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"The cultural nuances of Poets celebrates peoples of different nationalities, it is a postcard of place and time and I imagine difficult to do in a second language English. However, Poet Eslahy has mastered the language and presented an elegant treatise on love and freedom, her first published book of poetry casts her as an emissary of light from the Middle East and specifically, Iran. This is a strong first work from Ms. Eslahy, Through Gateways and Wells Refuge and Refugee." TheBookReviwer
This is Bruce Kauffman's latest collection of poetry, still arriving. Among other things it reflects on season, nature, transitions, death, interpretations, and life's crossroads that make us choose. He says his poems arrive often on walks and in café's, and that first drafts are always pen or pencil to a page.
Bruce Kauffman's poetry, particularly in this latest collection, an evening absence still waiting for moon, is full of light. There is a sensation of delicate fingers lithely travelling over the ivory keys of a piano and producing a melody so fine, so exquisite, we simply gasp. And Kauffman's pen is indeed infused with light-and lightness. We feel that he is illuminating the way-but he does it with such a diaphanous touch, we don't feel like we are being pushed or coaxed: we absolutely want to go! -Carolyne Van Der Meer, author of Journeywoman, and Motherlode: A Mosaic of Dutch Wartime Experience
Haunting sketches from the leanest light of memories, from spare & sharp boned emotions. Kauffman's ghostly lyrics are evocative traceries, fissures of words. Catherine Owen, author of nine collections of poetry including the AB Literary Prize winning collection Frenzy (Anvil Press 2009). There is a quiet grace and a persistent fierceness at work in Bruce Kauffman's first full length collection of poetry. Grounded in the contemplative tradition, each poem serves as a way-marker along a desire-line. Kauffman's voice is intimate and direct, perceptive and guiding-there is a real honesty here. Sandra Ridley, author of Fallout, winner of the 2010 Saskatchewan Book Award for Publishing, and Post-Apothecary (2011).Here is a poet who pays rapt attention to both the agony and ecstasy of being alive, who hears not only "crystalline echoes/of empty hearts/calling," but also gazes with wonder at the "multicoloured forest/of mirror/and glass." Bruce Kauffman doesn't establish his voice as a grand authority, but rather, as a seeker, a sojourner; his is a poetry of both wisdom, negative capability, yet also humility, a poetic world in which the flowers in the window box "understood the rain/far better than i." The cosmos is bigger, older, and wiser, and Kauffman gives himself over to its rhythms, both dark and light. Jeanette Lynes, author of The New Blue Distance, The Factory Voice and 5 collections of poetry.If you boiled the world in a pot, the steam would resemble Bruce Kauffman's poetry. Personal. Universal. Elegiac. Prayerful. The poems in this book are timeless mirrors reflecting a world that belongs to everyone, a world stripped down to its spiritual bones. Jason Heroux, author of the poetry collection Emergency Hallelujah (Mansfield Press) and the novella Good Evening, Central Laundromat (Quattro Books).
This is the second of three full length collection of poetry by Bruce Kauffman. It is an expansion of a previously published chap book, entitled seed (The Plowman Press, 2005). This book is divided into three sections: the "Prologue", "Seed", and the "Epilogue". The first and last section, somewhat themed, act as both an expansion of and cover for the middle section that was the chapbook itself, and laid out exactly as it was in 2005.
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