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Examines a number of contemporary cultural texts - from ""Fight Club"" and ""Toy Story"" to ""The Matrix"" and ""The Moor's Last Sigh"" - by reflecting them against a cluster of early modern Spanish literary works, principally Miguel de Cervantes' ""Don Quixote"".
By focusing on the dialogic relationship that inherently exists between performer and spectator in performance, this work diachronically examines the performative poetics of the jongleuresque tradition and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries.
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