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If youΓÇÖre a sound operator, you know that regardless of the musical genre or venue, high-quality audio is imperative to your and the artistΓÇÖs success. Any live act must sound great to be well received by todayΓÇÖs increasingly demanding audiences.Fully revised and updated, The Ultimate Live Sound OperatorΓÇÖs Handbook focuses on each aspect of live sound operation in a way that is straightforward and easy to understandΓÇöfrom basic system and acoustic considerations to miking, mixing, and recording the live show. Plus media examples, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience.This third edition offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes and routing schemes, and plug-ins for live sound.
A bird's-eye view of Bill Gibson's 60 years as a cameraman. He photographed the likes of John Kennedy, Winston Churchill and Ronald Reagan. Gibson also gives a few tips, he reveals why you should never open your left eye when covering dangerous assignments and why you don't always need film.
The Bruce Swedien Recording Method is an incredibly timely and timeless reference for anyone interested in capturing and mixing the best possible music recordings. From the Michael Jackson albums (Off the Wall, Thriller, Bad, Dangerous, Invincible, and HIStory), to many Quincy Jones hits (The Dude, Back on the Block, Q's Jook Joint, and many more), to classic greats from Count Basie, Duke Ellington, the Brothers Johnson, and Natalie Cole, Bruce Swedien's impact on popular music has been undeniable. Engineers at all levels still use Swedien's recordings as a standard by which they judge the sonic validity of their own work. In The Bruce Swedien Recording Method, Swedien explains many of the techniques he has used to get award-winning drum, bass, guitar, keyboard, vocal, string, and brass sounds. On the accompanying DVD-ROM, he further reveals what he looks for in a recording and the steps he takes to imprint his characteristic world-class sonic signature on the music he mixes. Throughout this book, Swedien consistently pinpoints the most important considerations in the recording process, with such insights as: You don't listen to the equipment, you listen through the equipment... Nobody ever walked out of the studio whistling the console... The sound has to be so good to start with that it gives you goosebumps - the list goes on and on!
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