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Most significant problems of contemporary life have their origins in nihilism and its paradoxical logic, which is simultaneously destructive to and constitutive of society. This book develops a systematic account of nihilism in its four main forms: escapism, radical nihilism, passive nihilism and 'perfect nihilism.'
Explains the performative relation to social theory in which cinema functions as a tool for social diagnosis. This book provides an understanding of theory as the chosen films work as a pedagogical route into social theory. It is suitable for students and researchers of Sociology, Contemporary Social Theory, Film Studies and Cultural Studies.
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