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Leaning toward Emily Dickinson's advice to tell it slant, the poems in Betty Adcock's Slantwise approach our losses, including such disasters as September 11 and the crash of the space shuttle Columbia, through happenings outside the public view - asides, as it were, from the primary moment.
In The Difficult Wheel, Betty Adcock writes about time, about losing the past yet never being able to lose it. Hers are poems about vanishings, about grief, and about folly, our absurd attempt to cancel time and space, to abstract ourselves out of history and out of nature, and to distract ourselves from death's spectre.
Betty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. "Let things be spare," she writes, "and words for things be thin / as the slice of moon / the loon's cry snips."
With a penetrating eye, Betty Adcock writes poems that range from elegy to dark humour as they confront both loss and possibility. Intervale, selections from her first four books plus a new collection, traces the continuity of her vision and shows that lyric intensity can bring light to even the most obdurate darkness.
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