Bøger af Bret Lott

PRAISE FOR BRET LOTT "A beautifully crafted first-person epic of one poor Southern woman's personal duel with God . . . This is a voice we don't want to stop hearing. . . . Some of the tenderest scenes of family love since those in Dickens."--"Chicago Tribune "Lott is one of the most important and imaginative writers in America today. His eye for detail is unparalleled; his vision--where he looks--is like no one else's in this country."--"Los Angeles Times "Bret Lott has a gift for making the ordinary seem luminous. In Jewel, he applies his art to a broad canvas and produces what may stand as his masterpiece. . . . Lott matches the honest strength of his characters with that of his prose. His Jewel is a force of nature, her story rising out of a perfect, seamless union of teller and tale."--"The Boston Globe

In this deeply affecting, beautifully crafted collection of short fiction, Bret Lott broadens his stylistic range, striking a surprisingly surreal tone with stark, hyperrealistic prose. As story after dazzling story deliberately takes you down a deceptively ordinary path, the arresting center of each startles your unsuspecting sensibility.Among the narrative gems is "Family,” in which a husband and wife bicker incessantly before realizing that their two children are missing, only to discover them in a surprising place-and in a disturbing condition. In "Everything Cut Will Come Back,” a long-distance phone call between two brothers takes a turn when their own tragic past crackles over the line. In "History,” a widow thinks she spots her son at the airport and is left instead with a simple memory of her late husband that resolves her grief. The innocence of three boys is lost when they witness a devastating winter tragedy in "The Train, the Lake, the Bridge.”Within these pages, adulterers are unceremoniously caught, epiphanies arrive during bizarre encounters, and characters move through everyday moments with a fortitude that elevates these stories almost to mythical status. Without a stroke of false sentimentality, The Difference Between Women and Men will leave you strangely shaken-and ever aware of the odd permutations of humankind.

This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan-and letting it go• risking failure-and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott's book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: "Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”

Exploring three generations of the men in his family -- his father and his two uncles, his own two brothers, and his two sons -- Bret Lott spins a sweeping true saga of the ties that bind. With quiet grace and his trademark talent for finding powerful revelations in the most unlikely places, master novelist Lott delivers a bracingly personal and honest memoir that confronts the often inexpressible complexities of contemporary maleness. FATHERS, SONS, AND BROTHERS describes not only the ways men and boys relate to one another but also how their lives evolve over decades, endlessly imitative yet varied. In the end, these essays constitute a celebration of humanity, regardless of gender -- of joy and sorrow, of intimacy and distance, of lingering secrets and universal truths.

In this lyrically written, hauntingly seductive novel, Bret Lott brings to life the beauty and flavor of the mist-covered swamps and backlands of South Carolina's Lowcountry in a story that is both mystery and rite of passage. At fifteen, Huger ("you say it YOU-gee") Dillard already knows a great deal about the ways of the world--or so he thinks. He may not have a father, but with the guidance of his blind "Unc," Leland, and weekends spent at the Hunt Club--a tract of woods and swamp belonging to his family--Huger knows all about the land and the habits of its wildlife, from deer to the pompous Charleston doctors and lawyers who come to hunt them. But nothing can prepare him for the dark events that begin to unfold when he and Unc stumble upon the body of a well-to-do Charleston regular on their land. Who wanted him dead? And why is the Hunt Club suddenly at the heart of a dark secret worth killing for? Caught in a treacherous labyrinth that stretches deep into the past, Huger and everyone he loves are about to discover painful truths that will irrevocably change them; truths that will shatter a young boy's innocence and test him as a man.

For a long time, Claire and Tom Templeton have wished in vain for a child. What they have instead is a house, a charming old Cape that is their consolation. In the gray chill of a Massachusetts autumn, the Templetons and two local handymen, loners and eccentrics, work to rebuild the ramshackle home. As the house takes on a new life, Claire begins to understand its tangled history -- and to reconcile her own past and renew her hope for the future.

Bret Lott's powerful, insightful stories illuminate the everyday episodes that move us -- husbands and wives, parents and children, friends and neighhors -- along the intricate paths of intimacy. A little boy's first bad dream brings his father back to his own childhood nights when danger lurked beneath the bed; in the California desert at night two brothers in a pickup tune into radio stations from distant places, interrupted by sudden bursts of static; estranged suburban friends become good neighbors again in the course of thwarting two thieves.Lott's previous novels, The Man Who Owned Vermont and A Stranger's House, established him as "e;one of the strongest voices to come along in some time"e; (The San Francisco Chronicle). A Dream of Old Leaves stakes out his place in the landscape of new American fiction.

When Rick Wheeler's wife walks out on him, he nearly drowns in despair. So the RC Cola salesman throws himself into work -- setting sales records, winning a promotion, burying himself in the lonely present while he scours the past for hope. Then at last on a cold Vermont morning, a hunter and his prey show him unexpectedly, haltingly, the way back to love and faith.