Bøger af Benjamin Fraser

People with Down syndrome possess a culture. They are producers of culture. And in the 21st century, this culture is increasingly visible as a global phenomenon. Down Syndrome Culture examines Down syndrome alongside its social, cultural, and artistic representation. Author Benjamin Fraser draws upon neomaterialist and posthumanist approaches to disability as well as the work of disability theorists such as David Mitchell, Sharon Snyder, Susan Antebi, Tobin Siebers, and Stuart Murray. By particularly focusing on Down syndrome, he showcases the unique place that it holds as an intellectual and developmental disability--one that fits between the social and medical models of disability--within the disability studies field. Down Syndrome Culture also pushes the traditionally Anglophone borders of disability studies by examining examples in Spanish, Catalan, and Portuguese-language texts, and incorporating the work of thinkers in Iberian and Latin American studies. Through a close analysis of life writing, documentaries, and fiction films, the book emphasizes the central role of people with Down syndrome in contemporary cultural production. Chapters discuss the autobiography of Andy Trias Trueta, the social actors of the documentary Los niños [The Grown-Ups] (2016), dancers from Danza Mobile, and a variety of fiction films, challenging ableist understandings of disability in nuanced ways. Ultimately, this book reveals the lives, cultural work, and representations of people with trisomy 21 in an international context.

This scholarly book (Literary Criticism and Geography) expands upon previous interpretations of Chilean Baldomero Lillo and Argentine Leopoldo Lugones in order to read each author against the other-and both against the grain. Departing from staid literary paradigms that see Lugones as the quintessential Modernist and Lillo as Zola's Latin American Naturalist counterpart, Fraser explores those aspects of each writer's work that have resisted canonical explanation. Each chapter is devoted to an individual element-Earth, Fire, Air and Water-and dialogues with geographical understandings of the intersection between space and culture. WHAT THE CRITICS ARE SAYING: Fraser's unexpected comparison of the prose works by Chilean Baldomero Lillo (1867-1923) and the Argentine Leopoldo Lugones (1874-1938) has resulted in a fascinating and insightful study that opens new avenues of investigation. Focusing on issues related to modernization, the abuse of natural resources, and the unpredictability of scientific explorations, Fraser makes these early twentieth-century texts relevant today and to disciplines beyond literary studies. -CATHY L. JRADE, Vanderbilt University, Chancellor's Professor of Spanish and Department Chair In Elemental Geographies Benjamin Fraser-known for his work on Spanish literature and culture successfully crosses over into the study of Spanish American literature with a comparative examination of the short fiction of two seemingly disparate writers. Fraser illuminates the points of convergence between Lillo and Lugones while carrying out an analysis of exceptional breadth that should appeal to readers interested in Spanish American modernismo, studies of sound and space, ecocriticism, and the study of early twentieth century occult sciences. -NAOMI E. LINDSTROM, University of Texas at Austin, Professor of Spanish and Portuguese Benjamin Fraser has constructed a singularly enlightening, multi-faceted matrix of the overlapping areas-and previously uncharted territories-that lie between and among naturalism and modernismo; literature and geography; science and the occult; landscape, seascape, and soundscape. With Elemental Geographies, Fraser adds a highly original and fecund analysis to the field of Latin American literary and cultural studies, illuminating the prose works of Leopoldo Lugones and Baldomero Lillo with imminence and urgency for the 21st-century reader. -BRUCE DEAN WILLIS, University of Tulsa, Associate Professor of Spanish and Comparative Literature _ BENJAMIN FRASER is Associate Professor of Hispanic Cultural Studies and Film at the College of Charleston in South Carolina. The author/editor of nine books and some sixty articles in Hispanic Studies and beyond, he is the current Managing Editor of the Arizona Journal of Hispanic Cultural Studies, the Founding and Executive Editor of the Journal of Urban Cultural Studies, and an Associate Editor of the Journal Hispania.

The first book dedicated to exploring the comics of Ben Katchor

Few musicians shaped Iberian jazz more than pianist Vicenç "Tete" Montoliu i Massana (1933-97). Fascinated by the modernist aesthetics of mid-century jazz, Montoliu was known for a carefully crafted mix of lyricism and dissonance, a penchant for discordant crashes, and a development of highly original compositions. Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz explores the artist's life, musical production, and international reception within a cultural studies framework.

A close reading of the innovative, distinctive vision of Pere Joan, who has pushed boundaries in Spain's comics scene for more than four decades and stoked a new understanding of the nature of reading comics.

Brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards.

Translated for the first time into English, 44 Spanish documents dating from 1417 to the present featured in this collection trace the turbulent history of Deaf culture in Spain.

