorous adventures of a group of Englishmen in Naples at Carnival time. The "rover" of the play's title is Willmore, a rake and naval captain, who falls in love with a young woman named Hellena, who has set out to experience love before her brother sends her to a convent. Complications arise when Angellica Bianca, a famous courtesan who falls in love with Willmore, swears revenge on him for his betrayal. In another plot, Hellena's sister Florinda attempts to marry her true love, Colonel Belvile, rather than the man her brother has selected. The third major plot of the play deals with the provincial Blunt, who becomes convinced that a girl has fallen in love with him but is humiliated when she turns out to be a prostitute and a thief.

The Dutch Lover is a play written by Aphra Behn, a prominent English playwright and novelist of the late 17th century. The play is a comedy that explores themes of love, desire, and deception, and is set in the Netherlands during the 17th century.The plot revolves around the character of Don Carlos, a Spanish nobleman who is in love with a Dutch woman named Ariana. However, Ariana is already engaged to another man, a wealthy Dutch merchant named Van Brune. Don Carlos decides to disguise himself as a Dutchman and infiltrate Van Brune's household in order to win Ariana's heart.As the play unfolds, Don Carlos finds himself caught up in a web of deceit and intrigue, as he tries to navigate the complex social and political landscape of the Netherlands. Along the way, he encounters a cast of colorful characters, including a scheming servant, a bumbling Dutchman, and a group of English travelers who provide comic relief.Despite the many obstacles in his path, Don Carlos remains determined to win Ariana's love, and the play culminates in a dramatic confrontation between the two lovers and Van Brune. In the end, love triumphs over deception and Don Carlos and Ariana are able to live happily ever after.Overall, The Dutch Lover is a witty and entertaining play that showcases Behn's skill as a playwright and her keen understanding of human nature. It remains a popular work of English literature to this day.Sil. Why--I would have thee do--I know not what-- Still to be with me--yet that will not satisfie; To let me--look upon thee--still that's not enough. I dare not say to kiss thee, and imbrace thee; That were to make me wish--I dare not tell thee what.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Plays, Histories And Novels Of ... Mrs. Aphra Behn. With Life And Memoirs; The Plays, Histories And Novels Of ... Mrs. Aphra Behn. With Life And Memoirs; Aphra Behn Aphra Behn

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "The Forc'd Marriage", was staged in 1670, followed by "The Amorous Prince" (1671). After her third play, "The Dutch Lover", Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "The Rover" and "Love-Letters Between a Nobleman and His Sister" (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality." She was quoted as stating that she had led a "life dedicated to pleasure and poetry."

The Widow Ranter or The History of Bacon in Virginia is a play written by Aphra Behn in the late 17th century. The story is set in colonial Virginia during the 1676 Bacon's Rebellion, which was a popular uprising against the British colonial government. The play follows the character of Nathaniel Bacon, a wealthy landowner who leads the rebellion against the corrupt governor of Virginia. Alongside Bacon, the play features a range of characters, including the titular Widow Ranter, who is a Native American woman who becomes involved with Bacon's cause.The play explores themes of power, corruption, and colonialism, as well as issues of gender, race, and identity. Behn's writing is known for its wit and satire, and The Widow Ranter is no exception. The play is a complex work that challenges traditional notions of heroism and villainy, and offers a nuanced portrayal of the historical events it depicts.Overall, The Widow Ranter or The History of Bacon in Virginia is a significant work of early American literature that offers a unique perspective on a pivotal moment in colonial history. It is a must-read for anyone interested in the history of the United States, as well as those interested in the literature of the Restoration period.King. Turn, turn ye fugitive Slaves, and face the Enemy; Oh Villains, Cowards, Deaf to all Command, by Heaven I had my Rival my in view and Aim'd at nothing but my Conquering him--now like a Coward I must fly with Cowards, or like a desperate Mad-Man fall, thus singly midst the numbers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "The Forc'd Marriage", was staged in 1670, followed by "The Amorous Prince" (1671). After her third play, "The Dutch Lover", Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "The Rover" and "Love-Letters Between a Nobleman and His Sister" (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality." She was quoted as stating that she had led a "life dedicated to pleasure and poetry."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A prince falls in love with a woman seems like a simple plot scenario, but Oroonoko, or the Royal Slave is not a simple story. A prince does fall in love with a woman, Imoinda; but so does the prince's grandfather, the king. The King commands Imoinda to his harem with no regard for her marriage to Oroonoko. After a failed attempt at escape, Imoinda is sold as a slave. Her love, Oroonoko, is told that she is killed and has no idea his love is still alive. Oroonoko throws himself into battle, but is later betrayed, captured, and sold into slavery. Oroonoko is sent to the same plantation where Imoinda serves. Will they find each other? Will she still be his love? Aphra Behn is a first among women to be recognized solely as an authoress. She led an exciting life as a spy, but later ends up in debtor's prison. At that time, she turned to writing as her rescue. She enjoyed great prominence, initially as a writer for the stage. After some legal troubles regarding her works about the current political climate, she redirected her attention to translating works and fiction. She is buried at Westminster Abbey, but oddly not with other poets, but near the steps to the church.

This Is A New Release Of The Original 1871 Edition.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "The Forc'd Marriage", was staged in 1670, followed by "The Amorous Prince" (1671). After her third play, "The Dutch Lover", Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "The Rover" and "Love-Letters Between a Nobleman and His Sister" (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality." She was quoted as stating that she had led a "life dedicated to pleasure and poetry."

The Town Fopp or Sir Timothy Tawdrey is a play written by Aphra Behn, first performed in 1676. The play is a satire of the fashionable and frivolous lifestyle of the upper class in Restoration England. The main character, Sir Timothy Tawdrey, is a wealthy and shallow young man who spends his time pursuing women and engaging in extravagant parties and gambling. He sets his sights on a young woman named Sylvia, who is engaged to another man, and uses his wealth and charm to try to win her over. However, Sylvia is not easily swayed by his advances and remains loyal to her fianc�����. The play also features a cast of colorful characters, including a group of witty and independent women who challenge the traditional gender roles of the time. Overall, The Town Fopp is a witty and entertaining critique of the excesses and superficiality of the upper class in 17th century England.Bell. If I must Marry any but Celinda, I shall not, Sir, enjoy one moments bliss! I shall be quite unman'd, Cruel and Brutal! A Beast, unsafe for Woman to converse with; Besides, Sir, I have given my Heart and Faith, And any second Marriage is Adultery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.