Bøger af Benito Perez Galdos

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

El ano es 1822, la escena, la ciudad de Urgell, en los Pirineos, atacada en ese momento por los liberales y defendida por los absolutistas. Un espia liberal joven es amado por una baronesa absolutista, y despues de intrigas innumerables el heroe mata primero al lider de los liberales, y luego al comandante de la fortaleza, y los amantes huyen hacia regiones de paz. Como un llamamiento a la tolerancia, La fiera es irreprochable, y Galdos, el radical, ha pintado los excesos de ambos lados con perfecta imparcialidad.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Cuando Rufete se cansaba de andar, sentábase. Tenía mucho que hacer, despachar mil asuntos, oír a una turba de secretarios, generales, arzobispos, archipámpanos, y después..., ¡ah!, después tenía que echar miles de firmas, millones, billones, cuatrillones de firmas. Se sentaba en el suelo, cruzaba los brazos sobre las rodillas, hundía la cara entre las manos, y así pasaba algunas horas oyendo el sordo incesante resbalar del mercurio dentro de su cabeza. En aquella situación, el infeliz contaba los ciento sesenta y siete millones de pesetas. Esto era fácil, sí, muy fácil; lo terrible era el pico de aquella suma.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ O'Donnell ...; Volume 4 Of Episodios Nacionales; Benito Pérez Galdós Benito Pérez Galdós Est. tip. de la viuda é hijos de Tello, 1904

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

BENITO PÉREZ GALDÓS España 1843 - 1920

haces brotar lágrimas de mis ojos, amor santo de la patria! En cambio yo aún puedo consagrarte una palabra, maldiciendo al ruin escéptico que te niega, y al filósofo corrompido que te confunde con los intereses de un día. A este sentimiento consagré mi edad viril y a él consagro esta faena de mis últimos años, poniéndole por genio tutelar o ángel custodio de mi existencia escrita, ya que lo fue de mi existencia real. Muchas cosas voy a contar. ¡Trafalgar, Bailén, Madrid, Zaragoza, Gerona, Arapiles!... De todo esto diré alguna cosa, si no os falta la paciencia. Mi relato no será tan bello como debiera, pero haré todo lo posible para que sea verdadero.

El 19 de Marzo y el 2 de Mayo es la tercera novela de la primera serie de los Episodios Nacionales de Benito Pérez Galdós. Continúa con la historia del joven gaditano Gabriel de Araceli, quien es también protagonista de los dos anteriores episodios, La Corte de Carlos IV y Trafalgar. La vida de Gabriel transcurre entre idas y venidas de la capital a Aranjuez, donde su novia Inés, huérfana, vive recogida por su tío, párroco de Aranjuez y protegido del Primer Ministro Manuel de Godoy, de quien dice ser paisano y amigo.

La historia se desarrolla en Cataluña en el año 1827. Cuenta la infancia de un nuevo personaje, Pepet Argensola, y de como, a pesar de ser educado para ser capellán, acaba convirtiéndose en uno de los instigadores y más notables comandantes de la revuelta catalana conocida como Guerra de los Agraviados o de los Malcontents.

Primera novela de Benito Pérez Galdós, es publicada en 1870. La acción transcurre en la ciudad de Madrid durante los años del Trienio Constitucional y toma su título del café situado cerca de la Puerta del Sol que, con ese mismo nombre, sirvió de lugar de reunión a artistas y tribuna oratoria para políticos liberales.En la novela, se mezclan los hechos históricos con los asuntos personales siguiendo una pauta de construcción literaria similar a la de los Episodios Nacionales.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Un tribunal literario", de Benito Pérez Galdós. Benito Pérez Galdós fue un novelista, dramaturgo y cronista español, representante de la novela realista del siglo XIX en España (1843-1920)

En esta novela el autor desarrolla una historia de amor truncada por la intolerancia y el fanatismo religioso. El propósito de Gloria, es la defensa de la tolerancia y de la religiosidad natural, junto a un ataque comedido del fanatismo. Galdós critica los defectos de un catolicismo aparente; pone de relieve la verdadera indiferencia, que, a su juicio, se oculta en España tras la pantalla de un catolicismo más supuesto que real.