Cognitive Disability Aesthetics explores the invisibility of cognitive disability in theoretical, historical, social, and cultural contexts.

Do we take Beckett seriously enough? This study starts from the assumption that we do not, and that this arises from an unwillingness to face up to the central philosophical issues implicit in his work. By associating Samuel Beckett with the philosophy of Heidegger, Sartre, and more experimentally, Hegel, this study attempts to illuminate Beckett with the help of these philosophers, on the assumption that his work offers objective correlatives of their central insights.

This book highlights an interdisciplinary terrain where the humanities and social sciences combine with digital methods. It argues that while disciplinary frictions still condition the potential of digital projects, the nature of the urban phenomenon pushes us toward an interdisciplinary and digital future where the primacy of cities is assured.

Toward an Urban Cultural Studies is a call for a new interdisciplinary area of research and teaching. Blending Urban Studies and Cultural Studies, this book grounds readers in the extensive theory of the prolific French philosopher Henri Lefebvre.

Driven by a dual analysis, Encounters with Bergson(ism) in Spain looks at French philosopher Henri Bergson (1859-1941) in Spain--his more or less direct influence on Spanish letters--and also at Bergsonism in Spain--the more indirect resonance with his methodological posture--articulated through Spanish texts as well as theoretical approaches to film and urban space. Through this twin investigation, one part historical and the other part methodological, Benjamin Fraser seeks to broaden the scope of interest in Bergson's philosophy, to emphasize the interdisciplinary nature of Bergson's thought, and to insist upon the relevance of Bergson's methodological premise to two of the most important cultural studies disciplines today--film studies and urban geography.Following an eclectic and interdisciplinary methodology that the French philosopher himself advocated, Fraser reconciles works by some of the most notable twentieth-century authors and critics with compelling aspects of Bergsonism. From novelists Pio Baroja, Miguel de Unamuno, Juan Benet and Belen Gopegui to filmmakers Victor Erice (El sol del membrillo), Alejandro Amenabar (Abre los ojos) and Carlos Saura (Taxi), as well as urban theorists Henri Lefebvre and Manuel Delgado Ruiz, this work takes up philosopher Gilles Deleuze's call for a "return to Bergson," pushing past the established boundaries of interdisciplinary to what lies beyond.Fans of Bergson from all disciplines will also be eager to read English translations of Bergson's lectures at the Ateneo in Madrid the 2nd and 6th of May 1916, included here as an appendix.

Henri Lefebvre and the Spanish Urban Experience is the first book to thoroughly apply the French urban philosopher's thought on cities to the culture and literature of Spain. Fraser shows how Lefebvre's complex view of city as a mobile phenomenon is relevant to understanding a variety of Spanish cultural products-from urban plans and short writing on the urban expereince during the nineteenth century to urban theories, cultural practices and literary fiction of the twentieth century, pushing on to interrogate even te apperance of Mediterranean space and Barcelona in recent videogames.

Antonio Lopez Garca's Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio Lopez has long cultivated a reputation for impressive urban scenesbut it is urban time that is his real subject.Going far beyond mere artist biography, Benjamin Fraser explores the relevance of multiple disciplines to an understanding of the painter's large-scale canvasses. Weaving selected images together with their urban referentsand without ever straying too far from discussion of the painter's oeuvre, method and reception by criticsFraser pulls from disciplines as varied as philosophy, history, Spanish literature and film, cultural studies, urban geography, architecture, and city planning in his analyses.The book begins at ground level with one of the artist's most recognizable images, the Gran Va, which captures the urban project that sought to establish Madrid as an emblem of modernity. Here, discussion of the artist's chosen painting styleone that has been referred to as a ';hyperrealism'is integrated with the central street's history, the capital's famous literary figures, and its filmic representations, setting up the philosophical perspective toward which the book gradually develops.Chapter two rises in altitude to focus on Madrid desde Torres Blancas, an urban image painted from the vantage point provided by an iconic high-rise in the north-central area of the city. Discussion of the Spanish capital's northward expansion complements a broad view of the artist's push into representations of landscape and allows for the exploration of themes such as political conflict, social inequality, and the accelerated cultural change of an increasingly mobile nation during the 1960s.Chapter three views Madrid desde la torre de bomberos de Vallecas and signals a turn toward political philosophy. Here, the size of the artist's image itself foregrounds questions of scale, which Fraser paints in broad strokes as he blends discussions of artistry with the turbulent history of one of Madrid's outlying districts and a continued focus on urban development and its literary and filmic resonance.Antonio Lopez Garca's Everyday Urban Worlds also includes an artist timeline, a concise introduction and an epilogue centering on the artist's role in the Spanish film El sol del membrillo. The book's clear style and comprehensive endnotes make it appropriate for both general readers and specialists alike.