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This book provides a major study of the drawings, paintings and carvings of the crucifixion from tenth- and eleventh-century England, placing these works of art within the context of the tenth-century monastic revival. The drawings and paintings of the crucifixion are discussed in relation to the literature, theology, liturgy and devotional practices of the late Anglo-Saxon period.
This book is an illustrated study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period. It will be of interest to art historians, theologians and literary scholars alike.
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