En esta novela el autor desarrolla una historia de amor truncada por la intolerancia y el fanatismo religioso. El propósito de Gloria, es la defensa de la tolerancia y de la religiosidad natural, junto a un ataque comedido del fanatismo. Galdós critica los defectos de un catolicismo aparente; pone de relieve la verdadera indiferencia, que, a su juicio, se oculta en España tras la pantalla de un catolicismo más supuesto que real.

Tristana es una novela del escritor español Benito Pérez Galdós publicada en 1892 que continúa el ciclo "espiritualista" de las "Novelas españolas contemporáneas" iniciado un año antes con Ángel Guerra. Abordando el tema de la emancipación de la mujer en la sociedad española de finales del siglo XIX,1 profundiza en el mundo conflictivo físico y emocional de "una mujer que no quiere ser ni amante ni esposa"

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Incógnita, Volume 59; Volume 132 Of Biblioteca Contemporánea; Novelas Españolas Contemporáneas; Benito Pérez Galdós; Colección Crisol; Colección Escritores Del Siglo XX; Bibl. / La Patria México; Volume 40 Of 100 Clásicos Universales; Novelas Contemporáneas; Benito Pérez Galdós; La Incógnita 2 Benito Pérez Galdós Aguilar, 1906 Fiction; Classics; Fiction / Classics; Spanish fiction

""C�����diz"" es una novela escrita por Benito P�����rez Gald������s en 1908. La historia se desarrolla en la ciudad de C�����diz y sigue la vida de un grupo de personajes, incluyendo a un joven idealista llamado Rafael, su t������o, un pol������tico corrupto llamado Pacheco, y la hermosa y misteriosa Isabel. La novela explora temas como la pol������tica, la corrupci������n, el amor y la traici������n. A trav�����s de la historia, Gald������s ofrece una mirada cr������tica a la sociedad espa�����ola de la �����poca y su sistema pol������tico. ""C�����diz"" es considerada una de las obras m�����s importantes de Gald������s y un cl�����sico de la literatura espa�����ola.This Book Is In Spanish.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Fortunata y Jacinta es, según la opinión mayoritaria de la crítica literaria, la mejor novela de su Pérez Galdós, y junto a La Regenta de Leopoldo Alas, una de las más populares y representativas del realismo literario español. La obra narra las relaciones de Juanito Santa Cruz con dos mujeres, una esposa, Jacinta, y otra, su amante y madre de dos hijos, Fortunata. Esta edición publica en dos tomos esta novela de cuatro partes.

BENITO PÉREZ GALDÓS España 1843 - 1920

BENITO PÉREZ GALDÓS España 1843 - 1920

BENITO PÉREZ GALDÓS un clásico de la Literatura Española.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

BENITO PÉREZ GALDÓS España 1843 - 1920

Torquemada en la hoguera By Benito Pérez Galdós

Presentada como novela en cinco jornadas y ambientada en la Barcelona del último tercio del siglo XIX, su publicación a finales del año 1892 casi pasó inadvertida, prestando el público de Galdós más atención a su estreno teatral en los primeros días de 1893. La esencia de la historia puede resumirse en el juicio que expresó Leopoldo Alas Clarín, comparándola con Ángel Guerra, como historia de "la fiera amansada por el amor" (siendo la fiera el rudo y activo "Pepet" y la artífice del milagro amoroso, Victoria, la loca de la casa); en palabras del crítico, escritor y amigo de Galdós, Victoria "joven mística, en el sentido vulgar y corriente de la palabra, emprende la conquista de un alma rebelde y fuerte, como el cristianismo emprendió la conquista de los bárbaros". La paralela lectura crítica de Joaquín Casalduero y su mirada global de la obra de Galdós, definirá al indiano José María Cruz como representante del ciclo de la materia y a Victoria como personaje en triunfo del ciclo del espíritu.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.